Name: We Are All Egyptians (Hysteric Edit) D/L WAV by Hysteric in boom
Duration: 5 min 2 s
Description: OG by Explorers Of The Nile (Morton, Sherman, Belluci) in '88

boom

Parvati Khan - Mai Teri Maina (The Square Sun Edit)

MM CAST 20 - DJ SCM

Back to the purest Disco sound in our new episode of MM Cast, brought to you by Maurizio Schiró, also known as DJ SCM. Born in Palermo but based in Berlin, Maurizio has grown in the Berlin underground scene alongside his own imprint 'WATAJ,' through which he has released a significant number of tracks under different aliases like Enzo Conoga, Tony Pianola, Mariella Novanta, Mimmo Stella, and Santo Piccante. Records where disco and balearic go hand in hand, delivering a fresh, original, and highly addictive sound. Releases like ' Paesaggi Immaginary,' and the mini album ' Introducing Tony Pianola in Luce Artificiale' speak for themselves about DJ SCM's elegance, although undoubtedly 'Estoy Totalmente Loca por ti' was the record that definitively put him in the spotlight of the scene with that mix of 90's balearic and italian dream house that literally 'turned us crazy'

Without further ado, we present you with the universe of DJ SCM, more than an hour of pure Disco sound (only vinyl) well seasoned and influenced by his native Italy. Grab a "birra", feel yourself like being in Palermo and let's make the summer never ends.

@dj_scm
@watajdotnet

MM CAST 20 - DJ SCM

https://optimomusic.bandcamp.com/album/im-home-im-ok

1 I'm Home, I'm OK
2 Leaving Diego
3 Steikesexual
4  I'm Home, I'm OK (DJ Fett Burger's Not at Home Tonite Mix) - Bandcamp only bonus.

I’m home, I’m Ok!

If you in one way or another fall outside of the CIS male gender category, or know someone who does, chances are that you are familiar with the four short words that comprise the title of Charlotte Bendiks` newest record. “I`m home, I`m okay” is an all too familiar sentence for those of us who are on the losing end of societal structures that make violence the form of power, and that have had to develop safety systems to create a modicum of counterbalance. “I`m home, I`m okay” are the four short words that indicate that you or a loved one have arrived safely, to safety, or quite simply: Home. These four short words compile much of Bendiks` oeuvre and all three tracks on the record released on Glasgow based Optimo Music in 2023, deals with questions concerning belonging, becoming, and embodiment. For Bendiks, the question of arriving home safely is not only about the act of stepping over the threshold of the home, but also an issue of the body that takes you there. She often refers to her music as body-music, something that is obvious in the heavy rhythms she produces that rarely leaves a dance floor empty. However, body-music can also be understood as music that comes from the body, both intellectually and physically. As music that develops through a process of being a body in the world, of accepting one`s body, loving it and feeling safe in it - and in the world. The latter is perhaps the most difficult, and an issue Bendiks explores to the fullest. Understood this way, Bendiks` music operates on the threshold of embodiment and polemics. The tracks take you from pure bodily experience to strong social critique in a heartbeat, without losing any of their danceability. If you let your body follow the rhythms of the record`s final track “Steikesexual”, for instance, it is impossible not to be reminded of one of feminist critique`s most central tropes, namely that the personal is [always] political. Steikesexual is a hybrid word composed of a Northern-Norwegian slang word that is used to emphasize admiration or idolisation, and the English word for being sexual. In short, steikesexual is both an adjective and a verb. It is something a body can be and do. The track therefore carries with it this hybridity which on the one hand emphasizes sexual power and bodily agency, and on the other highlights otherness and being an outsider. The point that Bendiks is making is that the process of becoming in one ́s body is always both. By letting your body move to and be moved by music, the body always partakes in structures that reach beyond the dancefloor. This is explored further in the track “Leaving Diego”, where Bendiks also play on words. Diego could be a person (a body), but it is also a play on the words “the” and ego”. It is as if Bendiks here points to a body in transit. A body that is moving from one place or state, to another. In a sense, “Leaving Diego” is both an antithesis to and prolongation of arriving home to safety, it is about leaving one's comfort zone, the familiar, in order to become a body that is steikesexual. Bendiksen often talks about home-work when she talks about her work. For her, home-work, like body-music, points to the mental and physical labor that bodies perform when going through transformative moments. It is about being aware and delving into the complexities of the moment. It is about paying attention to all the components that make up a body in space, whether it being societal, cultural or biological ones. Understood this way the record “I`m home, I`m okay” operates between the body and society, and new bodies, new stories and new categories continue to arrive.

releases September 8th, 2023

OMDD 52 - Charlotte Bendiks - I'm Home, I'm OK EP

instrumental piece with 2000's-2010's EDM anthem-ish vibes! 

Rise

Shirley Lites (Heat You Up, Melt You Down "1983") - [Vintage Audio Mastering]

FREE DOWNLOAD

Abbronzarsi

► Correspondant label founder & owner Jennifer Cardini gracing the booth in Berlin.
► Follow us on SoundCloud: http://blrrm.tv/subscribe-sc

Jennifer Cardini Boiler Room DJ Set

Communion - Burning Witches Records - RSD

Deadly Avenger - Nightcrawler

The Brooklyn duo of Bryce Hackford and Joakim teamed up again, this time as Joyce, 2 years after their debut as Jhack.

CRWDSPCR017 - Joyce - Die Siesta

Photo Credit - Paul Marshall

This week is a special one for us, and we are totally honoured to welcome Hardway Bros to our series. Probably best known in the modern day as one half of the enigmatic DJ duo ALFOS, Sean Johnston has long been one of our favourite selectors and with very good reason. 

Today he guides us on a two hour tour of the known universe, main points of interest include, but are not limited to; sidewinding psychedelia, low slung instrumentation, bubbling acid bass, and arps galore. 

All we can say is frothzoid. 

Enjoy.

@hardwaybros

Hardway Bros | 042

@NightNoiseMusic returns with a new release from @TheSovietUnion aka Richard Baldwin. Baldwin has a signature style that is cinematic and synth heavy and has been formed over the last decade plus. A fine DJ, experienced promoter and self-confessed addict of vintage analogue synthesizers and drum machines, Richard pulls his influences from early electronica, 80s film-scores, and shades of techno right up to the present day. 

This release sees 'The Soviet Union' drawing on all their influences to craft a rugged slice of electronica. 'Emptyhead' is the track and it features additional remixes from Mind Fair, Dance Station and Ondata plus a dub mix from 'The Soviet Union' .

Release Date - 10/12/18

Sinchi Blog - https://www.sinchi-collective.com/the-soviet-union-emptyhead/

Youtube - https://youtu.be/Z8b8TSwCQ_o

PREMIERE - The Soviet Union - Emptyhead (Night Noise)

Recorded live at Nuits Sonores 2019, 15:00 - 18:00, before Donato Dozzy took over.
Marissa Cetin from Resident Advisor wrote about the afternoon:
"Unlike the other daytime curators, Lena Willikens chose to open La Sucrière's impressive main hall on Friday, playing alongside her usual back-to-back partner Vladimir Ivkovic. The two looked relaxed behind the decks, swaying, smoking and sometimes smiling. The crowd, less dense than during the other headliners due to the early start, were also in a good mood, using the extra space to feel out each beat of the slower selections. Much of the two hours felt like existing in the lagging moment of a sci-fi movie, just before a spaceship launches into warp speed (in a good way, I promise)."
https://www.residentadvisor.net/reviews/23893
https://www.nuits-sonores.com/

Willikens & Ivkovic live at Nuits Sonores June 1st 2019

Following the release of last year's 'Pink Tango' EP, Ponty Mython returns to Futureboogie Recordings with another selection of high-quality paradise nuggets. Four slices of forward thinking exotics and Balearic adventures, including a remix by space cadet Jonny Rock. Streaming here today, digger extraordinaire and Worldwide FM radio host Jonny Rock delivers a chunky crowd swayer. A wigged out, tribal space dance that enters transcendental realms, as aircraft sounds pass over head and tweaky acid bubbles over a chuggy groove.

Read more: http://liquidyouth.nl/music/premieres/ponty-mython-jealous-lover-jonny-rock-remix-futureboogie 
Buy: https://fanlink.to/speakforyourself 

https://soundcloud.com/jonnyrock
https://soundcloud.com/pontymython
https://soundcloud.com/futureboogie

Premiere: Ponty Mython - Jealous Lover (Jonny Rock Future Is Now Remix) [Futureboogie Recordings]

OG by Explorers Of The Nile (Morton, Sherman, Belluci) in '88

We Are All Egyptians (Hysteric Edit) D/L WAV

Messing about with breakbeats and channelling our best DJ Technics impression on this Baltimore Club re-work of Billie Ray Martin's 90s classic.

Your Loving Arms (Running Hot Rework)

Das Komplex joins up with the King Of Kong imprint to release four soul-infused tracks entitled ‘Reverse Hallucination’. After spending years as a bedroom musician and occasional DJ Marcin Lukaszewicz, modest producer from North-Western Poland known as Das Komplex debuted four years ago on local FASRAT label. Since then he became one of the most respected Polish producers, releasing an album on Catz’n’Dogz’ Step label, as well as singles for Young Adults, Love On The Rocks or People Must Jam. His very singular, hazy breed of sample- based house-derived music made its way to sets of numerous high-profile DJs (from the late Andrew Weatherall to Axel Boman), eventually making its way to no other than DJ Harvey, who invited Marcin to play at his Pikes Ibiza residency, and included one of his tunes on his recent ‘Mercury Rising’ compilation.

‘Lagos’ takes a slightly darker route, but even here a heavy, percussive groove is brightened by bursts of uplifting piano.

https://soundcloud.com/daskomplex

Reverse Hallucination

PRÈMIÉRE: Das Komplex - Lagos [King Of Kong]

Collect and love music all my life.
Respect to the original artists, whose work appears here in reconstructed and mixed formats.

I try to answer all IDs but please be patient :) 

SUPPORT UKRAINE:  www.blue-yellow.lt/en/

Previous releases and appearances:

~ Miserablist - "Miserable Edits I, II & III" (M-Division)

~ "Life is Cheap" 12" (Bordello A Parigi)

~ "Italo City" CD (Mothball Record)

~ "Italo Estate" CD (Mothball Record)

~ "Hot Girls of Italo-disco" remix 12" (Mothball Record / Bordello A Parigi)

~ "Mothball Dance Classics) remix 12" (Mothball Record / Bordello A Parigi)

~ Manuel - "Occhi Occhi Occhi" remix 10" (Mothball Record)

~ Hildegard - "Satanicamente / Gay" remix 12" (Mothball Record)

~ Katia - "Io Senza Di Te" 12" (Mothball Record)

~ Salamanca Issue 4 12" (Salamanca)

~ "Dromedary" EP (Public Possession)

~ "Extra Terrestrial" (Mysidian)

~ "Oasis Room" (Ostra Discos)

~ Giusy Dej - "Walking in the Night" (Mothball Record)

~ "Mappamondo" EP (Public Possession)

~ "Summer in Cairo" EP (Fuego International)

~ "Amour" EP (Violette Szabo)

~ "Pepper DJ" EP (Plaisir Partagé)

~ Banoffee Pies Limited Series 04

~ "Test" edit on Benoit Hutin ‎– "Electronic" LP (Camisole)

~ "Hagámoslo Juntos " edit on Balearic Blah Blah 14

~ H&S - "Sandy Traces" EP (Mothball Record)

~ "Mysteries of the Night" edit on MM Discos 03

~ BAH041 EP (Bahnsteig 23)

~ "In the Moonlight" EP (Violette Szabo)

~ "Letter from the Far East" on BEST003 (La Bestiole Records)

~ "Temple / Tranquil" 7" (Magic Lantern)

~ edit on Ralph River Band - "Strange Vibration" (ZYX Records)

~ Arvo - "So Deep" [Instrumental Remix] (Strangelove Music)

~ Mandy Mancini ‎– "Love Me!"  ['83 Tape Edit] (Fresh Colour)

~ Fancy - "Null Null" [Instrumental Edit] (Mothball Record)

~ "Orient Express (Milan to Tokyo)" CD (Mothball Record)

~ edit on Kel-Air & Band Band ‎– "Tuareg" (ZYX Records)

~ "Hysteric in Shanghai" on Boots & Legs Vol. 1

~ "11PM" on V/A - Fest EP (Filament)

~ R°A - "Alexander" [Edit] (Mothball Record)

~ Quinn Martin - "One More Mission" [Mars edit] (Mothball Record)

~ edit on Cheaps - "Moliendo Café" (ZYX Records)

~ Artisti Vari Italia I & II (Mothball Record)

~ "Tomorrow" on Isolation Therapy comp (Stamp the Wax)

~ "Only We Can Do It" on Dance for Relief comp (Running Hot)

~ "Techno Tandori" on Strange Source Edits Vol 1 (Planet Trip)

~ "Ghost"  remix for Uabos & Hard Ton

~ edit on Helen - "Witch" (ZYX Records)

~ edit on Cover Boys - "Reality"(Glossy Mistakes) 

~ edit on Sensitive - "Don't Stop" (ZYX Records)

~ Illuminati Edits Vol 1 (Centre Neptune)

~ Illuminati Edits Vol 2 (Centre Neptune)

~ B4 edit on Scribble - "Selected Works 1983​-​86" (Strangelove)

~ Kitchen Appliances EP (Pleasure of Love) 

~ Edit on 'Lectric Workers - "Robot is Systematic" (ZYX Records)

~ Forza edit on Orange Tree Edits V/A (OTE008)

~ Pleiades edit on Duca Bianco V/A (DB12 005)

~ "Vinyl Charcuterie" compilation on Stoffige Vingers (WL-005)

~ Edit on A.G.F. - "Loved By You" (ZYX Records)

~ Lombardoni Tool EP (Public Possession)

We Are All Egyptians (Hysteric Edit) D/L WAV

Hysteric

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