Techyes

The Rotterdam-based label and agency On Board Music proudly marks its 10-year anniversary with a carefully curated compilation of likeminded artists. This milestone release showcases those who have shaped the label's sound and identity, while also setting the tone for the years to come. On Board 10 features nine tracks on vinyl, complemented by five exclusive digital bonus tracks.

The collection traverses a diverse spectrum: from the immersive depths of Altinbas' atmospheric journey Submersion to the intricate, rhythmic craftsmanship of Polygonia's drum-workout Broken Temptation, and from GiGi FM's ethereal dub-techno exploration Maova and Dorisburg's percussive, Nordic-techno gem Sensorik. The release blends introspective meditativeness with dancefloor-ready energy - a balance between home listening and club environments. It's atmospheric, trippy, dubby, broken, ambient, techno - all the sounds that define the essence On Board Music.

Release date vinyl/digital: March 31 / April 4, 2025
Distributed by: Clone
Mastered by: Enisslab Studio in Rome
Visual and design by: Artur Olès
© On Board Music 2025

Released by:
On Board Music
Release date:
4 April 2025

Altinbas - Submersion

Perpetual Booty Grooves Vol.1

PREORDER

[PALINOIA011] A1 Eric Cloutier - PBG001 [PREVIEW]

GiGi FM - Maova

Tiryns

Peuceus

Italian-born, Berlin-based DJ and producer Z.I.P.P.O delivers a deeply introspective release on Mistress Recordings. Blending raw electro rhythms, nostalgic soundscapes, and futuristic Detroit influences, "Mistress 17" is rooted in evocative emotion with the right dancefloor energy and cutting-edge production – the perfect return for DVS1’s sub-label.

Artist: Z.I.P.P.O 
Release: Mistress 17
Label: Mistress Recordings
Catalog Number: HU-MR17-SH
Release Date: 12th March, 2025

A1. We Need One Another (Original)
A2. Last Hope
B1. We Need One Another (Instrumental)
B2. We Need One Another (Bassapella)
B3. We Need One Another (Acapella)

MISTRESS 17 will be available at some fine record stores and on Bandcamp: www.dvs1mistress.bandcamp.com

Mistress Recordings 17

Buy Release

A1. Z.I.P.P.O - We Need One Another

buy it here
https://kagerou.bandcamp.com/album/monster

Premiere: Ryogo Yamamori - Monster

Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.

"To make this project, I had to dig really deep in terms of what my relationship was to techno; I've been involved with it for a really long time and there's a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked "what is techno to you?" but I can't answer that with words; this album is the answer."

From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with. 

Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects.

Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil's creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.

This insistence on trying novel techniques doesn't preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year's synthesiser expos.

"For me, it's an interesting experience returning to old techniques again after 30 years. [I'm] always exploring and finding myself back at the beginning. Connecting the present with the past."

This philosophy of 'time travel' is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

BANDCAMP

Surgeon - Dying

Tauceti is back on the label, with a solid 4 tracker solo ep and her singular trippy, hypnotic, atmospheric touch.

Tauceti - Emeraude [non065]

A1. Markus Suckut - Patience
A2. Markus Suckut - Resurrection
B1. Markus Suckut - Myth
B2. Markus Suckut - Moments

A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with ‘Moments’. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. ‘Moments’ is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect. 

The A1 remains usually the first impression of every record, so it makes sense that ‘Patience’ would mark the beginning of this eight release for the Brussels’ club. A bubbly yet impactful track, ‘Patience’ rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into ‘Resurrection’ - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context ‘Resurrection’ is reserved for. ‘Myth’ then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of ‘Myth’ finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track ‘Moments’. Appropriately named, this fourth piece concludes Markus Suckut’s latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come. 

Written and producer by Markus Suckut
Mastered by Ahmet Altinbas
Artwork by Ahmet Altinbas
Layout by Studio Phazed
Words by Noah Hocker

Moments

FUSE08 • Markus Suckut - Moments

Recorded and first released in 1999, "Drain Hum" is a perfect example of Mike Parker's signature sound.  

Some history of the track is published here:
https://mnmt.no/blog/flashback-mike-parker-drain-hum-1999/

"Drain Hum" by Mike Parker

IY001 - B2 - I/Y - 0000.010

B1. Regal - Pulzar

Release date: 17th of September 2012

Following recent Music Man cd's from Petar Dundov and Marcel Dettmann, we now welcome one of Detroit’s finest, Robert Hood. After the legendary Nighttime World Volume 1 and Nighttime World Volume 2, we are proud to be able to present you the long awaited “Motor: Nighttime World 3” on Music Man!
With "Motor: Nighttime World 3" Robert Hood returns to the project he first started on Austria’s Cheap label back in 1995 and subsequently continued in 2000 on M-Plant. Fusing his trademark minimal techno into jazz inspired moods and inflections, Hood emerges from the smoke-lit shadows of a downbeat, but not beaten, Motor City metropolis. Inspired by Julien Temple’s documentary ‘Requiem For Detroit?’ Robert Hood examines the life, history and future of Detroit’s motor industry and its workforce, set against a backdrop of decay, despair, hope and re-birth.

TRACKLIST
1. The Exodos
2. Motor City
3. Better Life
4. The Wheel
5. Black Technician
6. Learning
7. Drive (The Age Of Automation)
8. Torque One
9. Hate Transmissions
10. Slow Motion Katrina
11. Assembly
12. A Time To Rebuild

http://www.musicmanrecords.net/

Robert Hood - Drive (The Age Of Automation)

Artist: Alan Fitzpatrick
Title: Skeksis For An Endless Night
Genre: Techno
Date: 07 November 2012


Alan Fitzpatrick - For An Endless Night

ENVOY | DARK MANOEUVRES (Slam remix)
[Soma 360D]

 
1.	Envoy – Dark Manoeuvres (Slam Remix)
2.	Envoy – Dark Manoeuvres (Original Mix)


Slam get to grips with Envoy’s 1996 classic, ‘Dark Manoeuvres’ in this latest EP release. Soma have been bringing some of Envoy’s classic releases up to date with Slam following Ricardo Villalobos in reinterpreting the earlier work, all of which leads to May’s release on Soma of new material by Envoy. 

Dark Manoeuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. The 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the Techno sound in that era, as well as being eminently listenable. 

Slam were very much involved in the progression of Techno at the same time as Envoy was creating tracks such as Dark Manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. 

The distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression. The hi-hat and kick drum interplay still drives the rhythm keeping that element as a prominent part of the track, setting a strong foundation that was integral to the original. Some of the more idiosyncratic elements of the original such as the aquatic overdubs, highlighting production, are reconstructed with use of modern technology to provide waves of highly imposing, building sound at crucial points in the track.

This is a great remix by Slam elevating the original track and elements within it to provide a new and totally engaging release which still expresses all the great qualities of the original. This will be a firm favourite with old and new fans of both Envoy and Slam.  

    


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