Trombone: ARIGA Yusuke
Piano: SATO Hiromitsu
2002/05/14

Yuriga (mov. 2)

Guitar and SuperCollider: Takumi Ikeda
Live at l-e, Osaki
http://www.l-e-osaki.org/?p=2178

Live 14 Sep 2013 GUITARES CAPTIVES

Paulo Dantas and Takumi Ikeda
2015.1.16 Shichoshitsu 2

Dantas Ikeda Duo

Recorded between Patna and Muzaffarpur, Bihar, India
14 & 18 Apr 2017

Indian Car Horns

sorted piano

an Arduino synth with Mozzi library
cf. http://sensorium.github.io/Mozzi/
played with a coin

Arduino, Mozzi and 10yen

NP050718d

‎2012‎.6‎.5‎ ‏‎about 1pm

a 3.5 hour peal of bells (5015 changes of Grandsire Cinques)
to celebrate the Queen's Diamond Jubilee
http://bb.ringingworld.co.uk/view.php?id=135547

cf. http://en.wikipedia.org/wiki/Method_ringing

Method ringing of Cirencester Parish Church

Kokichi Yanagisawa (electric guitar)
Shibatetsu (piano)
Takumi Ikeda (computer)
Recorded live at Ftarri, Tokyo, Nov 22, 2020

Trio for electric guitar, piano & computer (2020)

16_01_2021

Ikeda creates music and performs live using audio-programming language. He also plays improvisations without using computers, does performances without aiming to making any sound; and writes instrumental works using the idiom of contemporary music. Since 2001 he has been experimenting through many collaborations with contemporary dancers. From 2004 he joined in The Method Machine and made a wide range of interpretations of works of Hideki Nakazawa, Shigeru Matsui, Masahiro Miwa, Tomomi Adachi and Tom Johnson. Later, he took part in the Japan premiere of John Cage’s Variations VII as well as various works of American experimental music in the concert series organized by Tomomi Adachi. “Table Music” he premiered in 2009 (winner of the Excellence Award at the 4th AAC Sound Performance Dojo Competition) was intended to reexamine the notion of what is music and of what is its interpretation, which he continued on exploring. Ikeda has been collaborating with the filmmaker Kei Shichiri: in the screenings of “HOTTENTOT APRON – A Sketch” with live music, Ikeda played with other musicians to surprise the audience with very unique, unexpected interpretations every time; In the architecture film “DUBHOUSE: Material Experience 52”, he experimented to manipulate the sense of time through restructuring “St. Mathew’s Passion”. In 2013, He was chosen to be a composer of the residency program of Tambuco Percussion Ensemble, and he composed a new work “La Caverna (sin alegoría)” for them in Mexico. The premiere in Mexico City have earned a great reputation.

Takumi Ikeda

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