With a sitar in my hands since 2002, and playing live from 2012 until today...

Learning every day from Kolkata maestro Raju Chakraborty, teaching others sometimes.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

CONTACT:
Management/Worldwide Bookings: 
Alberto Bragado alberto@prime-culture.com

Founder @talman-records
Bookings: samuelokain@gmail.com
Demos / Promos : okainmusic@gmail.com
I AM NOT READING THE MAILBOX HERE.

CONTACT:
Management/Worldwide Bookings:
Amrit Malkani: amrit@ammanagement.info

Founder: @anddancemusic 

· Music: promos@franares.com
· Demos & Requests: demos@anddancemusic.com

::: Releases On ::: 
And Dance · Toolroom · La Pera Records · Be One 
Glasgow Underground · Alleanza · Soave Dusk
Happy Techno · Hood Politics · Lemon-Aid · SAFE
Low Ceiling · Terms & Conditions · & More

Biography:
Fran Ares, international DJ and producer, founder of the label AND DANCE, has established himself as one of the most prominent figures in today’s Tech House scene. With over 500 tracks and 100 original productions, Fran has set trends in electronic music through his passion, dedication, and unique connection with his audience.

From his beginnings in Madrid and immersion in Ibiza’s vibrant scene to performing at some of the world’s most iconic venues like Pacha Ibiza, Space Ibiza, and Fabrik Madrid, Fran has taken his music to stages across Latin America, Europe, the United States, Africa and Asia. His explosive energy and flawless technique on the decks have left a lasting impression on audiences worldwide. 

With releases on renowned labels such as Toolroom and Glasgow Underground, and support from top-tier artists like Nic Fanciulli, Joseph Capriati, Dennis Cruz, Loco Dice, and Wade, Fran has also collaborated with international figures such as Chelina Manuhutu and Tim Baresko. Additionally, his label AND DANCE has become a Tech House benchmark, endorsed by names like Marco Carola, Paco Osuna, and Joseph Capriati, among others.

His love and dedication to electronic music make Fran Ares a guaranteed crowd favorite. Blending captivating sounds, acapellas, and his own edits, he creates explosive sets designed to make people dance and enjoy. Get ready to experience Fran Ares! See you dancing!

La música es la herramienta a través de la cual este dj y productor bilbaíno nos transporta hacia paisajes sonoros densos y envolventes.  
Tras 18 años a los platos Iñaki Noiz ha ido definiendo y depurando su estilo hasta llegar a sus actuales sesiones donde diversos sonidos como deep, house o mínimal se funden de forma magistral y elegante, aportando un caracter personal y único a sus sets.  
Sonora Bilbao(Bizkaia) mejor club ViciousMA 2014 y 2018, Image club (Bizkaia), Txitxarro (Guipuzkoa), Xiringuito beach club (Alicante), Global underground (Coruña), Sunset (Salou) son solo algunos nombres de clubs y festivales en los que Iñaki Noiz ha dirigido desde la cabina dejando su particular sello en la pista.  
En 2017 este técnico de sonido e iluminación comienza a crear sus propios eventos en su ciudad natal Bilbao con una gran acogida, Hecho que le permite obtener ser residente de Sonora Bilbao, o El Bonito beach club (Alicante).
Esta primavera a creado Imbolcmanagement agencia de eventos de ocio inclusivo que está teniendo una gran acogida en la costa en los mejores beach clubs de la costa levantina.

Philadelphia born and based Josh Wink is one of the true pioneers of techno, house and allied styles - blurring the definitions.

Taking trends, making trends and breaking trends, Josh Wink’s music has always experimented and influenced. The sound of Josh Wink today remains one of a man unafraid to walk the border between stylistic boundaries.

Bookings:
North: emma@liaisonartists.com

South America: diego@analog-a.com

Europe / Asia: raphael@metropole-talent.com

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

DJ Walter Chavez Oriundo de la ciudad de Mercedes, Provincia de Corrientes (República Argentina) Arranca en el año 1990 de manera profesional con tan solo 15 años tocando en Tussa Disco (Mercedes, Corrientes, Argentina). Durante la década de los '90s pasó por diferentes discotecas de la ciudad de Mercedes, Corrientes, Argentina entre ellos: McKenzie, Suet, Tijuana y con su DJ movil.
En toda su carrera ha ido evolucionando en sonidos y sus sets han recorrido géneros que van desde el Classic House en los 90’s, pasando por Trance, Electro, Techno en la década del 2000 y actualmente está abocado más a sonidos Deep y Progressive house, igualmente sus sets muestran un matiz muy amplio de géneros creando atmósferas en su evolución llevando por momentos a sonidos más oscuros de tinte technoso.
Tambien se abocó a producir diversos programas radiales dedicados a promover sonidos underground entre el año 1995 hasta el 2006.
Desde 2008 se toma un descanso hasta el año 2018 en el que vuelve con un programa radial: Set Movida Electrónica que se emitía todos los sábados por una radio FM de su localidad.
Este dio comienzo a un movimiento que pronto se transformó en un colectivo formado por 5 integrantes 3 masculinos y 2 femeninos que trabajaban en conjunto llevando la cultura electrónica al interior de la provincia de Corrientes (Argentina) actualmente con 49 años y una larga carrera en su medio local se encuentra en proceso de expandir sus fronteras a otras provincias y países limítrofes.
El año 2023 y 2024 sigue trabajando para expandir su carrera, ahora en conjunto con productoras de diferentes partes de Argentina lleva su sello en eventos y programas radiales o de streaming.
Camalote (Corrientes), MC Difusiones (Santa Cruz), Velvet in Lab (Buenos Aires), Lobo Récords difusiones (Misiones) y programas radiales.

Redes sociales:
Facebook: walterdavidchavez
Instagram: @walterdchavez
Tik Tok: @djwalterchavez
Youtube: Set Movida Electrónica
Soundcloud: walterdchavez
Contacto: +5493773507991
Mercedes, Corrientes, República Argentina

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