This is preview of my first track.
#135BPM.

JSL - The First(Preview)

1. Porter Robinson - Language (Original Mix)
2. Armin van Buuren & W&W - D#Fat (Original Mix)
3. Armin van Buuren feat. Trevor Guthrie - This is what it feels like (W&W Remix)
4. Zedd feat. Matthew Koma - Spectrum (Arty Remix)
5. Zedd feat. Foxes - Clarity (Andrew Rayel Remix)
6. Mat Zo & Arty vs. Justice - We Are Mozart's Friends (SHato & Paul Rockseek Mashup)
7. Avicii - Bromance (The Love You Seek) (Avicii's Vocal Extended)
8. Avicii - Levels (Original Mix)
9. W&W - Moscow (Original Mix)
10. Delirium feat. Sarah McLachlan - Silence (W&W vs. Jonas Stenberg Remix)
11. Hardwell & Amba Shepherd - Apollo (Dash Berlin 4AM Remix)
12. 2PAC - California Love (Dash Berlin Rework)
13. Coldplay vs. Swedish House Mafia and Knife Party - Paradise Antidote (First State Bashup)
14. Hardwell vs. Above & Beyond - Thing Called Spaceman (W&W Mashup)
15. Armin van buuren feat. Emma Hewitt - Forever Is Ours  (Original Mix)
16. Zombie Nation - Kernkraft 400 (Chris Schweizer Bootleg Mix)
17. Craig Connelli & Christina Novelli - Black Hole (Jorn Van Deynhoven Remix)
18. Andrew Rayel & Jwaydan - Until The End (Club Mix)
19. Andrew Rayel - Dark Warrior (Original Mix)
20. Orjan Nilsen - Violetta (Original Mix)
21. Omnia & IRA - The Fusion (Original Mix)
22. Armin van Buuren feat. Fiora - Waiting for the night (Beat Service Remix)
23. Gareth Emery feat. Christina Novelli - Concrete Angel (Original Mix)
24. Ayda - Caesar (Original Mix)
25. Armin van Buuren - Who’s Afraid Of 138?! (Photographer Remix)


Practice 1 (2014. 1. 16)

Hello. Come again.

This project contains 8 tracks and 6 scenes and the structure is “In→Intro→Section A→Section B→Section A→Outro→Out”.

Besides, each of scenes is assigned by a corresponding number in key map mode. For example, If I want to play “Intro” scene, I just have only to press ”2” of keyboard.

Therefore, it plays by pressing the numbers of keyboard, “1”→”2”→”3”→”4”→”3”→”5”→”6”, step by step.

You can listen to my ashamed work via the following soundcloud link.

Lee_Wk03Ghetto: http://soundcloud.com/iamjunsanglee/lee_wk03ghetto-project

In particular, I was interested and thrilled by using “:2” in the warp control section. It halves the original tempo. I applied it to “drums01_Bass_....” and “HiHat_....” clips, respectively. These things make me pump it up because I can often hear the same edits(phrase) in most of Aly & Fila’s song. Anyway, this paltry action was awesome and I plan to use it to the next projects.

This week’s assignment feels hard to me about controlling volume of each tracks, especially. I just really relied on my ears... But it is difficult to me and would be. I wished to post and discuss it earlier. But I am sorry not to do. I really did my best, so please listen to it and any feedbacks could help me to go further, I guess.

Lee_Wk03Ghetto Project

My project contains 9 tracks and 5 scenes and the basic structure progresses as followings, “Intro→A Section→Breakdown→A Variation→Outro”.

Similar to the last week, I assigned each of scenes to corresponding number in key map mode. So you can play my project, simply typing “1→2→3→4→5” on keyboard.

Also, you can listen to my assignment via my Soundcloud.

Lee_Wk04Ghetto: http://soundcloud.com/iamjunsanglee/lee_wk04ghetto

In this week, I attempted some pitch, volume and transposition edits of clip envelopes in priority. I feel grew up every week, with study, try and design about my assignment.

I think “Clip envelopes” are very powerful to me. 

First, I talk about something special in the clip device. With volume control chooser, I can adjust volume of each track in “dynamic” in comparison with “static” clip gain control. For example, with this, powerful “Fade-in” and “Fade-out” can be possible. Furthermore, in drum tracks, I could make so many variations with one sample source, rendering “skip-beats”. 

Second, I can adjust pitch of samples. In particular, we can feel very excited with high-pitch-sample. We made it in transpose control chooser.

And.. In mixer device mode, “Pan” can be useful in my stereo-sound studio. I was amazing that I could make the sound switch over left and right of ears, alternately.
Also, “Send” control of each track within clip envelopes can be possible to plan to send effects ahead.

Lastly, I used “Pencil tool edits” in this week’s assignment. Before this week, frankly, I was curious about this button. But, I could make sense of the usage of this powerful controller.

I solved last week’s mistakes by adjusting key, using transposition control and adding “_mute” tracks. Furthermore, I might understood the meanings of both “Breakdown” and “Variation”, so I applied the things I was taught to this assignment. (e,g. My Breakdown scene, “Brkdown”, was arranged with dropping out most of tracks except drums and A variation scene, “A Vari”, with adjusting just +1 semitone key.


Enjoy :)

iamjunsanglee

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