@anthonygreentree: this is amazing.  the greentree boys are a force!

I think I prefer this to the original ... it's more natural, got more feeling in it ... good stuff guys! :-)))

gosh this is one of my favorite songs...beautifully done...

Collaboration with Anthony Greentree - A few beers later, this was created in my home studio.  Anthony and I on guitar, me on keys and both of us on vocals.  

Nights in white satin - Collaboration with Anthony Greentree - Cover

Second song on the Sleeping in your car demo.
Written by Cretin 77

Satellite Smile

This tune stems from the first ever cobbling together of notes my grubby little mitts could muster many moons ago. Left in the doldrums of my gourd for some considerable time, it fell out, almost fully formed, just over a year ago. Since that time, I've been collaborating on an antipodean level with one Johnny Brennan to fine tune the drums. 
It could/should have been finished some time ago, but with my lack of inertia, and Mr B not embracing the wonders of communication technology, it took us a wee while to cross the finishing line. 

two finger salute

This one is an exception: I made English lyrics. I made it on the occasion of the 2009 ACBS convention (ACBS is a psychotherapy approach) and performed it on the follies-night. 

It is about a character that can spoil things like perfect parties. You as host have the choice to be bothered by him or not notice him too much and have a good time anyway.

The perfect party

This is collaboration with Hannah Duncan, http://soundcloud.com/hanjan. I wrote the bare bones of the song and Hannah created the rest, the harmonies, counter melody and orchestration. I don't think I would have recorded this on my own, as it lends so much to Drake, but Hannah lent her unique voice to it, making it much more of a  joint effort, and something very different from how I would have driven it.

'Riverbed symbolises the ancient, worn, life bringing veins of the landscape. The song is an idea of a conversation, a journey with them. Something much bigger in significance and longevity than us. Its about floating, finding,and understanding our place.'

(Obvious influence here is Nick Drake's 'Riverman'. I use 3/4 rather than his 5/4. Otherwise, yeah.)

Riverbed ft HanJanDuncan

fun times in lower case

This is one of those eerie autumnal numbers that seem to float around my head at this time of year. I imagine an Atkinson Grimshaw painting  when listening to parts of this. I suppose its another song about fighting those little demons that trouble us.

Guitar
Bass
Harp
Dulcimer
Synth


Written

another coming together of jangly, fuzzy guitars n bass and galloping drums, with a light seasoning of ebow for the chorus-ie bit.

and the sun shines on the right just

We're back! 

Bodine & Connors 
(c) 2013

Nights in white satin - Collaboration with Anthony Greentree - Cover

iangreentree

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