A section of this music featuring the Leeds Town Hall Organ was used in the Hollywood horror movie "Ballet of Blood" by Jared Masters at 21:00
www.youtube.com/watch?v=GEPZDyT0DkY

You can still download it for free from here: https://neilpaddock.gumroad.com/l/gnhliw

For more about Ballet of Blood:
http://www.broadwayworld.com/bwwtv/article/BALLET-OF-BLOOD-Opens-RIP-Horror-International-Film-Fest-20150908

https://youtu.be/Y7K6srIQUL8

The classic organ piece by Johann Sebastian Bach, as featured in the 1925 film "The Phantom Of The Opera". 
Recorded  in Reason 7.1 by importing the midi file created by Kenneth T Settlemyer Jr. (available from Midiworld.com)
http://www.midiworld.com/bach.htm
This track uses 16 bit samples based on the 3.2 Gigabyte FREE 24 bit Leeds Town Hall Organ sample pack available from Samplephonics.com - 16 bit conversion and mp3 rendered in Goldwave.
This piece was put together to "road test" the authenticity of the sounds of the Free sample pack created by Samplephonics for Propellerhead Software's Reason. Note: 16 bit samples used here are available from http:///howcanimakemusic.com, in 125 - 200mb chunks for easy download, for licenced Reason users only. Available with permission from Samplephonics. Check out Samplephonics on Soundcloud https://soundcloud.com/samplephonics for more Free Stuff. This mp3 uses Preset 5 from the pack, crafted by Dr. Simon Lindley, Organist at Leeds Town Hall and Leeds Parish Church. Copyright remains the property of all respective holders.

Toccata and Fugue in D Minor - J S Bach(Mp3 Download)

Hey folks, summer is strictly open air time and therefore I've TWO diametral mixes for you in June! Of course, this first part's title is a homage to a very well-known classic of Nathan Fake and James Holden 'cause this is the stuff as midsummer night dreams are made of.

Will upload the housy and beachy part two of this mini series the next days. So keep your eyes open. Cheers!

https://www.facebook.com/mooninmypocket



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The Sky Was Pink (mixed by Moon In My Pocket)

well yeah IAO Core's fame is also reflected in works of literature. For example, they are mentioned in Philip K. Dick's 1974 novel Flow My Tears, the Policeman Said (Dick 1993, 101) and in Thomas Pynchon's 1966 novel The Crying of Lot 49. The Pynchon novel features "The Lightship", a bar with "a strict electronic music policy". Protagonist Oedipa Maas asks 
"a hip graybeard" about a "sudden chorus of whoops and yibbles" coming out of "a kind of jukebox." He replies, 
"That's by Iao Core... the early crowd tends to dig your Radio Cologne sound. Although Léon Theremin had proposed to him several times, Ayres married attorney Rimi Rockmore Goshe and thereafter used her name professionally.
ey boo to you too wow... you seem to be the real deal, a beautiful green eyed girat cocky (there is a reason for this) white boy, yoga teacher/musician who lives alone
in downtown Oakland and sometimes gets a little lonely...... anywho, i love women (alot) and being a tantric yogi i see the goddess in every woman Later on we really swing" (Pynchon 1999, 

The Violet Consuming Flame  Iao Core With Clara Rockmore

Air Age Anthology

Music In Dreamland

All The Animals Lie Down

May cause excessive blistering in the mouths of lactating marsupials if absorbed in concert with Camphor. Contents will never settle at the bottom. James Hetfield once spit beer on me through the gap in his teeth while we attended a Misfits show at the On Broadway.

"The P-killer" from the album "1,000 Points of Live"

HOW IS IT THAT “the world turned upside-down” always manages to Right itself? Why does reaction always follow revolution, like seasons in Hell? Uprising, or the Latin form insurrection, are words used by historians to label failed revolutions–movements which do not match the expected curve, the consensus-approved trajectory: revolution, reaction, betrayal, the founding of a stronger and even more oppressive State–the turning of the wheel, the return of history again and again to its highest form: jackboot on the face of humanity forever. By failing to follow this curve, the up-rising suggests the possibility of a movement outside and beyond the Hegelian spiral of that “progress” which is secretly nothing more than a vicious circle. Surgo–rise up, surge. Insurgo–rise up, raise oneself up. A bootstrap operation. A goodbye to that wretched parody of the karmic round, historical revolutionary futility. The slogan “Revolution!” has mutated from tocsin to toxin, a malign pseudo-Gnostic fate-trap, a nightmare where no matter how we struggle we never escape that evil Aeon, that incubus the State, one State after another, every “heaven” ruled by yet one more evil angel. If History IS “Time,” as it claims to be, then the uprising is a moment that springs up and out of Time, violates the “law” of History. If the State IS History, as it claims to be, then the insurrection is the forbidden moment, an unforgivable denial of the dialectic–shimmying up the pole and out of the smokehole, a shaman's maneuver carried out at an “impossible angle” to the universe. History says the Revolution attains “permanence,” or at least duration, while the uprising is “temporary.” In this sense an uprising is like a “peak experience” as opposed to the standard of “ordinary” consciousness and experience. Like festivals, uprisings cannot happen every day–otherwise they would not be “nonordinary.” But such moments of intensity give shape and meaning to the entirety of a life. The shaman returns–you can't stay up on the roof forever– but things have changed, shifts and integrations have occurred–a difference is made.
The vision comes to life in the moment of uprising–but as soon as “the Revolution” triumphs and the State returns, the dream and the ideal are already betrayed. I have not given up hope or even expectation of change–but I distrust the word Revolution. Second, even if we replace the revolutionary approach with a concept of insurrection blossoming spontaneously into anarchist culture, our own particular historical situation is not propitious for such a vast undertaking. Absolutely nothing but a futile martyrdom could possibly result now from a head- on collision with the terminal State, the megacorporate information State, the empire of Spectacle and Simulation. Its guns are all pointed at us, while our meager weaponry finds nothing to aim at but a hysteresis, a rigid vacuity, a Spook capable of smothering every spark in an ectoplasm of information, a society of capitulation ruled by the image of the Cop and the absorbent eye of the TV screen. In short, we're not touting Lightcraft as an exclusive end in itself, replacing all other forms of organization, tactics, and goals. We recommend it because it can provide the quality of enhancement associated with the uprising without necessarily leading to violence 
and martyrdom. Lightcraft is like an uprising which does not engage directly with the State, a guerilla operation which liberates an area (of land, of time, of imagination) and then dissolves itself to re-form elsewhere/elsewhen, before the State can crush it. Because the State is concerned primarily with Simulation rather than substance, the Lightcraft can “occupy” these areas clandestinely and carry on its festal purposes for quite a while in relative peace.

Insurrection (boot-strap mix)

A tribute to one of the best Rush songs of all time

(I do NOT own the rights to this song)

Subdivisions (Rush Cover) by Ecliption

from the Magick Orgasm Tour.  The glorious second set from this line-up of rockin' alchemical sound wizards: Johannes Ayres, Rimi Ghose, Travis T. Cortez, April Q. Dawn, Terence Owsley, The Aytherisor, Furniture Music, A Kind of Loving, Brave New World for Young Moderns, Norfolk Coast, No Mercy, Drums/ Space, Remodel Remake, The Vargtimmon, The Sea King

Live in Osaka, Japan 6-26-09  Second Set

The Waltzincore, Just Like Nothing On Earth, Armadillidium Vulgare, Your Gold Dress, Levitation, Sexy Musick, The Masterhit 2, The Eternal Feminine, Automatic Mojo, Angels of Death, Meltdown, Damien............  the sublime first set of the iao core's show in Osaka, Japan  9-26-09

Osaka, Japan Set One 9-26-09

Download Festival Japan 3-21-19
Set One: Waltzincore, Thunderstatement, Bring Me my Crows of Burning Gold, Sea King, Brainstorm, Dancing About Architecture, Sexy Musick, Masterhit, Globe of Frogs, Meltdown, Damien.......

Insurrection (boot-strap mix)

IAO Core

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