Innovativt, häftigt och mustigt. Läcker saxofon.

Yes, ..super trebles and bass...great voice, great melody...great sound

unusual and interesting. They should totally pick this up for the new series of Twin Peaks.

“Fredmans Epistel N:o 72” by Carl Michael Bellman (circa 1790)

Soprano Sax:    Kate Olson (https://soundcloud.com/kateplayssax)
Guitar:              Fredrik Helander (https://soundcloud.com/sea-hawk-1)
Vocals:             Niclas Behre (https://soundcloud.com/ibehre)
Fretless Bass:   Leitnerjoe (https://soundcloud.com/johannes-leitner-1 , https://www.youtube.com/user/leitnerjoe)

This one is for my wife, who have asked me to record this song many times. It’s an old (200+ years) Swedish song and not what I usually do at all (there’s not a single synth on this track!) - Although it’s not exactly a traditional rendering of the song, 

I was very fortunate to get three fantastic musicians (Leitnerjoe, Kate Olson and Fredrik Helander) to join me for this project - 
And I’m in absolute awe at what they did with the song. Don’t miss out on checking their other stuff out, via the links above!

This track is now also available on Spotify and iTunes.

If you want an English translation of the lyrics, you can find one in the description on this more traditional version of the song:
https://soundcloud.com/tim-platt/glimmande-nymf

If you are interested in the guy who wrote this, here’s a link:
http://en.wikipedia.org/wiki/Carl_Michael_Bellman

Buy on iTunes

Glimmande Nymf (Leitnerjoe, Kate Olson, Fredrik Helander & Niclas Behre)

Remember Electromancer? I do. This was first released there..

MachineMusic

The Real World

Thorns

Music inspired by this haiku by Lewis Grandison Alexander:

"My soul is the wind
dashing down fields of Autumn
O, too swift to sing"

and this poem by Pablo Neruda (that you can hear faintly in the background):

"...
Escucha como el viento
me llama galopando
para llevarme lejos.

Con tu frente en mi frente,
con tu boca en mi boca,
atados nuestros cuerpos
al amor que nos quema,
deja que el viento pase
sin que pueda llevarme.

Deja que el viento corra
coronado de espuma,
que me llame y me busque
galopando en la sombra,
mientras yo, sumergido
bajo tus grandes ojos,
por esta noche sola
descansaré, amor mío."
"


Photo by Annie Spratt
(Peak District National Park, Bakewell, United Kingdom)

Composed and performed by DD, Thursday Nov 15th 2018
Synthesizers, wind field recording, cello and string orchestra samples.
http://www.naviarrecords.com/2018/11/14/naviarhaiku254-my-soul-is-the-wind/

Buy/Stream

The Wind Down The Fields of Autumn (naviarhaiku254)

nh254:
http://www.naviarrecords.com/2018/11/14/naviarhaiku254-my-soul-is-the-wind/

naviarhaiku

Fields of Autumn [naviarhaiku254 - My soul is the wind]

My collaboration with amazing guitarist Jack Oli. It's  history of small boy who decides (together with camel)  to leave village and go to big city. Together they traveled across the desert and meet many dangerous people, but at the end they arrived to big city.
I hope you enjoy this small trip :) 
B.C.

Boy and Camel

Burning Car - Boy and Camel ft. Jack Oli (gtr)

neon boulevard
the night slips by
a tinted windscreen

haiku by Simon Hanson http://www.thehaikufoundation.org/poet-details/?IDclient=1463

picture by Ciaran O’Brien https://unsplash.com/@icidius

For more information visit http://www.naviarrecords.com/about/naviar-haiku

windscreen

halF tinteD [naviarhaiku266]

This track was created for the Naviar Haiku group.
266 week haiku
naviarlab.tumblr.com/

2019-02-07

neon boulevard (Naviarhaiku 266 )

Reading the haiku immediately conjured up a wide variety of associated images and feelings for me. It gave me the strong sense of being an image from some sort of contemporary film noir. The tinted windscreen seemed not only a dark contrast to the neon surroundings, but also suggested to me a division between the watcher and the watched, feelings of isolation or alienation. As I turned the haiku round in my head and pictured the scene, the pattern that starts at 1.45 ish began to accompany my thoughts and I developed the piece from there.

naviarhaiku266: neon boulevard

My entry for Naviar Haiku 269:

Before the crossroads
not a stir across the land
a sunrise moment

Photo by Oliver Roos on Unsplash: https://unsplash.com/photos/pHwWbdQrmEs

Adoration

Adoration (naviarhaiku269)

through the blizzard [naviarhaiku270-snowing]

I, Behre, hobbyist musician, singer, songwriter, this-that-and-the-other, am in the SoundCloud primarily to collaborate. Yes, I occasionally post tracks that I have made mostly, or even entirely, on my own - But it is for collaboration that I came, because I think it produces much more interesting results. Please do not hesitate to contact me if you feel like giving working with me a go! 

My musical roots are in the late seventies and early eighties - Mostly post punk and new wave.
Main influences are probably bands like Ultravox and Japan, but there has of course been lots of others as well.

/Niclas 

Glimmande Nymf (Leitnerjoe, Kate Olson, Fredrik Helander & Niclas Behre)

ibehre

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