Beautiful pad and violin! Good composition!

HEREJIA

Olawale Olayinka- #violinist 
Ibukun sunday - #synthesizer #microfreak

Freedom by Ibukun sunday & Olawale Olayinka

release on 17 May 2024 : www.wabi-sabi-tapes.bandcamp.com
@melodieblaison

Mélodie Blaison is a French artist currently based in Brussels. Her work is a space for experimentation, combining modular sculptures, immersive installations and sound objects.

Mélodie Blaison - Pluie + Pluie

Treating songwriting as an instinctive process, Bedoret transforms her deeply personal experiences into pure emotion. Not following any set narrative, Eyes takes the listener on a journey via their own experiences, prompting introspection through Bedoret’s hypnotic melodies. Through the album, she awakens the audience's imagination, to open up their emotional response.

Vanessa began her classical training at age 6 and on completion at 18 she embraced the thrill of playing guitar in punk bands, and like many at the turn of adulthood, was quickly captured by the allure of the dancefloor. She also counts black metal to opera and from eurodance to IDM as inspiration. Her deep understanding of musical form elevates her experimentation to a truly unique sonic experience, one that never strays too far from her original love of classical music.

Through the lens of a life lived to it’s fullest and one that does not shy from experiencing the rawest of emotions, it’s clear that Bedoret has a nack for translating personal observations into cinematic crescendoes. The field recordings throughout only heighten this feeling adding both a grounding and other worldy sensibility. Lyrically, she allows you to peek into her private world and for a fleeting moment letting you lock eyes with hers, asking what do you see?

Ballad

It is a huge honour to publish Peter Brotzmann’s final concerts on OTOROKU. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again.

Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and personal to Cafe OTO. The first time Peter performed at the venue back in 2010 it was in a trio with John and Steve, (released as The Worse The Better kick starting our in-house record label) so it feels fitting that the last shows he ever played here should also have that trio at its core.

The quartet last played together at OTO back in 2013, (released as Mental Shake on OTOROKU), and Brotzmann humbly opened the return of the group saying, "it's a pleasure to be back” before launching straight into a long blast on the alto sax, swiftly met by the relentless energy and engagement of Adasiewicz, Edwards and Noble.

There are moments of tenderness to Brotzmann’s playing that feels specific to this small group - one that cuts across three generations - and in a space that’s come to feel like home. Of course, there is dizzying, forceful, singleminded playing, but even amongst a relentless chorus of cymbal splashes and busy vibraphone clusters the lyrical, spacious moments are savoured and held onto. As he remarked after at the end of the group's first visit to OTO, “the Quartet is, for us, a great adventure.”

Peter clearly wanted to play to the end. Did he know these might be his last shows? We will never know. What is clear is he wanted to go out in style and on his terms. For anyone in the room at the time or listening to these recordings it’s clear he achieved that.

It was Peter’s wish that these recordings should be made public and he was due to finalise the cover design on the week he passed away. We would like to thank Peter’s family for working with us to fulfil Peter’s wishes to release this material but more than anything we would like to thank Peter for all the extraordinary memories, his generosity and all he has given the music. On a personal level for us, like so many, he meant a huge amount and we miss him deeply.

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Peter Brotzmann / reeds 
John Edwards / double bass 
Steve Noble / drums 
Jason Adasiewicz / vibraphone 

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ROKU033 - Peter Brotzmann / Jason Adasiewicz / Steve Noble / John Edwards - The Quartet [sample]

release on 28 February 2025 : www.wabi-sabi-tapes.bandcamp.com
@mythudunitearea

MTUA is the moniker of Matthieu Reynaud, a composer and sound artist based in Lyon. He is an enthusiast of long, contemplative forms, he works on the physicality of sound matter, carving out its contours and striving to breathe his own narrative into it.

MTUA - Crown shyness

131_10

wath branton harlot

Original Track By::::
https://soundcloud.com/user-364196783-552705040/descending-pearls

Photo by Ivons

Wodwo - Descending Pearls (Senglar Rmx)

around and around the beside

Beyond / Below 42 by @brianfoote of @peakoil and @kranky. Received February 2021. 
Photo by Brian

"really just the same as always: tried to make the best mix i could, and am lucky to have friends float me unreleased[*]. thanks for the invitation"

casino versus japan ‘a pink night for snowmen’
lila tirando a obsoleta ‘amor marinero ft. luz oscura’
hoavi ’the argument’
e=max ‘weekend closing’ *
sage caswell ‘bird song (alt mix)’ *
cristopher el truento ‘cry'
if.then.else ‘395/20’
twin jude ‘lvl bay blu’
otilo ‘serpent’
protman ‘1’
lithops ‘uni umit a2‘
avalon kaolin ’square in a triangle’ *

42. Leech

Experimental Ambient Musician / improvisation / Noisemusic / Fieldrecording / Violist

A transcendental sound journey.

Ibukunsunday@gmail.com

Freedom by Ibukun sunday & Olawale Olayinka

Ibukun Sunday

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