Name: Ice_Eyes w/ Rendeece Movement Radio 211222 by Ice_Eyes in Odeipus
Duration: 1 h

Odeipus

Part of the release "Odeipus part I - Would You Rule A Wrecked Kingdom":

https://rendeece.bandcamp.com/album/odeipus-part-i-would-you-rule-a-wrecked-kingdom

Conceived & produced by Rendeece
Mastering @ Digging Sounds studio
Artwork by Kostas Kosnetzof

Sphinx is singing no more for her human supper

Track 04 from the Odeipus II album under the title The Blind Priest:

https://rendeece.bandcamp.com/album/odeipus-ii-the-blind-priest

Conceived and produced by Rendeece 
Mastering @ Digging Sounds Studio 
Artwork by Kostas Kosnetzof

The Filth You Are In

The first single from dragon girl's debut album - to be released Oct 28th, 2022. The album will be out 2023.

dragongirl - isolde's greatest hit

Authentically Plastic - RAW SPACE

"RAW SPACE" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed "demon of the Nile" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.

As both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.

On opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.

Writing "RAW SPACE", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected

Spine Jolt

Le troisième épisode de notes for us est consacré à des extraits traduits pour la première fois en français de My dangerous desires - A queer girl dreaming her way home, de Amber Hollibaugh et de la préface écrite par Dorothy Allison.

Avec les voix de : Constance, Sophie, Isis, Uno, Audrey, Amber.

Notes For Us #3 Amber et Dorothy

This is a guest production mix by Rendeece (Vassilis Sardelis)https://soundcloud.com/chico79er


https://www.instagram.com/r_end_eece/
https://rendeece.bandcamp.com

Tracklist

Kosnetzof v Rendeece – Amphithymia part I (piano improv on field recordings) [Unreleased]
Rendeece – You Are Who You Are Seeking To Find [Odeipus II]
Rendeece – You Are My Enemy [Odeipus III]
Rendeece – Sphinx Is Singing No More For Her Human Supper [Odeipus I]
Rendeece – If I Could Sleep My Eyes Would See (Temple Music Remix) [Endgame]
Temple Music – The Cockatrice (Rendeece Remix) [With A Golden Sickle: The Cockatrice And The Storm Cock]
Rendeece – Gavur için kutsama [Refusee]
Rendeece – Buried Under Snow part I [Buried Under Snow]
Rendeece – Moria Burning part III [Moria Burning]
Rendeece – If I Could Kill Him I’d Die Happy [Endgame]
Rendeece – (G)ymnastics’ (S)equence [(A)UTOPIA 2.2 OST]
Carl Craig – From Beyond (Rendeece Noise From The Second Floor Mix) [Remix Contest]
Rendeece – Elevator To Point Zero [Project Faust I]
Yann Tiersen – Ker al Loch (Rendeece Remix) [Remix Contest]

Ice_Eyes w/ Rendeece Movement Radio 211222

Deconstructed World: AHMED ALAA w/ B E N N - 06/02/2023

Inwoo Jung & Yelim Ki for https://soundcloud.com/objecteater

https://www.retreatradio.net/curiosity-hwy

Curiosity Hwy #1 w/ Inwoo Jung & Yelim Ki (09/02/23)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'Trance Genesis'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - Trance Genesis

Seraphim w/ weepingwillowtree - 08/03/2023

After long overdue Eclephsia's 20th set is finally here. This release is quite special for us, as it is hard to believe that we made this far 🥹🫶🏼

Big ups to everyone giving us love and support throughout this journey 💘

To commemorate this occasion we had to take the time to find the right artist to match our energy. Coming straight out of the Balkans, jumping between numerous genres to without missing a single beat, we are happy to bring you ASTYTEKK. A long favorite of ours 🫶🏼

Ever wondered what listening to brazilian Kanye's vocals in a breakcore distorted beat mixed with juked-out ginseng strip for the Arizona Iced Out Boys would feel like ? Mistah Daddytekk got you covered 😮‍💨

All love from your Kadera Break Bolivian Moombathon Team, get ready for more surprises on the upcoming months 🔮


Tracklist : 

DJ Mandrake, DJ Henrique De SM e DJ Patrick Muniz - BERIMBAU DAS ARABIA 
Bigote - Pronto
CRWD feat. k1k1 - BAD ZU
Flat Football - cocktail party effect
Pinch & Mumdance - Strobe Light
Kanye West - God Breathed (feat. Vory)
Modulaw - Richie Interlude 
Chrizpy Chriz - Compulsion
555IVAS - BITCH MOB (bb trickz edit)
LaMelo Beats - AGRESSIVO DO POCOTÓ
ENDGAMƎ - PHYCHO EDIT (DESTO X SLIPKNOT)
Lvnar - Hayabusa
Menzi - QGM Dance
quest?onmarq - Jackhammer 
Dj Manny - Damn Daniel (feat. Dj Phil)
HTN - Cute 
Cesrv - Once again
DJ Paypal - On Prescription
LAIKA - ginseng stripper 2077
CDXX - Ramses

Unknown Album

ECLEPHSIA ~ K' ~ASTYTEKK

THE ART OF DEATH

Pictures and videoclips can't help!
Put your phone away and you have two hands for saving life!
YOU MAY DO THAT!
The clock of life will not tick for long without support.

Blech und Blut

Contact/bookings: ice.eyes.2012@gmail.com

# Completed four years (2011-2015) of hosting the ChicOnAir Show @ Poplie web radio (www.poplie.eu), trying to create live radio soundtracks. 

# Soundtrac-es by Chico @ Random Access Radio (http://randomaccessradio.net) (2015-2017).  The show continues but under my artistic name (Rendeece). I'm not using the name Chico anymore.

# Bandcamp page under the same name for the official releases and free access to some of my mixtapes.

Ice_Eyes w/ Rendeece Movement Radio 211222

Ice_Eyes

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