dope release guys, got the promo for this....niiiiiiiice

#Techno#

Preorder Vinyl & Digital via Bandcamp:
bit.ly/3pbOVOV

One Eye Witness:
https://bit.ly/3LYizAB

Discogs:
https://bit.ly/3MZRDQR

MineralEP01 is out 10.06.2022.

Infinity – Judgement © 1994 Miracle Records

Mastered and Cut by Marco Pellegrino.
Design by AJAM.

Infinity - Judgement (MINERALEP01 - Snippets)

3024-023 LEON VYNEHALL - "OPEN EP"

I first met Leon Vynehall in Berlin before a gig at the amazing About_Blank. We had a fun conversation and he played a really good set that night. Much later I realized I had been playing one of his tracks ("Total S") for ages!  We stayed in touch and I asked if I could hear some of his new music. He sent me five tracks and I signed four, that's a pretty good score if you ask me! Smart and conscious about his music and his output, I think this EP is really only the beginning for Leon Vynehall. I'm glad I'm able to give it a platform and share these amazing tracks with you. Also special props to D&M for doing a great mastering job on these..

Clone's 3024 Shop

Leon Vynehall - Step Or Stone (Breath Or Bone) (3024-023)

Support it here: https://sengiley.bandcamp.com/album/freudenthaler-jazzlounge-ep-sng035
@fabian-freudenthal @sengileywax
¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪
More 030esar0303
https://www.instagram.com/030esar0303.berlin/
https://www.youtube.com/c/030esar0303
https://www.tiktok.com/@030esar0303
https://www.facebook.com/030esar0303/
https://open.spotify.com/user/36gpx9w5czvvow3mpk1y0m4sg?si=0e722513c2464d2f

YouTube

PREMIERE: Freudenthaler - No More Sleep [Sengiley Recordings]

Release date 8/25/14 (tbc)
3024-KJL2
Doms & Deykers

Doms & Deykers - Fonts for the People (3024 - KJL2)

Release date: September 22, 2014

A1. Depths
B1. Seers

Preorders available at:
http://iceehot.bigcartel.com/product/ih009-roche-depths-seers-12

Roche "Depths" / "Seers" (IH009 preview)

New EP on my new label.

Vinyl date : 1st September
Digital : 15th September

PRE-SALE www.juno.co.uk/products/ejeca-nebula-ep/545508-01/
EJECA www.ejeca.co.uk / www.facebook.com/Ejeca
EXPLORIS www.explorismusic.co.uk / www.facebook.com/explorismusic
CONTACT info@explorismusic.com

A gritty, genre-bending, techno introduction to Exploris, ‘Rick Flair’, ‘Skitter’ and ‘Protoype’ cut together direct, big room driving bass, with heavy synth and bouncier electro. Each track nods to the eclectic taste that will lay the foundations of the label, all the while giving a clear indication to the dynamic output that is soon to come. As the harder tones present Ejeca’s musical development, with labels like Pokerflat and BPitch taking note, Exploris’ sound can expect to evolve from release to release with collaborations on the way from friends and new, undiscovered talent.

The EP has already seen widespread acclaim, with radio support from nationally recognised BBC Radio One DJs like Skream, B.Traits, Monki and Toddla T, as well as exceptional feedback from DJs such as, Steve Bug, Catz N Dogz, Bicep, Eats Everything, Dusky, Nick Curly, GERD, Tim Sweeney and Phil Kieran.


EJECA - Protoype (Clip) EXP001 - - - B2

Kindimmer - Fathers Without Fathers
BUY LINK: https://kindimmer.bandcamp.com/album/fathers-without-fathers
Label: Omena (https://soundcloud.com/omena-records)
https://www.instagram.com/omenarecords/
Kindimmer (https://soundcloud.com/kindimmer)
https://www.instagram.com/kindimmer/

Kindimmer debuts on Omena with a brilliant EP that combines his original take on music, both futuristic and true to the art of dance, it's done by a producer that clearly enjoys the concept of thinking outside the box when composing music.

The title track Fathers Without Fathers has both elements of garage and bass juiced to the max with dancefloor energy. Futurama is sundrenched with strings and clever sound design that evolves into a soundtrack anthem. Last but not least is Spotless, sounding like the classic Kindimmer we all know, keeping things minimalistic, melodic and with a steady groove.

BUY LINK

PREMIERE : Kindimmer - Fathers Without Fathers

Myspace Rocket Ft Nina Kraviz - Amok

BUY : https://ffm.to/dirt151

https://soundcloud.com/benladesh

Track list:
A1  Heel Goed
A2  Lift Adrift
B1  Fine Rise
B2  Asanti
B3  Expanding Signal

Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.

The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!

On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!

Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.

Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

Fine Rise EP

Buy Here!

Ben La Desh | Asanti | Dirt Crew Recordings

Fausta Monaco – Don't Give Up Our Love
Canada 🇨🇦 
1988
A JOSH FB dig!

Discogs link:
https://www.discogs.com/release/145734-Fausta-Monaco-Dont-Give-Up-Our-Love

Where to find all things Discothèque Tropicale:
Instagram: www.instagram.com/discotheque_tropicale/
Youtube: www.youtube.com/@DiscothequeTropicale

Fausta Monaco Don't Give Up Our Love (K Bros House Mix)

Jordan Fields – Heaven (Lifted My Soul) (Remixed By Larry Heard)

A1- Jordan Fields – Heaven (Lifted My Soul) (Remixed By Larry Heard)

* Read more:  https://boltingbits.com/sean-thomas-itxc-otis/
* Watch on YouTube : https://youtu.be/Fw6MWfxhPro
* Pre-order : https://www.juno.co.uk/products/sean-thomas-being/699951-01/

We’ve been showered with big names premiere lately at Bolting Bits, and while we appreciate all this heat sometimes a bit of fresh air is more than welcome.
Meet Sean Thomas, producer of the fourth release on the Australian label OTIS, back at it after having released Otis001. We’ll advise that you keep them all on your radars.

Hate it or love it summer is almost done, beach parties with a prosseco in your hand is always a great thing but we at BT think it’s time to bring the intensity, the urgency, of partying back up a notch. We miss the sweat dropping from the ceiling in the haze of it all. Let’s go deep.

The ep opens with Crew Cut, a steamy cut of deep house. Airy hi-hats and a high pitched string supplement a loopy bassline, timeless chord pattern and a pounding kick. With the occasional vocal one-shot the track feels instantly recognizable in its influences while retaining a strong identity.

Following is ITXC, the track we are proud of premiering today. Enter the dance softly thanks to looping and dubbed pads with a subby bassline smelling strong of early drum n bass, not unlike previous releases on the label. Surprisingly enough the track follows up with a straight kick movement although there are some trace of breaking drums lurking in the background. Is it a set opener or closer? Maybe it’s perfect for the rush hour at peak time? It seems to us that this track will make its impact whenever you play it and that’s possibly its biggest quality. Plus there’s a reference to « that » bird sample... Who doesn’t love a bit of meta-quoting?

B-side opens with Being, taking a similar approach to the aforementioned IXTC while going more to the leftfield part of the spectrum. A gorgeous track meant for special moments.

Enhancing this recipe, the closing track Actuall explores more techy and minimalist territories for a subtle introspective journey. It feels like floating on a cloud and should mark a strong impression with the right soundsystem.

PREMIERE: Sean Thomas - ITXC

RELEASE DATE: 16 JULY 2012

JACQUES GREENE

A) READY
B) PRISM
C) DAKOU (Digital Only)

A new name takes the helm for 3024-019 – one of a handful of artists that's stood out from the overwhelming renewal of interest in House music the last few years have seen, we've followed Jacques Greene for some time and are very pleased to be present his Ready EP to the world.

From early releases with LuckyMe and Night Slugs via high profile remixes and on to the recent formation of his own Vase imprint the Montreal native has been at the front of his home town's rapidly snowballing acclaim as a creative incubator of unusual quality, fusing R&B's raw emoting to House and Techno's sleek propulsion. The Ready EP is a further refinement of the sound he's made his own, going further down the rabbit hole than before but always balancing aerodynamic efficiency with the unusually organic emotion.

Lead track 'Ready' made it's debut on Martyn's Essential mix earlier in the year and the ensuing months of low res Youtube play have failed to tarnish what begins supremely understated. Shuffling breaks and aquatic subs support staggered wood blocks before a serrated ascending acid line helps the arrangement flare into a storming 4x4 pattern, sporadically lit up by that increasingly frayed acid melody until caving in on itself and rattling off into the distance.

By contrast 'Prism' makes it's true intentions clear immediately, a metronomic pulse in place as soon as the track opens, quickly joined by enveloping Energy Flash plates of bass and signalling the tracks arrival proper. A wisp of night flight melody snakes it's way over the surface, partnered with a secondary hook's wordless androgyny and what was monolithic bass shifts up into an altogether more limber pattern as a competing vocal presence and gemstone arpeggio combine before leaving hissing percussion and the ever present kick in a cloud of steam.

Closing track 'Dakou' is perhaps closest to the sound that Greene has become known for. Stacked with treated vocal loops and keening synths, a reprise of 'Ready's driving but organic drum programming powers the track thought with a finely balanced momentum as a deceptively simple melody weaves between the spaces left by the choir of loops. Just as things settle into a seemingly pleasant groove a supremely ragged acid line breaks the rhythmic mill pond, billowing, swelling and circling the track and becoming more over driven by the bar, before finally flickering out of view for a coda of of chiming synth pads, clockwork breaks and ambient workshop atmospherics..

Once more providing the perfect visual foil to our audio content, Erosie's artwork again plays a central role in 3024's aesthetic, stripping his collage series down into a contrast of monochrome and primary colours in perfect symmetry with the Ready EP's balance of warehouse murk and radio yearn.


Jacques greene - READY 3024019A clip

For this second opus, we continue our momentum and we're offering a various artists composed of 4 tracks.

The EP opens on the track " Prendre l'Air " by Vitess. We find the signature of the young producer with a neat and precise production, all enhanced by a millimetric breakbeat and an airy atmosphere, backed by an acid lead.The second track is produced by Pépé Elle who offers here a one-way ticket to England with his UKG infused "Carbon Dance" track. We find all the markers of the style, from syncopated rhythmics to powerful wobble bass. Perfect to turn a club upside down on any circumstance.

The Italians from MDC open the B side with the track Bouncing. The atmosphere gets darker and sweatier. We find grimmy vocals, a heady and efficient acid bassline. The Ep closes on the track The Resistance by Wilt. We continue to evolve in darker atmospheres with a tension that is created throughout the track without ever failing, all supported by a powerful breakbeat that will leave no one intact.

@wilt2
@chatnoirdistribution

Buy:
https://chatnoirrec.bandcamp.com/album/of-a-naughty-cat

Definite Party Material:
https://linktr.ee/definitepartymaterial

PREMIERE: Wilt - The Resistance [Chat Noir Records]

- Free edits from us and our friends -

https://soundcloud.com/nathan_joy

HQ: https://serenades.bandcamp.com/album/serenades-edits-free-dl

Download

Serenades Edit #17 - EAST - Agymosas (Nathan Joy Edit)

ICEE HOT is a party and record label based in San Francisco. Our residents are Low Limit, Ghosts On Tape, Shawn Reynaldo, and Dj Will. We like vibes, pizza, and rave rain.

Roche "Depths" / "Seers" (IH009 preview)

ICEE HOT

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