The notion of attainable fame is the world's greatest deception. The belief that anyone can achieve it is a fallacy. The privileged 1% have a 99% chance of securing fame before the rest of us, regardless of our efforts. In 2005, using Princess Diana's demise as leverage, the 1% manipulated public sentiment and passed a privacy law that shields public figures from background investigations. This allows them to construct their paths to stardom with legal immunity while preventing exposure of their deception. Consequently, even promising EDM producers have a 99% likelihood of being born into the elite 1%.

Take Marshmello, the world's top DJ and producer, as an example. He lacks visual evidence of his musical work, yet a well-executed advertising campaign on Soundcloud propelled his fame. How did he secure Skrillex's agent before gaining recognition? It's a classic case of overnight deception perpetuated by the 1%.

During the lockdown, when many EDM/Dubstep artists had their shows canceled, only 5% of famous musicians live-streamed their creative process. Live-streaming is the primary means of showcasing music production skills within a digital audio workspace. Genuine artists always have pre-fame videos displaying their passion and talent, while the 1%ers lack such evidence. Ask yourself, do you have a video showcasing your music? If not, do you know someone who does? Supporting those who contribute nothing to the growth of the musical community seems unjust. Artists like Marshmello, Rezz, Aoki, and others have deprived authentic musicians of their rightful opportunities.

Why do they refuse to aid the musical community's learning and progress? During the time their shows were canceled, they had ample opportunity to live-stream their work. Copyright issues cannot justify their absence since a video of the song creation process is the strongest proof of ownership. Their absence is simply because they lack the ability. Their success is owed to wealth, parental support, and stealing opportunities from genuine musicians.

Once you apply logical reasoning and question artists' backstories and abilities, their fabrications become evident. They urge you to put yourself out there to achieve fame, but it's as if today's artists didn't exist before their sudden rise, thanks to the second greatest lie ever sold—the overnight sensation. If something seems too good to be true, it usually is.

You can use a simple method to verify artists' authenticity by Googling "NAME before fame." Genuine artists have numerous pre-fame videos showcasing their passion and talent, while the 1%ers typically have only one heavily edited video or none at all. They often have hidden parental connections, earning them the moniker "dadkids."

To combat them, I created DJ Copywrite to fight for struggling artists. If I succeed, I will expose them all. If no one does, music's authenticity will perish.

Video killed the radio star and the 1% killed authenticity acting as martyrs

1% Chance [roughdraft3]   (  EDM  BASS  HOUSE  TRAP METAL  )

Ashnikko Invitation Acapella

Songs are like seeds, they start to grow on you.

Ka$eygang

≥
.
.
.
.
.
.
.
.
#trance #techno #Vocal #trance #techno #Vocal #instrumental #rap #hop #Hip Hop #Trap #Drum & Bass #gangster #Oldschool #lsd #molly #Trippy #drugs #High #Rave #extasy #x #Exclusive #ex #edm  #dubstep

THESE BOOTS ARE MADE FOR TRIPPEN

My Baby Shot Me Down

The Astronautallican

FUTURE DJ GAY

Mac Dre is Back in Homeboys Chevy

Nine Inch Nails, Closer by ©o℗yW®ite

Dirt Nasty, 1980 by ©o℗yW®ite

Gary Jules, Mad World by ©o℗yW®ite

Oompa Loompa 2 by ©o℗yW®ite

All My Life

Lion King by ©o℗yW®ite

System of a Down, Chop Suuoy ©o℗yW®ite

Kapunahala

Oahu

Kaua‘i

I Eat Burritos & Taco's

Let Me In Now

An idea I made when I was 16, it wasn't until 9 years later I'd lay it down.  One of the first tracks I composed after understanding the utilization of virtual instruments.

[CLASSICAL] Epic Movie Song

(   EDM/House   )   MOON by DJ  D E P R E S S E D

(   Hype Dubstep Melodic   )     Fall For The Midnight

download full project here blend.io/djdepressed or my other projects here splice.com/reallifesucks blend.io/brandonballantine

(   Dubstep   )   The Nightmare Before Dubstep by Ballantine

<a href='https://theartistunion.com/tracks/ba6d83'>Download for free on The Artist Union</a>

Free Download

(   Dub Trap Hiphop   )   Ballantine has Always Been With A Bad Bitch

If the Dj's or so called Dj Artists (example, Marshmello) actually made their music, they'd stream doing it.  In a time when streaming has become a multi billion dollar enterprise in less than 3 years.  Todays popular Dj's could literally make millions by simply doing what they say they already do.  Why don't they?  Because of legalities?? Nope, streaming is one of the hands down best way to avoid copyright problems, because it's literally a real time document of you creating the project.  So why doesn't today's Dj stream?  I'll tell you why, because they don't make any of their music.  It's all bought by daddy.  Before you support todays Dj, all I ask is that you do a little digging into their back stories.  Before you believe everything they tell you, figure out who their parents are and what they do for work.  You'll start to notice a common trend.  I say Dj's are a lie, because they are.  Since 2010, every over night sensation came from some of the wealthiest families in the world.  Why is this a problem?  Because there's an artist out there who's 100x better than all of them, but no one will ever hear them, because they don't have enough money.

(   Edm Dubstep  )  Donaki by Ballantine

(  Dubstep  ).........Dark Matter.........

(  EDM  )  Nirvana RIP

How do you take Djing to super saiyan ultimate?  well first you gotta have a professional piano background and get 2 full rides for composition, then you have to lose your mind & create every genre via 100% midi for 10 years.  then you have to go to any club in Vegas, find out the dj's making $700 a night playing other people's music, and then you gotta have a complete mental break down driving home in your mind until the idea hits you like a sack of potatoes sending your thoughts bursting out of your mouth scaring the shit out of your wife with, " I KNOW WHAT IM GONG TO DO" followed by, I'm just gonna do they do what they do, but my own music and my attempt raising the bar by doing but from a producers perspective.  It's not doing, because you could not do this within hardware without creating the song first. I mean ya there's a way by just clipping every single sound, but for those who were ready to argue, I get it.

𝐇◎𝗪 𝚷 𝗖𝐎ⓟ𝗬𝗪Ⓡ𝚰𝚻𝚺

Took a bit of work timing 3/4 to 4/4.  After finding the highest quality original song, I ran it and all my tricks through Rx8 isolating the acapella, manually flextimed to 4/4, started testing and baby was born.

dbOdb

Pinned to spotlight

Popular tracks