A live recording of the beloved solo piece Lux Aeterna by Markus Zahnhausen.

Ida Höög, tenor recorder after Johann Schell, a= 415 Hz, by Francesco li Virghi
Recorded in Grästorp parish church, Sweden, 30th of October 2022.

This is a re upload of a different recording of the same piece, the earlier version had quite a lot of noise from both audience and speaker system.

Lux Aeterna - Markus Zahnhausen in memoriam

4 Sep 2022

Last year I captured calls from two chatting adult Whooper Swans at the Bothnian coast. This year they were accompanied by two juveniles. One night the conversation between the swans was intense, it almost felt listening to a concerto.  

Umeå commune, Västerbotten County (63.39 N, 19.54 E)

Primo-EM172s

03_06.14

Whooper Swan concerto

innan tystnaden är en offentlig gestaltning i Österängens centrum och ingår i Österängens konsthalls projekt Naturen tar över, som är ett möte mellan Österängens Konsthall, Biosfärområdet Östra Vätterbranterna och nio samtidskonstnärer. Verket visas fram till 2022.

INNAN TYSTNADEN I

INSEKTSKÖREN

Apparitions (2022, Part 1, excerpt). Commissioned by the Swedish Radio. “Apparitions” has nearly a religious title for several reasons. The music conveys the spiritual world in the form of soundscapes with ghostly moods. Prolonged dark sounds are lightened by choir-like flashes of light and overtones. Pop-like rhythms are mixed with hissing, whispers and multitones, Rubber balls run along strings, the double bass screaming loudly and the bassoon hissing like a teapot with boiling water. Blowing sounds roll in like the waves on the beach and the voices inhale like asthmatics do. In my work I use a whole palette of different advanced playing techniques on several instruments combined with voices and electronic material. For several years I have been collecting sounds, mostly in Sweden and Iceland. Recorded sounds of harpsichord (Guðrún Óskarsdóttir), double bass (Jonas Nilsson), voice (Matilda Andersson and Mirjam Tally) and bassoon (Anders Matell).

Apparitions (2022, excerpt)

extract from part IV of Hemligheten (The Secret)
for
counter-tenor (or contralto), recorder, baroque violin, viola da gamba, theorbo(durata 19-20')
Written on poems by Tomas Tranströmer from The Great Enigma (Den stora gåtan © Bonniers 2004)

In the work ten from the forty five haiku have been chronologically selected and composed into five main parts, with two short, almost instrumental, passages between the first and last parts. There can thus be two haiku in one and the same part. Instrumental and vocal parts constantly go in and out of each other throughout the piece.

Madeleine Isaksson

Hemligheten IV(2014)

This is a track from Concerto Palatino's new CD (to be released June
2023 for the label Passacaille)called, Ex tenebris ad lucem: Venetian Music of Penitence from a time of Plague (1575-77). The CD juxtaposes music from the Venetian plague years with a newly commissioned work of American composer Robert Kyr. Here in Giovanni Gabrieli's 10 voice motet, a cornetto plays the top voice with four singers in the first choir, while an alto voice sings the with four trombones in the second.

Giovanni Gabrieli - Deus, Deus meus, ad te de luce vigilo a 10

Commission: Südwestrundfunk for the Donaueschingen Musiktage 2022

Live recording of the world première, Musica Nova Helsinki, 3 March 2023.

Performers:
Mattie Barbier, trombone
Weston Olencki, trombone
Helsinki Philharmonic Orchestra
Janne Nisonen, conductor

Photo: Helsinki Philharmonic Orchestra

where the dark earth bends (2022, rev. 2023), for RAGE Thormbones, orchestra, and electronics

Duo-version of Mirjam Tallys piece Before Dawn for solo flute and tape, here as a duo with Sten Sandell, piano. Live recording from a concert at Studion Epidemin, Göteborg, March 21 2016. Recorded and mixed by Johannes Lundberg.

Before Dawn, Duo - Version

commissioned by UMS'n JIP
premiere: Zeughaus Kultur, Brig-Glis, Switzerland (May 13, 2017)
premiered by Ulrike Mayer-Spohn

This work takes a close look at the relationship between the physical body of performers and their wind instruments.  I am particularly interested in how sound is produced as an extension of human breath and is voiced through these instruments. Both conscious control and incidental and inadvertent breath allows the performer to affect the sound.  Additionally, the size of the instrument is in direct relationship to the amount of air needed to power the instrument.  These relationships are visually pronounced by using one of the largest against the smallest instrument in the modern recorder family.

The Excess - sub-bass (+ sopranino) recorders & electronics (excerpt)

Composed in late 2018 for Soloist Clara Guldberg Ravn. First performance at the concert "Svävningar" on the 13th of February 2019 at Kulturfyren, Stockholm. 

Eagle Recorder: Clara Guldberg Ravn

Gudrun Dahlkvist, violin
Frieda Mossop, violin
Ossian Kaufeldt, viola
Peter Eugene Volpert, cello
Benjamin Ziai, Double Bass

Gustav Lindsten, Live-Electronics

Recorded and mixed by Lars-Emil Öjeberget.

Deus Ex Machina (for Eagle recorder, String quintet & Electronics)

Freelance recorder player specialised in medieval, baroque and contemporary music

Lux Aeterna - Markus Zahnhausen in memoriam

Ida Höög

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