this is sick! care to share the ID Ray? @djrayfernandez

Just Great. Could I get an ID on this? @djrayfernandez

One of our fave DJ’s and selectors from Miami the legend that is @djrayfernandez.  With a perfect blend of epic modern soul, 90’s slo jamz and dreamy sunset floaters, this guy turns up the freshest unheard jointz around. With the deepest joy it’s our pleasure to share this blissful journey with you all. Happy Friday! 🌊🍷🌊 

In his own words: 

Hello world, it’s D.J. Ray right back in the zone with a custom-built consecutive blend of songs to sip wine to.. sit back and take a 98-minute trip through rest & relaxation, inspired by the low tide hours in Miami Beach, FL.

DJ Ray - Low Tide

This man does not really need an introduction... All the way from Sidney Australia, it's Planet Trip label boss: Mike Who! I'm very happy with his all styles all smiles contribution for the podcast. The first hour you'll hear me, after that Michael will take controle. 
This is btw the last podcast, thanks to everyone who has/or still listens to Four Waves!
This is Mike Who: https://soundcloud.com/mike-who

Four Waves W/ Mike Who

Live recording at Amsterdam Open Air 2022

Artist: Norm (@memorabiliarecords)

Norm @ Radio TNP x Open Air

https://www.nts.live/shows/doing-time/episodes/doing-time-24th-july-2022

Big up Hampus for letting me on the best show on NTS <3

Sunday the 24th of July.



@hampus_time

NTS - Doing Time w/ Fritjof Drake

Üllar Siir - Season For Surprise

Metropoli

M August - Shades of Love

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 002 - Eternal Love

Jura Soundsystem aka Kev Griffiths, the mastermind behind the always on point "Isle of Jura Records" serves up a 90 minute micro vacation triiip to a place we all wish we could escape to. 

ID Requests ~ @jura_soundsystem

1800 triiip - Jura Soundsystem - Mix 052

Live recording of the first to last record played at Giant Steps on Sunday 12 February, 2023.

This sound system haunted our dreams, since they packed it up at Swan Wharf. Came with high hopes and open minds for our first Sunday at the Hackney Wick Baths. What started as a soulful afternoon selection escalated slowly into a rolling dance. A few asked since if it was recorded and - luckily - this time we got the sucker. 

If you were there, thanks for joining us and hope you enjoy the playback as much as we have. If you weren’t, hope you catch the glow of this wonderful setup. Blended with *ahem* human touch on 2 modified Technics and an ISO420 mixer, deeper into the night than we’d expected, under the shimmers of their famous mirrorball.

Customs Live at Giant Steps 2023

@sankywashere

https://undertheapricottree.net/sanky/

Apricot 45: Sanky

Idle Cellars is a boutique winery located in Sonoma County, California. We are Ben Larks, a teacher and explorer from Los Angeles and Ari Heavner, an entrepreneur from Berkeley. Our shared affinity for world travel and adventure led us to connect in 2006 while working crush in Sonoma. Idle Cellars was born with our first batch of Cabernet Sauvignon reflecting, as in most harmonious relationships, a balanced yin and yang between city dwelling Heavner and country living Larks. We strive to produce an elegantly balanced wine through our grace of art. Our belief is that the essence of winemaking is getting dirty in the vineyard, ensuring the best of Sonoma. We make it from the vine to the bottle through hands-on craftsmanship. Our knowledge and deep understanding of our agricultural surroundings allows us to choose what we believe are the best processes for each varietal of wine. Working together for 17 years now, Ben and Ari’s winemaking bond is stronger than ever, escalating the Idle movement one glass at a time. 
Music is such an important part of our lives and our wine making experience, we decided to start a mix series which is a musical representation of an #idlemoment.
#EnjoyYourIdleMoment

DJ Ray - Low Tide

Idle Cellars

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