gorgeous track, @TobyTobias can I get an id? Need to send it to my love haha

@tobytobias lovely mix this cheers. trklst would be amazing but if not no worries. listening has been a pleasure

Pure dub heaven, less than 15 mins in and i can already tell this is gonna be a favorite

"A mix inspired by memories of a trip to california a while back in time." - @mlle_elle

B.P.T. Radio 048: Mademoiselle Linda

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 001 - Telephones

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

cornerstore during service • #3 • NORM

Jura Soundsystem aka Kev Griffiths, the mastermind behind the always on point "Isle of Jura Records" serves up a 90 minute micro vacation triiip to a place we all wish we could escape to. 

ID Requests ~ @jura_soundsystem

1800 triiip - Jura Soundsystem - Mix 052

DREAM ON with Lloyd @ The Lot Radio 02 - 01 - 2023

Live recording of the first to last record played at Giant Steps on Sunday 12 February, 2023.

This sound system haunted our dreams, since they packed it up at Swan Wharf. Came with high hopes and open minds for our first Sunday at the Hackney Wick Baths. What started as a soulful afternoon selection escalated slowly into a rolling dance. A few asked since if it was recorded and - luckily - this time we got the sucker. 

If you were there, thanks for joining us and hope you enjoy the playback as much as we have. If you weren’t, hope you catch the glow of this wonderful setup. Blended with *ahem* human touch on 2 modified Technics and an ISO420 mixer, deeper into the night than we’d expected, under the shimmers of their famous mirrorball.

Customs Live at Giant Steps 2023

@TobyTobias has been a long standing figure in the London scene for the last 20 years. A true music lover who can bring pretty much anything to the party. You may recognise him for his house cuts on labels like Rekids, ESP Institute, Delusions of Grandeur, International Feel, Odori, Quintessentials, Futureboogie to name a few - as well as his own imprints London Housing Trust and Voice Notes.  He also plays under the alias Alphonse and has been one of the main protagonists of the recent breaks revival. You can find him playing all over the world as well as putting mixes out for the likes of Boiler Room, NTS, Balamii , Phonica, Mutant Radio , Narr and even Unknown FM back in the early noughties.
@TobyTobias:
Was a pleasure to be asked by Danny to do this mix and join in with the crew - I'd been meaning to do a Dub Bleeps and Oddities mix part 2 for a while - and Dannys request came in when I was getting ready so it seemed right - so that it was you have essentially - but less of the oddities and more of a gentle build up to the seeds of a night out ..

Toby Tobias Aquarius

Springtime is lurking, treacherously - Telephones helps you slide through the murky Berlin lurk with silky and sunny Street Soul, Disco, Balearic, and House-vibes for better, brighter days to finally up those celsius!

Telephones' New Massage 026 [Refuge Worldwide]

(✿◠‿◠) Hᴇʟʟᴏ ᴡᴏʀʟᴅ (❛‿❛✿̶̥̥)

After some delay, it’s time for our next guest. And for this instalment we’re more than happy to welcome Ana Simonovic :)
Sit back and enjoy two magnificent hours of music that will make your triiiip 🍄🔮🌀

ID Requests -> @ana-simonovic

To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖
https://www.buymeacoffee.com/balearicbanana

Ana Simonovic

Raphael Top-Secret starts his first edition with a mix of inspiring and timeless music, somewhere between 1982 and 2003, from Brian Eno, I:Cube, Jimi Tenor, Daniel Wang, Chris Gray, Metro Area, Gino Soccio, Wamdue Kids, Pal Joey, Larry Heard and other favorites …

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com



Outsiders: RTS YES! @ Kiosk Radio 29.07.2023

Idle Cellars is a boutique winery located in Sonoma County, California. We are Ben Larks, a teacher and explorer from Los Angeles and Ari Heavner, an entrepreneur from Berkeley. Our shared affinity for world travel and adventure led us to connect in 2006 while working crush in Sonoma. Idle Cellars was born with our first batch of Cabernet Sauvignon reflecting, as in most harmonious relationships, a balanced yin and yang between city dwelling Heavner and country living Larks. We strive to produce an elegantly balanced wine through our grace of art. Our belief is that the essence of winemaking is getting dirty in the vineyard, ensuring the best of Sonoma. We make it from the vine to the bottle through hands-on craftsmanship. Our knowledge and deep understanding of our agricultural surroundings allows us to choose what we believe are the best processes for each varietal of wine. Working together for 17 years now, Ben and Ari’s winemaking bond is stronger than ever, escalating the Idle movement one glass at a time. 
Music is such an important part of our lives and our wine making experience, we decided to start a mix series which is a musical representation of an #idlemoment.
#EnjoyYourIdleMoment

Toby Tobias Aquarius

Idle Cellars

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Radio 1000bc

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