Cinematic

This is a track I made using Mixcraft. I wanted to create a rich easy flowing music to work in the background to - just rolling along nicely while you do other things, Not too distracting, like background music., with a nice, mellow, uplifting feel to it.

Cantata

You Can Reclaim

Music extracted from the original soundtrack of the movie "Backlash", directed by Sylvain Pelissier, and produced by Filmaginaires (2014).

© All rights reserved to Valentin Simonelli.
These songs are not free of rights, and may not be used without permission.

Backlash (extract)

Music for string orchestra and piano.

From my score for the feature documentary film "Why We Ride."

Spotify: https://open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: https://music.apple.com/us/artist/steven-gutheinz/1421925543

SoundCloud: https://soundcloud.com/steven-gutheinz

Instagram: https://www.instagram.com/stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com

Web: https://stevengutheinz.com

Why We Ride (Original Motion Picture Soudtrack)

The Common Bond

Skyworld

Transcendence

Tree Of Life

Water

David Quinn
https://soundcloud.com/davidquinnofficial
https://www.facebook.com/DavidQuinnOfficial
https://twitter.com/DavidQuinnMusic

Yoe Mase
https://soundcloud.com/yoemase
https://www.facebook.com/yoemase
https://twitter.com/Yoe_mase

Artwork
http://www.zerochan.net/1708715

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

David Quinn & Yoe Mase - Fake Music

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

First released May 2015
Re-released April 2020 as part of Leviathan

Leviathan features immense arrangements and soaring melodies in a revival of James Everingham’s earliest musical ideas, recorded with legendary players at Hans Zimmer’s Remote Control Productions

Leviathan

Spotify

Reverie

I loved the movie, Gone with the wind as a child. The music was written by Max Steiner. Thank you Max, for the inspiration and a great tune which has inspired me pretty much my whole life.

Memories of gone with the wind

Penultimate Seq

Desert of eternity to be crossed...
Landscape is endless...

Artwork by HK-G, http://hk-g.deviantart.com/

Legend Of The Nomad

This is a short musical history of South Africa. At first just the indigenous sounds of the Kalimba and birds, then the English horn announces the arrival of the colonials, then the South African parliament announces its arrival with trumpets and horn-blowing, then the last part is a combination of all voices joining together (western and african instruments) in a glorious celebration of a new nation. The last voice is the voice of nature once again in the sound of thunder and rain. Of all voices, Nature's is the most permanent and powerful.



South African odyssey

I couldnt think of a title. I wanted a mellow, lazy feeling with a full-bodied sound, puntuated by flutes (birdsong) and with the promise of rain in the tinkling harp and ice rain synth sounds. Yes, it is all synthesised sound except the piano, but that is all I have to work with - Cubase and mixcraft- alas, not real musicians.

Where is the rain

Colonna sonora del film "Viaggio segreto" di Roberto Andò; Roma Sinfonietta, Marco Betta direttore

Viaggio segreto

An old wise piggy with piggy fingers makes music on the computer. 

Cinematic

Igneous Pig