Deadline: 7th February 2024

All submissions to Haiku 526:

https://www.naviarrecords.com/naviarhaiku526-turning-around/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #526: Turning around / I see my shadow / in the moonlight

Turning around,
I see my shadow
in the moonlight

Haiku by Sumitaku Kenshin

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more half unusuaL

halF moonlighT [naviarhaiku526]

This track was created for the Naviar Haiku group.
526
https://www.naviarrecords.com/naviarhaiku526-turning-around/

2024-02-01

Turning Around ( Naviarhaiku 526)

My new contribution to the current Naviar Haiku project.

Moonlight Shadow (naviarhaiku526)

Turning around,
I see my shadow
in the moonlight

Sumitaku Kenshin was a haiku poet who practiced free-form haiku. He started writing poety after being diagnosed with acute myeloid leukemia, and dedicated the last 2 years of his life to haiku, leaving 281 poems, mostly published by the free-form haiku magazine Kaishi.

 

Haiku by Sumitaku Kenshin
Picture by Marco Sebastiano Alessi

Turning in the moon light (naviarhaiku526)

A sequence of modulated sounds from a recorded improvisation.

Shadows In Moonlight (naviarhaiku526)

Turning around,
I see my shadow
in the moonlight


The deadline of this challenge will coincide with the anniversary of Sumitaku Kenshin's death, so I thought it'd be appropriate to commemorate this remarkable poet with music from Naviar's community.

Sumitaku Kenshin was a haiku poet who practiced free-form haiku. He started writing poety after being diagnosed with acute myeloid leukemia, and dedicated the last 2 years of his life to haiku, leaving 281 poems, mostly published by the free-form haiku magazine Kaishi.

 

Haiku by Sumitaku Kenshin
Picture by Marco Sebastiano Alessi

Shadow In The Moonlight (Naviarhaiku526)

"Żeby było miło"

Nagrane w trakcie last-minute gigu 31.05.25 w Zinku, Poznań. Trąbka solo przepuszczona przez efekty, w tle ludzki szum. Miało być przyjemne granie na afterku, taka alternatywa dla DJ-setów. Wyszło to.

***

Recorded during a last-minute gig on 31.05.25 in Zinek, Poznań. Solo trumpet passed through effects, human noise in the background. It was supposed to be a pleasant play at an afterparty, an alternative to DJ sets. This is what came out.

released June 4, 2025

Fau-Fau.Design - okładka / artwork
Michał Czarnecki - mastering
Kacper Sikora - trąbka, efekty / trumpet, effects
Zebrani - morza szum.

Żeby Było Miło by Kacper Sikora (Short Excerpt).

The world's largest iceberg, A23a — equivalent to the size of Rhode Island- is endlessly spinning near the South Orkney Islands, about 375 miles from the Antarctic Peninsula. Its dance is caused by a phenomenon in fluid mechanics known as a Taylor column. It's essentially a rotating cylinder that forms when there's an obstruction in a flow. The A23a is trapped in a kind of ocean vortex, a Taylor column.
There are many paths a collaboration can take you down. Although the typical one tends to be shaped as a kind of dialog or turn-taking, I like the most those that, instead, become as sawing a seed and watching what happens then, including some active intervention: somebody tells an idea, or provides some materials or tracks to you and they start a self-organizing process in one's DAW. That's what happened here: @user-737426987 Ambient Annie provided some tracks that made some musical sense by themselves, but I used them as seeds for something different though related. Another of Ambient Annie's relevant contributions to this track has been in providing a concept, even though this was originally unintentional: some of our email conversations deal with natural phenomena, and therefore Antarctica, its fauna and icebergs gracefully popped up. Some months later, the seeds swelled, stems grew and leaves appeared, giving way to the flowering that you can now listen to.
During the final mixing rounds, Nyarlathotep, the three-lobed burning eye creature from Lovecraft's cosmogonies, passing his crawling chaos through the throat of @lhtrah Lht (another SC artist you should listen to), unexpectedly contributed with some primordial chants to this track: my degree in Miskatonik studies allowed me to decode the singing as "I will die and nobody will remember me", which is quite appropriate for an iceberg that is slowly melting. As far as I could find out this song was first featured in a film by Alejandro Jodorowsky, "Fando y Lis" (1968).
Ship bell by Mateusz_Chenc @ freesound.

A Taylor column

A Taylor column - part 2

We decided to release this live version because we had fun performing it and thought you might like it too.  At the start of this song the band picked someone a bit rowdy from the audience that fitted the Fiight Pint profile and invited them to down a pint of Harvey's during the solo [2:08] with our singer, it turned out that the rowdy person was female on this occasion.
It was recorded on a TASCAM DR-05X on the 19th April 2025 at the Con Club in Lewes.

Fight Pint (Live) 250419

A veil of melancholic reflection and memory drapes itself over every sense. Gentle string music, in the spirit of Nordic Romanticism, descends like mist upon the snow-covered landscape.

Pandemic Suite – 12. Veil of Sorrow

this track ment to be exchanged from time to time untill it takes off 🚀 or I got pro and more than 180 minutes 🌞 

in progress just before takeoff

Rising Over Bellsford

This track is a remix of Hue Solemn by Awrenzas. While the original explores a solemn and introspective mood, this reinterpretation approaches the concept from the opposite end of the color spectrum. The sound design embraces a cold, inorganic aesthetic—structured yet emotionally detached—aiming to express a sense of hue stripped of warmth or sentiment. It is a study in contrast, turning solemnity into abstraction.

Hue Solemn(Olttaoff Mix)

Inspired by Yothu Yindi and early Midnight Oil, this track blends Aboriginal culture with modern music. Featuring (real) clarinet, didgeridoo, and guitar, it's a dreamtime journey where tradition meets contemporary sounds.


Inspiré par Yothu Yindi et les débuts de Midnight Oil, ce morceau mélange la culture aborigène avec la musique moderne. Avec des instruments réels (clarinette, didgeridoo et guitare), c'est un voyage dans le temps du rêve où la tradition rencontre les sons contemporains.

Yothu es-tu là ?

#4246 (93.61% 290 left): Jul. 30, 2025: For there's more enterprise in walking naked  (again, William Butler Yeats from May 22, 2025) 

*** NEW SELECTION ALBUM 30th JUST RELEASESD ***

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 30th SELECTION ALBUM JUST RELEASED ########

"wind of mysteriousness" - the 30th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/tkqms1ZjAEg?si=RlWgQZBbe9z523f_

spotify:
https://open.spotify.com/intl-ja/album/7CiAmnJmm5Wnm3CVfmC234?si=tImTyWj5TT6dUBRhMRXVYg

apple Music:
https://music.apple.com/jp/album/wind-of-mysteriousness/1817351475

amazon music:
https://www.amazon.co.jp/s?k=chair+house+%E4%B8%8D%E6%80%9D%E8%AD%B0%E3%81%AE%E9%A2%A8&i=digital-music&ref=nb_sb_noss_2

all music streaming services:
https://linkco.re/PQ45u0dG?lang=en

for there's more enterprise in walking naked - #4246 (93R61 pc 290 left) by chair house 250730

An electronic composition, original sounds created using Pure Data.

Sunlight Ripple (naviarhaiku604)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

This will be my place for Naviar Haiku and Disquiet Junto entries.
-Experiments may appear on YouTube from time to time: 
https://www.youtube.com/user/ikjoyce
-Albums will be released on Bandcamp: 
https://ikjoyce.bandcamp.com/

New album "The Endless Solitude Of A Skylark's Song" now available:
https://ikjoyce.bandcamp.com/album/the-endless-solitude-of-a-skylarks-song

Album 'Selene' now available on Cassette / Download from Naviar Records: 
https://naviarrecords.bandcamp.com/album/selene 

**Albums now available on iTunes, Amazon, Deezer, Spotify, and Google Play**  

I make electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

Shadow In The Moonlight (Naviarhaiku526)

ikjoyce

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