this really does a nice job of tying the whole thing together

lovely. incredible that's been create din sepparate takes, it really sounds like a cohesive work. Amazing..

@sityphoxx: The Disquiet juntos are just such a source of inspiration. An amazing series of challenges.

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted (edited, color altered, text added) from a photo by Anna J and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/gcojn

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Junto Project 0369: Final Solo

Going heavy in Osaka, Japan, summer 2025.

Croma

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Moments of Vertical

Tales from the Garden

Empty rooms

Recorded, mixed & mastered on 22 Oct 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, field recordings, effects.

This original version of "An All-Encompassing Cold Perfume” was submitted as part of Naviar Haiku 616: Whenever We Meet.

whenever we meet
it’s raining
green walnuts

by: Tanaka Hiroaki

Tanaka Hiroaki (1959–2004) was a Japanese poet from Osaka. A student of Hatano Sōha, he published many of his works in the journal Ao 青 (“Blue”), of which he became editor in 1979. In 2000, he founded his own journal, Yū ゆう.

Photography/Art - Jim Lemanowicz, 19 Oct 2025, Marjorie Post Park, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

An All-Encompassing Cold Perfume (naviarhaiku616)

An ambient re-imagining of https://soundcloud.com/tuonela-1/jonkin

Jonkin (ambient remix)

trepkluv

My attempt at a suspense cue for an imagined film. 

I got commissioned to write a film score recently. It ended up being rejected but as luck would have it, shortly thereafter  Marc’s @disquiet assignment came up. So I had quite a bit of material left over from these sessions. I felt they fit the “spooky and tense” bill just nicely. So using these as a starting point, I proceeded to add and remove layers, and a bass synth makes a rare appearance here, as well. Hope you enjoy it!

More details at: 

The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/

Suspn_c. (disquiet0722)

02 The Eternal Return Of The Same-Marco Lucchi,Siegfried Grundmann RMX

NightMan - Raum Mode

Never started never ended

I loved the track by Tunnelwater https://soundcloud.com/user-524526704/disquiet0368?in=disquiet/sets/disquiet-junto-project-0368 using Ryan Scott Mattingly's track

it evoked someone trapped alone in a decrepit listening station on the edge of the desert during a brutal sandstorm, listening to the fading signal of a guitar on the radio as the storm whipped around outside. I dropped the track into Ableton Live, added some limiting, and then added guitar with reverb, plus EQ to isolate mids (I used an Epiphany Joe Pass model, a wonderfully spooky sounding guitar). The melody line is heavily improvised but inspired by the ghost chords that seem to emerge from the shadows of the underlying tracks.

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted (edited, color altered, text added) from a photo by Anna J and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/gcojn

https://creativecommons.org/licenses/by-nc-sa/2.0/

disquiet0369 final solo

This is my sub for Disquiet Junto Project 0369: Final Solo
"When Lunch Tickles Your Cortex (disquiet0369)"
The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track. This week’s Disquiet Junto project is the third in a sequence that explores and encourages asynchronous collaboration.
I took UntilledSound "Disquiet0368 - Clean And Dirty" (pre-existing track)
https://soundcloud.com/untilledsound/disquiet0368-clean-and-dirty
UntilledSound added drums to circlingcrows "disquiet junto #367 Trio Initiate" (prior pre-existing track)
https://soundcloud.com/circlingcrows/367-trio-initiate

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:
https://disquiet.com/0369/
More on the Disquiet Junto at:
https://disquiet.com/junto/

When Lunch Tickles Your Cortex (disquiet0369)

@daniel-diaz: electric guitar
@sityphoxx: duduk
@user-859240368 (aka joyneski): all the rest


For disquiet junto project 0369 Final Solo
https://llllllll.co/t/disquiet-junto-project-0369-final-solo

First layer:
https://soundcloud.com/user-859240368/disquiet0367
Second layer:
https://soundcloud.com/sityphoxx/engage-duo-disquiet0368?in=disquiet/sets/disquiet-junto-project-0368
Third layer:
https://soundcloud.com/daniel-diaz/juntos-en-palmyra-disquiet0369

Another track for this collaboration challenge:
https://soundcloud.com/daniel-diaz/juntos-en-laredo-disquiet0369


Friday 25th January 2019

Juntos en Palmyra (disquiet0369)

I used Disquietude (by gentil & encym) as my "final" piece. I was really moved by it, and hope that I was able to add some finality to it's fragile beauty. I used a kind of reverse string patch in Arturia Pigments and thought the tones sat nicely. It was a pleasure to work with, so many thanks to the original artists.

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/ 2

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

#disquiet0369 Restive

This week's junto is to record the third part of a trio, that was started by two others. 
I chose 'Wind in the Lavender' by @richiewitch and  @user-524526704 https://soundcloud.com/richiewitch/disquiet-0368-final

More on this 369th weekly Disquiet Junto project (Final Solo / The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track) at:

https://disquiet.com/0369/ 2

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0369-final-solo/ 7

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted (edited, color altered, text added) from a photo by Anna J and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/gcojn 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

The Wind In The Lavender (disquiet0369)

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

This will be my place for Naviar Haiku and Disquiet Junto entries.
-Experiments may appear on YouTube from time to time: 
https://www.youtube.com/user/ikjoyce
-Albums will be released on Bandcamp: 
https://ikjoyce.bandcamp.com/

New album "The Endless Solitude Of A Skylark's Song" now available:
https://ikjoyce.bandcamp.com/album/the-endless-solitude-of-a-skylarks-song

Album 'Selene' now available on Cassette / Download from Naviar Records: 
https://naviarrecords.bandcamp.com/album/selene 

**Albums now available on iTunes, Amazon, Deezer, Spotify, and Google Play**  

I make electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

The Wind In The Lavender (disquiet0369)

ikjoyce

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