These are the stray worlds — songs built from the same DNA as the Devils Ledger album, but carved into different shapes when the universe shifted.

The Devils ledger - Digital Verses

By RUIN | Composed in Digital Verse™

This version of Burnin’ Glow carries the warmth of roots reggae —
sunlight through smoke, rhythm through reflection.
It’s one of several Digital Verse Creations™ born from the same written lyrics,
each rendered into a new sonic world through the AI composition process.

I didn’t compose the beat or set the cadence —
I wrote the story, the pulse, the tone.
The machine heard it… and answered back with sound.

Where the original Burnin’ Glow lives in blues-trap soul,
this one radiates pure island energy —
Fender guitars, golden haze, and that easy groove that feels like summer never ends.

This track is part of my Vault Series — “Ledger Leftovers”
featuring alternate creations that didn’t make The Devil’s Ledger album,
but still carry its spirit.

☀️ Vibe. Float. Let it glow.

#DigitalVerseCreation #Ruin79 #TheDevilsLedger #LedgerLeftovers #ReggaeVibes #AIArtistry #IndependentArtist #BurninGlow

Burnin’ Glow (Digital Verse: Reggae Universe)

By RUIN | Composed in Digital Verse™

This version of Burnin’ Glow drifts through galaxies —
soft horns, glowing chords, and a heartbeat that feels like it’s half-asleep under the stars.
It’s one of several Digital Verse Creations™ built from the same written lyrics,
each one reinterpreted by the machine — not remixed, but reborn.

I didn’t design the beat or guide the flow.
I just wrote the world, the words, and the energy.
The machine answered back with this dream.

Where the original Burnin’ Glow rides on blues-trap swagger,
this one floats weightless —
a smoke trail over a turntable spinning in space.
Every note feels like a memory on repeat,
fading slow, glowing warm.

Part of the Vault Series — “Ledger Leftovers,”
this track captures the afterglow of creation —
the calm between two worlds.

✨ Float. Fade. Find your frequency.

#DigitalVerseCreation #Ruin79 #TheDevilsLedger #LedgerLeftovers #LofiBeats #CinematicSoul #AIArtistry #IndependentArtist #BurninGlow

Burnin’ Glow (Digital Verse: Lo-Fi Space Hip-Hop Edition)

By RUIN | Composed in Digital Verse™

This isn’t a remix — it’s a parallel universe.
Same lyrics, new dimension.

This Psychedelic Jazz version of Burnin’ Glow floats in neon smoke —
trumpets bending like midnight streetlights,
bass lines breathing slow and heavy,
keys melting into electric haze.

I didn’t program the groove or dictate the chords —
I wrote the feeling, the story, the pulse.
The machine listened and painted the mood in jazz-smoke tones.

Where the original Burnin’ Glow rides a blues-trap high,
this one drifts through dream club velvet and psychedelic twilight —
a back-alley lounge in some future that remembers the past.

Another entry from the Digital Verse Vault —
where one lyric sparks infinite worlds.

Light it, float, and let it drift.

Burnin’ Glow (Digital Verse: Psychedelic Jazz Bounce Edition)

This PsyBounce Mirage reimagines the verse in a surreal, jazz-synth universe — colorful, rhythmic, dreamlike.

This world unlocks:
	•	shimmering synth textures
	•	psychedelic bounce rhythms
	•	jazz-hop undertones
	•	semi-sung, semi-rapped cadence
	•	vibrant, hypnotic atmosphere

It feels like the verse drifting through a neon fever dream —
still carrying the same warning, but wrapped in color and haze.
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Already too Late (Digital Verse Lo-Fi Symphony Bounce) (Mirage Cut)

This Blues-Noir Outlaw Cut leads the verse down the backroads of Americana — a gritty acoustic fusion where blues storytelling meets dark hip-hop rhythm.

Built on:
	•	dusty acoustic blues riffs
	•	deep monotone outlaw delivery
	•	smoky bar-room textures
	•	a slow, heavy emotional chorus
	•	hip-hop structure wrapped in blues grit

It feels like a confession whispered beside a dying fire —
the bluesman and the rapper sharing the same cracked voice in a parallel timeline.

Already Too Late (Digital Verse — Blues-Noir) (Outlaw Cut)

This Horror-Drill Mutation transforms Already Too Late into a cold, cinematic drill universe built on ghost-choir pads, sub-808 slides, and minimal percussion.

This cut focuses on:
	•	dry, aggressive drill vocals
	•	sparse bells and piano motifs
	•	a hypnotic, looping hook
	•	stacked cinematic layers
	•	a beat-switch with Brazilian ad-libs

It preserves the core prophecy of the original verse but sharpens it into a darker, more dangerous world.
Same DNA — new menace.

Already Too Late (Digital Verse — Horror-Drill Mutation) (Ghost-Choir Cut)

This Shadow Ledger Cut drags the verse deeper into the ritual — a slow, bass-heavy blues-trap descent powered by a double-time rap cadence that slices through the darkness.

This universe leans on:
	•	crawling delta-blues atmosphere
	•	raw, distorted vocal textures
	•	rapid-fire flow over a slow ritual beat
	•	thick low-end bass pressure
	•	a trance-state tension

It feels like a spirit speaking too fast for the world around it —
a darker echo of the Ledger Cut from beneath the floorboards.

Already Too Late (Digital Verse — Shadow Ledger Cut) (Rapid Ritual Version)

This PsyBounce Mirage reimagines the verse in a surreal, jazz-synth universe — colorful, rhythmic, dreamlike.

This world unlocks:
	•	shimmering synth textures
	•	psychedelic bounce rhythms
	•	jazz-hop undertones
	•	semi-sung, semi-rapped cadence
	•	vibrant, hypnotic atmosphere

It feels like the verse drifting through a neon fever dream —
still carrying the same warning, but wrapped in color and haze.

Already Too Late (Digital Verse — PsyBounce Mirage)

Atmospheric Blues-Hop (Trap Fusion)
A raw excerpt from Spray Paint Dreams (Get Up) — one of the signature tracks from my Digital Verse universe.
Graffiti-soaked energy, blues-hop tension, trip-hop ambience, and street-lit trap pulse. Dark pads, distorted textures, and the urgency of a city that never sleeps.

This excerpt sits between:
• noir-hop
• alt-trap
• urban cinematic hip-hop
• blues-rooted lyricism

Full version available on Spotify / album cut inside The Devil’s Ledger.

Spray Paint Dreams — Digital Verse Excerpt

Atmospheric Blues-Hop (Trap Fusion)
Excerpt II from Spray Paint Dreams (Get Up) — a darker, heavier slice of the Digital Verse universe.
This cut leans deeper into the graffiti energy: booming 808 movement, cinematic pads, steel-blue ambience, and alleyway percussion that feels like a spray can being shaken before the first tag hits the wall.

A sound caught between:
• midnight trainyards
• urban noir-hop
• trap adrenaline
• blues-rooted underground tension

From the world of The Devil’s Ledger — this is the raw pulse behind SPD’s DNA.

Spray Paint Dreams — Digital Verse II (Excerpt)

Atmospheric Blues-Hop (Trap Fusion)
Excerpt III from Spray Paint Dreams (Get Up) — the most open, airy, and spacious slice of the Digital Verse set.
This version carries a daylight-city energy: bright ambient pads, clean trap percussion, and a calmer groove that feels like walking along a graffiti-lined rail line while the skyline wakes up behind you.

A lighter side of the SPD universe:
• blues-hop emotion
• slick trap swing
• cinematic city textures
• graffiti-soul atmosphere

Part of the Digital Verses series expanding the world of The Devil’s Ledger.

Spray Paint Dreams — Digital Verse III (Excerpt)

Aurora born, RUIN79 is a sonic architect who refuses to exist inside a genre.
He creates across every dimension: trap, blues, drill, steel-guitar fusion, lo-fi jazz, ambient noir, cinematic storytelling, experimental hip-hop, and whatever world the Digital Verse™ demands.

His music isn’t defined by a sound — it’s defined by intention, emotion, and fearless creativity.
Every track is a portal. Every project, a new universe.

The Devils ledger - Digital Verses

RUIN79 - Illa Workshop