Wandering Nose

Space Train

Live sequencing w/ Syntakt, Digitakt, Octatrack @ Stranger Beats Carnival with OTK crew and our beloved 20kW sound system

Lobo - Stranger Beats Carnival 2023 liveset

Does Not Compute

Stephan Hinz - Hub One
[SECOND STATE: SNDST007]

 A: Stephan Hinz & Pan-Pot - Tension
B1: Stephan Hinz & Philipp Ruhmhardt - Hak
B2: Stephan Hinz & Clint Stewart - Shimmer 

VINYL
Decks.de: http://bit.ly/1vljBNL 

DIGITAL
Beatport: http://btprt.dj/1BeKOS1

We here at Second State are thrilled to bring you our new concept entitled HUB. While most labels these days are doing various artists releases to showcase the overall talent on their label, we thought it would be better suited for both our listeners and ourselves to break the mold and bring you a series of true collaborations. Each HUB release will feature a single artist teaming up with others from the Second State family to create an EP of authentic musical compromises. A place where multiple minds find a harmony somewhere outside their own identity and each collaboration conceives a genuinely unique artifact. With this, there is no one we would rather have kick off the series than the man behind the massive EPs; 'Throwl' and 'Doch', Stephan Hinz with HUB One!

Of course it would only be right to kick off the first track of the first HUB One way. An alliance with, Pan-Pot. "Tension' is a heavy number with just a few key elements, it's a slow lurking journey through a dark forest at night. As each bush and branch is pushed aside and every step inches closer to a destination unknown, the pressure builds. Soon, without knowing, you are in the depths of a jungle with no way back and only one decision. Keep going. 

@stephanhinz
@pan-pot



Beatport

Stephan Hinz & Pan-Pot - Tension

Fil2

hear

ferrigno

666 o WW3 o dell'arte di non sentirsi troppo bene.
Live Hackmeeting 2019

Sorelle Trapasso - 666-WW3

Part of the code I've used:

(
SynthDef(\bassline4, {
	|
	out=0, freq=440, pan=0.0, amp=1.0,
	atk=0.05, rls=0.2,
	sub=0.0, subwidth=0.5,
	sync=0.0, // this is a sync ratio going from 0.0 (no effect) to 60 semitones (5 octave above)
	voices = 1,
	det=0.0,
	cf = 1000,
	rq = 0.1
	|
	var env, sig, spread;
	env = EnvGen.ar(Env.perc(atk, rls), 1, doneAction:2);
	voices = voices.clip(1, 16);

	sig = Array.fill(16, {
		|index|
		var onoff = (voices.round(1) > index);  // the ">" here will return 1 or 0 depending on voices
		onoff * SyncSaw.ar(freq *Rand(1.0, det.midiratio), freq*(sync.midiratio));
	});
	sig = sig + Pulse.ar(freq*0.5, subwidth, mul:sub);
	spread = (voices-1)/15;

	sig = sig * env * voices.linexp(1, 16, 1.0, 0.3) * amp;

	sig = RLPF.ar(sig, cf, rq);

	sig = LeakDC.ar( sig.clip() );
	Out.ar(out, Splay.ar(sig, spread));
}).add;
)


(
~bass[0] = Pbind(
	\instrument, \bassline4,
	\octave, Prand([3,4], inf),
	\degree, Pseq([0], inf),
	\atk, 0.05,
	\rls, 0.2,
	\sub, Pseq([Pn(0.0, 4), Pn(1, 4)], inf), //Pwhite(0.5, 0.9, inf),
	\subwidth, Pwhite(0.01, 0.45, inf),
	\sync, 0.1113, //Pseq([0, 4, 7, 12, 24, 36].pyramid(1), inf), //Pwhite(0.1, 20, inf), //12.5,
	\voices, 8, //Prand((1..16), inf),
	\amp, 0.7,
	\det, 0.4,
	\cf, Pseries(500, 100, inf).fold(1000, 10000),
	\rq, 0.4,
	\dur, 0.25,
);
)


(
~bass[0] = Pbind(
	\instrument, \bassline4,
	\octave, Prand([3,4], inf),
	\degree, Pseq([Pn(0, 32), Pn(4.1, 28), Pn(2.1,4)],inf),
	\atk, 0.05,
	\rls, 0.2,
	\sub, Pseq([Pn(0.0, 4), Pn(1, 4)], inf), //Pwhite(0.5, 0.9, inf),
	\subwidth, Pwhite(0.01, 0.45, inf),
	\sync, 0.1113, //Pseq([0, 4, 7, 12, 24, 36].pyramid(1), inf), //Pwhite(0.1, 20, inf), //12.5,
	\voices, 16, //Prand((1..16), inf),
	\amp, 0.7,
	\det, 0.3,
	\cf, Pseries(500, 100, inf).fold(1000, 10000),
	\rq, 0.4,
	\dur, 0.25,
);
~bass[1] = \filter -> {|in| in + GVerb.ar(in, 30, 2, 0.9, mul:0.3)};
~bass.quant(1);
~bass.play;
)
~bass.stop(14);

Livecode Impro 150719 Fatbassline

I turn knobs and you won't stop me from doing it.

Does Not Compute

Lobo [OTK]

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Enrico Razzetti

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