yo luke im loving this beat bud, hope your well

0:00 24Hz F
0:01 25Hz F#
0:02 26Hz G
0:03 27Hz G#
0:04 28Hz A
0:05 29Hz A#
0:06 31Hz B
0:07 33Hz C
0:09 35Hz C#
0:10 37Hz D
0:11 39Hz D#
0:12 41Hz E
0:13 44Hz F
0:14 47Hz F#
0:15 49Hz G
0:16 52Hz G#
0:17 55Hz A
0:18 59Hz A#
0:19 62Hz B
0:20 65Hz C
0:22 69Hz C#
0:23 73Hz D
0:24 77Hz D#
0:25 82Hz E
0:26 87Hz F
0:27 92Hz F#
0:28 98Hz G
0:29 105Hz G#
0:30 111Hz A
0:31 117Hz A#
0:32 123Hz B
0:33 131Hz C
0:35 139Hz C#
0:36 147Hz D
0:37 156Hz D#
0:38 165Hz E
0:39 175Hz F
0:40 185Hz F#
0:41 196Hz G
0:42 208Hz G#
0:43 220Hz A
0:44 233Hz A#
0:45 247Hz B
0:46 262Hz C

Although one of the problems with room resonances is that they vary as you move your monitoring position, this is also the key to one useful workaround: if you make a point of listening to the bass response from several different locations, then it’s actually possible to average your impressions mentally to some extent. In a room with resonance problems, you’ll find that all aspects of the bass balance will vary as you move around.

If a particular bass note, for example, appears to be too loud in some places but too quiet in others, then you can hazard a guess that the overall level may be in the right ballpark, whereas a note that remains too loud all around the room probably needs reining in.

If you want to get the best out of “averaging the room” like this, then jot down your reactions on paper as you move around. This technique can really help clarify your thoughts, especially where there are multiple bass instruments contributing to the mix kick drum and bass guitar, for example. You’ll also find that your proficiency with this trick will improve as you build up some experience of how specific areas of your monitoring room sound. Indeed, it’s not unusual to discover a couple of locations in any given room where the bass response as a whole is a lot more reliable than in your
stereo sweet spot.

Play back the LFSineTones audio file through your system again and listen carefully from the sweet spot, comparing the relative levels of the pure sine-wave tones as they march in semitone steps up the bottom three octaves of the audio spectrum. If your studio is anything like most small, untreated control rooms, you’ll probably find that some tones almost disappear, whereas others practically go into orbit! Table 1.1 shows roughly which frequencies occur at which times in the file, so grab a pencil and make a note of which are the most wayward tones while you’re listening at the sweet spot. Now move your listening position a couple of feet away and try that little experiment again—it’ll be a whole different story, and you’ll probably find that some of the tones that were anaemic before are now overprominent, and vice versa. Now it would be quite reasonable to say that sine-wave tones aren’t much like a real musical signal, so it’s also worthwhile to focus on what your room is doing to the evenness of bass lines on commercial tracks that you know to have been very well produced in this department.

Normally not all dimensions of a room are equally troublesome, so it’s not a bad idea to try to work out which are the biggest culprits. To do this, first listen carefully to the LFSineTones audio file while referring to Table 1.1, taking care to identify the most problematic frequencies anywhere you can hear a big peak or trough in the apparent levels of the tones. Then divide 172 by each of these frequencies in turn to give a list of measurements in meters, and look with suspicion on any room dimension that works out as a simple multiple of any of those measurements. Once you know which
dimensions are causing the biggest problems, you can concentrate your acoustic treatment resources more effectively.

2 - LF Sine Tones

where will i go. . .

Jas0nbeats - 20240204 - Musicforemptyrooms

Be Cool Ft Northaze

https://www.youtube.com/watch?v=NeoCvEuDa8s&t=5s

MOON TRIP (VIDEO IN DESCRIPTION)

https://soundcloud.com/mvnitou
video: https://www.youtube.com/watch?v=02V3vHCVbVI

| MVNITOU | rorschach710 - biscotti

always carry a bible

VERBZ - 24

'o cavalo vermelho' drops March, 13th. via @Sichtexot Records on vinyl and digital. 

🎶preorder and digital:
www.orcd.co/wuntwo

a noite feat. Anthony Drawn (o cavalo vermelho)

Morriarchi was live with an MF Doom Tribute mix. 2 hours of straight Doom and his work under other aliases such as Metal Fingers, King Geedorah, Viktor Vaughn, Zev Love X and Daniel Dumile Thompson.

Morriarchi: MF Doom Tribute Mix - January 2021

''brainwaves swell turning a desert to a well'' 

where will i go. . .

illuzual

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