Name: vexed [uk rap edits vol. 1] by lovesome 2
Duration: 1 min 49 s
Description: bandcamp: lovesome.bandcamp.com/album/uk-rap-edits-vol-1

SQUABBLE UP [EDIT] w/ @kmbsounds OUT NOW 

Sample: @children-of-zeus - Vibrations (Divine Signature) x Kendrick Lamar - Squabble Up

cover art: IG-@designsbyvido

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kendrick lamar - squabble up edit w/ KMB

Kairee Doty's "gahdamn" x Isaiah Fall's "A FLORIDA LUV STORY"

south to west type shit

gahdamn florida luv (Kairee Doty x Isaiah Falls)

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MOVIN'

JUNE

CIRCRHYTHM

I'm honestly surprised how good Future sounds on this kind of beat. No samples, all original composition. Run it up

wooden conversation

i made this track just fooling around with serato sample's stems feature. sometimes i'll just be posted up in ableton putting records into serato sample and just listen (in my mind, i imagine myself into a listening room). sometimes in that listening room, inspiration strikes. after a while i’d laid down the skeleton of the track which is “read your mind” by Avant over a random break. while imagining what record would pair well with this, i just listened to “say yes” by floetry’s acapella to catch Ms. Marsha Ambrosius’s vibe and i’d noticed something that had never stood out to me before, and it was so fucking genius to me haha. when she says “all you gotta do is say YES”, the “YES” is whispered!!!!!! i’d always imagined the note she sang there to be the same as the note she sang on “say”, but whole time, she WHISPERED IT. it was mind-blowing to me as someone who’s lived (and i mean lived) with this song for decades and never noticed it, but also as a musician and the way the music AROUND her voice supported my belief in that note existing. this just speaks to Marsha Ambrosius’s abilities in vocal performance in displaying control and energy. the arrangement of the song, the choice of tones and timbres, the way it was mixed. thank you Floetry. and thank you Beyoncé. thank you Avant.  

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vexed [uk rap edits vol. 1]

lovesome 2

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