Name: DJ Maseo (De La Soul) Boiler Room London DJ Set by Wilton G Ellis
Duration: 1 h 4 min 55 s
Description: Classic Live Mix in Shoreditch London by Dj Maseo of De La Soul. A masterpiece set..

This is such a dreamy set, I listened to it million times over the years

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Magnetic Mix 147: St. Germain

Happyfunkysoulfulboogiestuff!

Track Listing - Get diggin :-) 
1- Where you belong - The Groovers
2- Be,I do(The Plantyherbs rmx) Nightmares on wax
3- Straight up - Ed Wizard & Disco Double Dee
4- LFT (Leighton Hema edit2)- Quadron
5- Nautilus(Galore version)
6- It's My House [12" Remix]- Diana Ross
7- Warm Wind Brewing- YSE SAINT LAUR'ANT
8- Now is the time- Nightmares on wax
9- Slip & Do It (V Feels So Good edit)- Wetty Bright
10- Just Havin' Fun (Hober Mallow Edit)- Ray Parker Jr.
11- Last Home ( Dj Nature Remix )- Typesun
12- Chromeo x Joe Bataan x Boz Scaggs - Hot Mess (Lowdown Party Mix)- Amerigo Gazaway
13- If (Kaytranada Remix Extended Version)- Janet Jackson 
14- Mofongo Boogaloo Descarga- Funk Ferret
15- Berimbau- Dario & Dersu
16- Mao Negra (raw cut)- Alma Negra
17- Tapestry- Nightmares on wax
18- Wordy- Titeknots

Nightmares On Wax download-able Boiler Room Mix

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

We've been big fans of Leftside Wobble's 'Acid Soul' series, so we are delighted to have him put together a mix for us. Here are some words from him regarding his mix for us:

"Leftside Classics is a retrospective featuring some of the tracks that have meant the most to me over the last five years or so. These are the tracks that somehow always find a way back into my sets, tracks that rise above the transient and tracks that defy limiting genre pigeonholes. My sets have always been about joining the dots, celebrating the eclectic and supporting those tracks that exist in the rich hinterland between dub, funk, disco and house. Hopefully this retrospective captures that overriding ethos.

I've included a small selection of unreleased LW bits and a few exclusive versions of well known staples to keep things pushing forward too. 

As ever hope you enjoy. x"

http://soundcloud.com/leftside-wobble

Subscribe via iTunes

Clandestino 026 - Leftside Wobble

recorded live at the Nightmares On Wax gig at the Mojo Club Hamburg november 2014

Nightmares On Wax support mix by POLYPHONIC & FELOX at the Mojo Club Hamburg 2014

Eucalyptus 2

Next Week On!

co part

Download & tracklist available here: boilerroom.tv/recording/nightmares-on-wax/


Nightmares On Wax Boiler Room x Ballantine's Stay True Brazil DJ Set

Here is my set before MARK FARINA took the decks for his Mushroom Jazz set. 
Enjoy  

www.thebower.ca

CANADA DAY PARTY w/ MARK FARINA @ The Bower July 1, 2018 (Junior Brown Opening Set)

Classic Live Mix in Shoreditch London by Dj Maseo of De La Soul. A masterpiece set..

DJ Maseo (De La Soul) Boiler Room London DJ Set

A very special, exclusive mixtape this week which comes from our April 18th headliner, San Francisco's Mark Farina!

Mark's headline performance for Lost in Music at Joshua Brook's in Manchester will not only be his first Manchester show in 13 years, but also his first UK performance in 2 years.


This is one not to be missed and tickets are available here >>> bit.ly/lostinmusicmcr

Mixtape #41 - Mark Farina

Please ❤️Subscribe❤️ to my You Tube Channel  (Wilton Ellis) for my Live Dj Sets 

 Playing Reggae, Rare Groove, Jazz Funk, Lovers Rock, Roots Reggae and More. 

Please Share❤️ Like ❤️& Subscribe❤️ and "The Groove Continues"

Wil G
High on Life Sound System

DJ Maseo (De La Soul) Boiler Room London DJ Set

Wilton G Ellis

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