One song from every genre we currently track. <a href="http://everynoise.com/thesoundofeverything.html" rel="nofollow">Annotated here.</a>

The Sound of Everything_part3

Chime Diabolicus

Street Cleaner - Nightlife

Mark Angelo Moral - Vocals/Guitars
Ian Jasper Galang - Guitars
Paul Mikko Atlantic - Drums

Wag Na Wag Mo Sasabihin - Angelo Moral (Kitchie Nadal cover)

Mark Angelo - Vocals/Guitar
Ian Jasper - Guitar
Paul Mikko Atlantic - Drums

Torete - Angelo Moral (Moonstar88 cover)

Current Value - Dark Rain

Ni Yao de Ai - Mark Angelo Moral

All The World (I Tell Myself) - Correatown

Wolverine Blues

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.

Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland

@pucemary
p-a-n.org

The Drought

Puce Mary -  A Feast Before The Drought (PAN 87)

Short low gain demo of Artec's HDN humbucker pickups, volume knob rolled 2/3 back. RG321 through a mic'd MG30rcd straight to Audacity.

All The World (I Tell Myself) - Correatown

Angelo M.

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