impulser

Amadeezy - Go Berserk ( EL PLVYBXY Remix) [Preview]

Troisième Vitesse (COMP83C002)

The roar of the engines ignites the atmosphere of the garage. The metallic clinks blend with the deep rumble of the bass, creating a mechanical symphony that awakens the dormant assembly line. A technician, wrecnh in hand, is busy solving an issue with a faulty hose. She inspects every corner of the engine, from the recently drained oil filter to the perfectly intact cylinder head.
Another mechanic is about to check the clutch. He engages the 3rd gear with precision, while the rhythms infiltrate the workshop. The radio station broadcasts catchy beats, a fusion of scrapyard club and broken noise, forming a sonic canvas that envelops the space.
The sound of percusion guides the movements of the mechanic, revealing the nuances of each action. Post-pop covers and remixes intertwine, creating an unexpected soundtrack for this mechanical inspection session, accompanying the rotations of the wheels during three drifts.
"Troisième Vitesse" is a unique fusion between the world of Garage 83-C and the unrestrained creativity of club music. The metallic noises converse with the sonic experiments, creating an immersive experience where mechanics and electronic sequences come together.

[NOFUTUREPREMIERE]Soviet Ivienietzsche - Chokbar De Bzh (feat. Safa) [Troisième Vitesse][COMP83C003]

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Sonic Assamblage

Sed de Aniquilación
por MVLDEOJO
adquierelo aquí: https://mvldeojo.bandcamp.com/album/sed-de-aniquilaci-n

Este proyecto es un diario de mis emociones más oscuras, pena, culpa, tristeza, furia y dolor, la indulgencia en el caos y el sentimiento de perdición inminente, un vacío que pudre y corroe, un compendio con las partes más sombrías en mi interior y como dejar de escapar de ellas, aceptarlas entre la distorsión, la crudeza y las percusiones como parte de lo que soy y quizás tu también.

En este proyecto tuve la oportunidad de colaborar en un par de tracks con 2 artistas increíbles, Santa Niña y VENVSDAD quienes en su música y en los sentires que comunica me puedo encontrar personalmente. con Santa Niña en Huesos de Serpiente y VENVSDAD en Solo Ruinas Quedan.

TRACKLIST
1. Príncipe Oscuro
2. XENOMORFO!
3. Cuerpo sin Órganos
4. MVLDEOJO X Santa Niña - Huesos de Serpiente
5. Sed de Aniquilación
6. MVLDEOJO X VENVSDAD - Solo Ruinas Quedan
7. La voz rota de la Muerte 
8. Un nuevo Paraíso (Dolor Eterno)


producción general: MVLDEOJO
producción "Huesos de Serpiente": Santa Niña, MVLDEOJO
producción "Solo Ruinas Quedan": VENVSDAD, MVLDEOJO
master general:MVLDEOJO
master huesos de serpiente: Santa Niña.
master Solo Ruinas Quedan: VENVSDAD

MVLDEOJO - Principe Oscuro

Written by Olin Caprison
Produced by VIOLENCE
Mastering by Lorenzo Targhetta
Cover by Raphaël Moreira Gonçalves

VIOLENCE - Rotting on the Shore

zonedout - DIGITAL SPECTER (prod. phntmzn bR)

IT IS.

Lökiiy X Strypole23 - Flexibles (FREE DL)

KABLAM (@ka-blam) is back and sounding better than ever on her new 13-track digital album ‘Confusía’.

The latest from the Swedish producer and DJ follows up her critically acclaimed 2016 EP ‘Furiosa’, which landed via esteemed Berlin-based collective and label Janus. In its entirety, ‘Confusía’ is a sonic continuation of the themes, motifs and production methods explored by KABLAM through previous solo outings as well as through her raucous remix offerings. 

It’s hard, fast, and deliciously nihilistic, fusing organic sounds with inhuman chaos. However, don’t get it twisted. This is an album that draws on her club credentials while bringing something fresh, albeit dark and dramatic, to the table.

”Confusía embodies the endless spiral of inner, outer and utter chaos,” says KABLAM. “She is my channel but also my redeemer.”

‘Confusía’ lands later this month via KABLAM’s very own label. Pre-order below and tune into album cut ‘Innominata’ now.

Pre-order: https://kablam.bandcamp.com/album/confus-a

More exclusive music

Premiere: KABLAM 'Innominata'

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

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