Kate Clark (portatif organ) 
Mitch Renaud (feedback systems) 

Recorded in Victoria and Montreal, May 28th, 2020 as part of Drone Day at of-the-now: Archipelago (2020.

Tuning Relations II

2022.03.27. A study of the Prelude of de La Guerre's Suite No.1 in D minor

Study of Élisabeth Jacquet de La Guerre

Continuous

a little taste of organistrum:prototype at Electric Eclectics festival in Meaford Ontario, 2022.

thank you to the Ontario Arts Council for support for the initial creation  of this piece in 2018, and to Gordon and Laura for making EE amazing.

organistrum:prototype at Electric Eclectics 2022

Buchla Sines Sequence

hurdy gurdy, pianet, and just two modules.

Deus Ante Machina

as i suspected, hurdy gurdy + norns graintopia is an excellent combination.

hg and graintopia experiment

Katelyn Clark - chamber organ
Ben Grossman - hurdy gurdy

Exolvuntur Lepores

Homunculus

Quantum Mapping

Imaginary Instruments is the duo work of composer/sound artist Mitch Renaud and historical keyboard specialist Katelyn Clark. Formed in 2019 in Victoria BC, the two musicians share a fascination with the materiality of sound and of tuning relations between instruments. In their work, feedback systems of a modular synth combine with early instruments (portatif organ/harpsichord) to draw out unexpected and envisioned sound. They co-compose long duration pieces for live and recorded settings, drawing from historical tuning systems, deep listening practices, and the sonic imaginary.

Tuning Relations II

Imaginary Instruments

Related tracks