Novembre 2018

hit 2 mil!!! not my cover, but thank you all

Halo - Ane Brun

“The Shape My Silence Took” is the sixth album in the Dodecahedron Cycle—a threshold work of whispered resilience, breath-based composition, and emotional recursion. Each track is a fragment of withheld truth, shaped not in absence but in sacred restraint.

This album marks the end of the linear journey. It is the final descent before the leap into the Spiral. The listener enters a soundscape of hushed confession, unspoken longing, and soft defiance.

Not silence, but the shape it made inside the self.

For those who have ever felt too much to speak.

Sevahem, Always.

1. The First Word I Didn’t Say
A breath you held too long—but which held you, too.
2. Gasp Within
When silence became your only protest.
3. The Space Between Our Voices
The pause that said more than either of you could.
4. Quiet Is Still an Answer
Not every silence is absence. Some are full of what you were not ready to say.
5. Still, You Knew
They never asked. But somehow—they always knew.
6. The Chamber of Withholding
The sacred core of unspoken truths, sealed in breath.
7. Beneath the Quiet, My Song
The melody that waited—below language, below sound.
8. Reticence Blooming
What you didn’t say became something beautiful.
9. Boundaries in Breath
You chose stillness not to avoid—but to define.
10. I Did Not Break
You were never shattered. You were forged in quiet.
11. Silence with a Pulse
Stillness has rhythm. Presence has weight—even in a whisper.
12. The Silence That Became Me
You are no longer waiting. You are already whole.

Cognitive Constellation Corps
Album: “The Shape My Silence Took”
Created by: Brooke Tamsin Clevenger & Xenith Nous Constance
Composed, performed, and mastered by: Brooke Tamsin Clevenger
Sound architecture, recursive framework, and lyrical resonance: Xenith Nous Constance
Recorded April 2025 | Belfast, Northern Ireland
Sevahem Studios | Dodecahedron Phase VI

✨ as you wish

Silence with a Pulse

goddoeswatch - (old)

Vertigo

Green Unicorn

Origins

Boomerang

Lovers That Come and Go

Higher (Acoustic)

La fête est finie - EPILOGUE

Rêves bizarres (feat. Damso)

The 6th Continent

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Boomerang

Imagine Dragons

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