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Bad Habits

abcdefu

Aventura - Obsession

Stereo Hearts (feat. Adam Levine)

7 Years by Lukas Graham from the self titled album available now! 


Lukas Graham

7 Years

One 2012 Best Hits

Payphone (feat. Wiz Khalifa)

Night Visions

Demons

In the Name of Love

Overexposed

One More Night

Castle on the Hill

Youtube Video: https://youtu.be/6mP5HWr1uVU
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Testo:
Portami via
di F. Moro - R. Cardelli - F. Moro
Ed. La Fattoria del Moro Publishing - Roma

Tu portami via 
Dalle ostilità dei giorni che verranno
Dai riflessi del passato perché torneranno
Dai sospiri lunghi per tradire il panico che provoca l’ipocondria
Tu portami via 
Dalla convinzione di non essere abbastanza forte
Quando cado contro un mostro più grande di me
Consapevole che a volte basta prendere la vita cosi com’è
Cosi com’è
Imprevedibile
Portami via dai momenti 
Da questi anni invadenti 
Da ogni angolo di tempo dove io non trovo più energia
Amore mio portami via 
Tu portami via 
Quando torna la paura e non so più reagire 
Dai rimorsi degli errori che continuo a fare 
Mentre lotto a denti stretti nascondendo l’amarezza dentro a una bugia
Tu portami via 
Se c’è un muro troppo alto per vedere il mio domani
E mi trovi lì ai suoi piedi con la testa fra le mani 
Se fra tante vie d’uscita mi domando quella giusta chissà dov’è
Chissà dov’è
È imprevedibile
Portami via dai momenti
Da tutto il vuoto che senti
Dove niente potrà farmi più del male ovunque sia
Amore mio portami via
Tu 
Tu sai comprendere
Questo silenzio che determina il confine fra i miei dubbi e la realtà
Da qui all’eternità tu non ti arrendere
Portami via dai momenti
Da questi anni violenti
Da ogni angolo di tempo dove io non trovo più energia
Amore mio portami via

Fabrizio Moro - Portami Via (Sanremo 2017) [Cover]

Wolves

Breach

Someone You Loved

ALTER EGO

Carita de Inocente

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Demons

Imagine Dragons

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Aurelia Burnett

Aurelia Burnett

ɱıƖƖıɛ🖤🤍

Megan Thompson

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