fortnight chapter1 season 2 🫡🫡😪😪😭😭😭😭🥺🥺😢😢😥😥😿

shower

Dreamland

Heat Waves

abcdefu

Most Wanted: The Greatest Hits

Glad You Came (2021 Master)

Overexposed

Payphone (feat. Wiz Khalifa)

pre-order 'i think you think too much of me' at http://ftrbnd.co/ityttmom

music video: http://ftrbnd.co/sexvideo
listen on spotify: https://ftrbnd.co/sexspotify

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and i said whats up
what you been thinking
cos you been staring at that roof so long id swear its come alive
and she spoke nine words
and now were sinking
but i cant find it in myself to want to lie to keep this thing from going down

cos that girl took my heart
and i aint want it back
no
im laying down my cards

cos you said it meant nothing
and i shouldve kept my silence
but i guess im too attached to my own pride to let you know
that all these words meant nothing
and ive always been this heartless
and we were just having sex no i would never call it love
but love

oh no i think im catching feelings and i
dont know if this is empathy i feel just
hold on remember why you said this was the last time
woah
so i guess its
let die to let live

and whats good
when both choices ive got
have us staring down the barrel
to the bullets i cant stop
and so i stand off
like indecisions kevlar
till this fear of feeling stops and im done
but you

no i dont know how to forget you

cos that girl took my heart
and i aint want it back no
a bulletproof restart

oh no i think im catching feelings and i
dont know if this is empathy i feel just
hold on remember why you said this was the last time
woah
so i guess its
let die to let live

no i dont know how to forget you

/i am done feeling

i think you think too much of me

purchase

Night Visions

Demons

Superventas 2015

Animals

In the Name of Love

One More Night

Wolves

produced and mixed by @barnesblvd
Cover art by Julia Jordan

Ultimately

Download!

Ultimately (Prod. barnes blvd.)

Make It To Me - Sam Smith

Without Me

Naive

Don't Give Up On Me (From "Five Feet Apart")

Arcade

Heart On Ice (Remix) feat. Lil Durk

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Demons

Imagine Dragons

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