@benjamin-eguavon  how many e did you put?

noskippingtheTrack

abcdefu

Me and My Broken Heart

I Rise

Counting Stars

Counting Stars (2023 Version)

Basement Fury

"Lights Down Low” from 'Hell's Kitchen Angel' out now on DCD2. Get it on:

iTunes: http://smarturl.it/HellsKitchenAngel
Amazon: http://smarturl.it/HellKitchenAngelA
Google Play: http://smarturl.it/HellsKitchenAngelGP

Upcoming tour dates: http://saymaxohhh.com/events

FOLLOW MAX
Website - http://saymaxohhh.com
Facebook - facebook.com/MaxSchneiderOfficial
Twitter - twitter.com/Maxgschneider
Instagram - instagram.com/maxgschneider
Snapchat - snapchat.com/add/maxgschneider
YouTube - youtube.com/max
Spotify - spoti.fi/1Bn5rOu

MAX - Lights Down Low

Available Now via Big Beat White Label! BigBeat.lnk.to/SavageSo

Free Acapella Download: http://smarturl.it/SavageStems

Follow Whethan
https://www.facebook.com/whethanmusic
https://twitter.com/whethanmusic
https://www.instagram.com/whethanmusic
https://soundcloud.com/whethan
 
Follow Max
https://www.facebook.com/MaxSchneiderOfficial
https://twitter.com/maxgschneider
https://www.instagram.com/maxgschneider
https://www.youtube.com/max
https://soundcloud.com/maxschneider
 
Follow Flux Pavilion
https://www.facebook.com/fluxpavilion
https://twitter.com/fluxpavilion
https://www.instagram.com/fluxpavilion
https://www.youtube.com/user/FluxPavilion
https://soundcloud.com/flux-pavilion
 
Follow Big Beat
http://smarturl.it/BigBeatSpotify
http://facebook.com/wearebigbeat
http://twitter.com/wearebigbeat
http://youtube.com/wearebigbeat
http://instagram.com/wearebigbeat

Come see me on tour ☺

Savage (feat. Flux Pavilion & MAX)

Off The Grid

Believer

Believer (Kaskade Remix)

Whatever It Takes

Whatever It Takes (Jorgen Odegard Remix)

Thunder / Young Dumb & Broke

Thunder / Young Dumb & Broke (Medley)

Zeds Dead and Omar LinX present: Victor - seven genre-bending tracks on Mad Decent's Jeffree's label. Fusing nostalgic 90s sample-based hip hop with futuristic bass and cinematic soundscapes, The Victor Mixtape is both a step forward and a throwback to the past featuring Omar LinX rapping over some of Zeds Deads classic hits such as "Eye On Fire", "Rude Boy", and more!

ZEDS DEAD
<a href="http://twitter.com/#!/whoszed">Twitter</a>
<a href="http://soundcloud.com/zedsdead">Soundcloud</a>
<a href="https://www.facebook.com/whoszed">Facebook</a>

Omar LinX
<a href="http://twitter.com/omarlinx">Twitter</a>
<a href="https://www.facebook.com/Omarlinx">Facebook</a>

ZEDS DEAD &amp; Omar LinX - No Prayers

Bad Liar – Stripped

Watermelon Sugar

The 1st single 'For Real" produced by Lifted  from Rittz' debut album "The Life and Times of Jonny Valiant' 
Available in stores and online 4/30/13




For Real

Tiny Riot

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Whatever It Takes (Jorgen Odegard Remix)

Imagine Dragons

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the cool one

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