Ambient-C

Question? Answer!

O que eu quiser

Music performed by Francesco Corvi (nesso.xyz) using generative systems and live coding techniques

All rights reserved

Excerpt from live at The Grey Space (The Hague)

The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories. – Haruki Murakami

Track list and start times:
00:00  Wixel – On My Way To The Moon
05:31  Colin Offord – Three Sisters
10:45  ikjoyce – Morning Glow (NaviarHaiku491)
18:44  Gabriel Saloman –Adhere pt. 1
27:32  Good Willsmith – documents that you don’t understand (excerpt)
32:33  Olga Wojciechowska – Primal Fear
36:44  Stray Ghost – Migration/Refraction/ In the Light of Recent Failures
46:39  Vincent Eoppolo – Nights of Quarantine
51:45  Loren Connors – Airs 6
54:50  Utu Lautturi & Ailing Vomit – Percussive Worship LIVE at Yö galleria, Helsinki (excerpt)
1:02:02  Gazelle Twin & NYX – Fire Leap
1:08:57  Jeff Duke – Emergence
1:13:39  Machinefabriek – Wintervacht
1:20:29  moduS pony – [cold embrace]]]]]]
1:22:46  Philippe Petite – A Reassuring Elsewhere, Pt. 4 (edit)
1:30:50  Martin Hoogeboom – Deconstruction II
1:33:35  Jesús Lastra – morning glow (naviarhaiku491)
1:37:53  HameloH – Innervibes Act 5
1:44:46  Gazelle Twin & NYX – Deep England
1:52:53  Wil Bolton – Edges
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Eclectic current – On my way to the moon

G.M.

Sensen - Farther

SenSen - LeC II

Dream

Verse 4

(scene 0b)
The scene shudders, reverberating with the weight of the question. 
Dots of rapid energy burst into existence, spiraling in a carousel of white luminescence across the black. 
These motes crash, implode and then explode back into the perceivable field. An evolutionary dance of destruction and rebirth. 
Suddenly the white sphere starts to twirl with kalediescopic colors, it's a scene full of chaos and amazement, a cacophony of sights and sounds. 
The background pulsates with the intensity, the colors expanding then contracting, a circus of celestial fires lost and found again in creation of entropy. 
An echo, a whisper, then a solid melody streams forth, it seems to mirror the curve and spiral, winding through nebula of distant cosmic networks. Then a depthless plane emerges, radiating with color. 
Its increasing height synchronously expands, the weight of the moment creating ripples that unravel in reverse, moving down infinitely. 
Just when the tension is palpable, the backdrop flickers and shows a glimmer of the original melody, its notes written in stars, the tempo matching the cosmic dance.
At the origin of the plane, reality refracts, revealing a prismatic spectrum of untapped dimension. 
The ends recede, stretching into new angles, hinged at an unseen fulcrum.
The prelude is the flicker that causes the universe to dim in anticipation, ripples sucked back into an arrow pointing forward.
As the bend folds into a complex lattice, the hidden form materializes, a resonating echo of the past, present, and future, screaming the word "when".

"When does the narrative begin?"


RAVE
nn~

˛_∏|||.˛ ºÇ•||<‹⁄∑˙˚’|||∏_˙

A kaleidoscopic depiction of my sense of wonder.
Haiku text by fectoper.
Haiku musical theme (initial koto loop) by Eva Grill https://soundcloud.com/eagri1967

Your mind's labyrinths.
Light that shines beyond your eyes.
The Universe blinks.

Haiku recited by an AI voice from https://speechgen.io/. 
No humans were harmed during the process.

My sense of wonder

My Sense Of Wonder

A Warm And Golden October by Marco Lucchi  Rework

Claude Debussy Claire de lune.m4a

10/09/2025

I Can't Believe We're Still Together

les bouquets (version longue)

Epitaph (for Theo Calis 1960 - 2020)

Martin Hoogeboom: guitar/loop station
Marlon Wolterink: mastering

Theo and I have worked on countless music projects over the past 40 years. I have learned a lot from his stubborn and headstrong views and methods of recording and mixing music. His influence on my soundscapes is immense. In 2014 we both enjoyed working on “Where Do We Go From Here?” (2014 - Etched Traumas - ET77) which became also part of the soundtrack of Australian short movie “Grid Face”. Pieces for acoustic guitar and loop station.

In 2017 I worked on a sequel, the guitar suite "Licht". 
“Epitaph (for TC)” is originally a demo version of one of the pieces but unused in the “Licht” version as it appeared on CD (2018 “LIght / Well” - Thirsty Leaves Music - TLM019). Due to Theo’s health problems it was not possible to collaborate on this project but he appreciated the sober minimal guitar pieces for what they were.

I will remember Theo with great respect for the rest of my life.

Martin

Epitaph (for TC)

No Center
Only echoes 
Half-lit
Slowly dragging
imberbesonoro@gmail.com

O que eu quiser

Imberbe

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