Hi. I'm listening to your album at the moment; trying to find a copy of these lyrics online: Liking the mix.

shame 43 I'am ... had no idea 'bout such a great singer

My Babe una de las versiones que interpretan en su nuevo disco los Fantásticos Black Jacks, banda de rockabilly que no se toman a broma lo que es vivir con la vieja escuela 
inspiración del Grande Little Walter 
https://www.facebook.com/LOSBLACKJACKSROCKABILLY

MY BABE

Excerpt from Scent of a Woman 1992 (The Movie)

Emmylou Harris & The Band - The Last Waltz (evangeline).mpg

Storytone

Like You Used to Do (Band)

Los Black Jacks le hacen una gran interpretación al Rey del Rock and Roll en una versión ya conocida por todos "My baby left me" extraída del disco actual "En directo desde radio infierno" simplemente no la puedes dejar de escuchar  

10 My baby left me

Psycho

"High Note" by Mavis Staples from the album 'Livin' On A High Note,' available February 19th

Pre-order on iTunes: http://apple.co/1THSnIP
Pre-order on CD and Vinyl: http://bit.ly/1RvLD1x

Facebook: https://www.facebook.com/mavisstaples
Twitter: https://twitter.com/MavisStaples
Instagram: http://instagram.com/MavisStaples

Mavis Staples - High Note

About The Last Days of Oakland:

It means something to be from Oakland. The tiny city that birthed the Hells Angels, the first sports team in black, and America's oldest street dance has always been ground zero for counter culture. It is a place where violent crime, art, and swagger converge. It has always been diverse. It has always understood that danger and edge are critical ingredients for art and culture.

But Oakland is changing. As its neighbors, San Francisco and Silicon Valley, spill over with money, the economy in Oakland is soaring. Young entrepreneurs and aspiring artists are attracted by the city's perceived "renaissance." Oakland is becoming whiter and safer. Now Oakland is ground zero for the national discussion on gentrification.

Fantastic Negrito is an artist who bridges Oakland's future with its legendary past. He is a wounded veteran of the city once claimed by Black Panthers and hustlers. He is a vital voice in what the New York Times called "the hottest city in America." His album, The Last Days of Oakland, is about the fallout and rebirth that comes in the wake of a seismic shift. It is intensely relevant -- the way his city has always been.

---

Written and Produced by Xavier Amin Dphrepaulezz 
Sound Engineering - Miguel Maloles, Jabari Tawiah
Mixed by Matt Winegar
Mastered by Dave McNair
Publishing by Angry Ant Publishing
Art by Nick Francis

02 Working Poor (Explicit)

The John Lee Hooker Collection

I Don´t Want Your Money

Jethro Tull- To Cry You A Song

Le Pinne. 
Le Cose Gialle 2010

Brani scritti e suonati da Le Pinne
Guests: Daniel Plentz, voce e percussioni; Remo da Piroga, pianoforte in Big Yellow Taxi.
www.myspace.com/lepinne


09 Big Yellow Taxi (Joni Mitchell)

The Vaults of (Roots Music) Heaven: Chicago’s Old Town School of Folk Music Unlocks the Lost Gems and Wild Creativity of its Live Archives 

Venerable vernacular music institution releases 127 live tracks by the best in American and global music from last half century. 

On stacks of cassettes, reel to reel tapes and digital audio tapes lay the history of American music. There were local legends and major icons, global musicians and indie rockers. Some captured beautifully from the board, some gleaned quietly from the dusty archives of a radio station, the recordings held wildly creative decades of sound from Chicago’s Old Town School of Folk Music, a roots-music touchstone for nearly 55 years. And no one had heard them.

Joan Baez and Donovan, Big Bill Broonzy and Ella Jenkins, Pete Seeger and Taj Mahal, Martin Carthy and Steve Earle, Doc Watson and Mahalia Jackson: It was a literal who’s-who of folk, gospel, country, bluegrass, blues, and world music, caught in hours of exciting performances. But someone had to put the pieces together—all 127 tracks worth—and someone had to clear all the rights with 85 different artists.

They succeeded, against odds that would have stopped others in their tracks. Live From The Old Town School (Old Town School Recordings; release: December 13, 2011) reveals not only the venerable institution’s storied start, but its role in the recent infusion of new energy into the roots music world, with everyone from Toumani Diabate and Oumou Sangare to Andrew Bird and Lila Downs. 

Psycho

ImeldaMay

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