Excerpt from upcoming cassette, The Realness. 

WORF GETS DENIED AGAIN AND AGAIN (Excerpt)

Live @ First Banana Gallery November 13, 2014 Philadelphia, PA

Excerpt of work in progress in which chaotic oscillators are controlled by deviations of data collected from various Grindcore records.

Super Lightning Kick!

Thanks to Eric Laska, Dave Sutton, Ryan Scott Kerr, Eric Frye, Roy Werner and a guy named Daniel for the recording. 

live@ Little Berlin 4 11 15

IMF*JK062201

PONOPLS

ACVODAD

LADUS

Out of the frustration of Curtis Roads and Alberto De Campo's Pulsar Generator being incompatible with current operating systems, my colleague Reed Evan Rosenberg and I have been working towards building our own version in Max/MSP. Although a little rough around the edges, our work has so far proven to be successful and these tracks document the development along the way.  

BORK BINS

HAT DUG

Track made for Building A Better Reality Compilation.  All proceeds from this compilation will go to:
Black Lives Matter
NAACP Legal Defense Fund
Greater Chicago Food Depository

https://jmymusic.bandcamp.com/album/building-a-better-reality-a-benefit-compilation

Ian M Fraser - Five Sketches For JMY

8:22 of Bairal-Jin Similarity. Dynamic Stochastic Synthesis with a Non-Linear Distribution. Originally released on c-10 cassettes in an edition of 62, each with unique audio. Currently sold out. This recording was a special edition recorded for Eric Laska. 

Keroaän - Bairal Jin-Similarity

Recorded Nov - Dec 2020 using SuperCollider.

Hordjik-style oscillators coded by Alejandro Olarte and Olaf Hochherz.
Thanks to CDV, RER, EL.

from Superpang Various Artists Tour Mode, released January 1, 2021

IMF - Sowing And Reaping

Ian M. Fraser is a computer musician working in free improvisation and algorithmic based composition. His primary focus is generative structures, pseudo-artificial intelligence, and stochastic processes. With Reed Evan Rosenberg, he works with the continual development of Keroaän, a musical Artificial Intelligence designed to perform without any human intervention whatsoever. In live performance they combine live generative works with real-time visualizations utilizing high intensity strobe lights and lasers.

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