The Asymptotical World EP

Secrecy Is Incredibly Important To The Both of Them

Deal With It

Off Cuts

Guitar Song (Demo) [feat. Imogen Heap & Guy Sigsworth]

Pointe Love

(Take Me) Away

[Verse 1]
It took me hours to write that line
Erased, rewrote it fifty times
Not too much, not too small
Just enough to maybe catch her fall

I tapped “Send” — heart in hand
Like tossing stars into desert sand
Waited for the dots to blink
But they faded faster than I could think

[Chorus]
Message sent — but never read
Blue check never turned its head
Typing dreams in a silent thread
Where hope still lingers, left unsaid

[Verse 2]
I saw her active just last night
But not on our chat, not in my sight
Guess he said it better, guess I was late
Or maybe silence was always my fate

I stare at that timestamp like it might change
Like it’ll blink and rearrange
But hours turned to days, to weeks
And I forgot what I even wanted to speak

[Chorus]
Message sent — but never read
Echoes bouncing in my head
Typing feelings like a ghost
To someone who’s already closed

[Bridge]
“Seen by no one...”
“Delivered... but not received...”
“Still waiting...”

[Final Chorus]
Message sent — but never seen
Just me and my glowing screen
If silence speaks, then this was loud
You left me typing in the cloud

Message Sent (but never read)

iTunes Session

Siberia

Ellipse

Between Sheets

Wait It Out

Speak for Yourself

The Walk

Self-produced, independent, engaged, she blurs the boundaries between pure art form and creative entrepreneurship. Heap has always communicated and collaborated with her loyal following (currently she has over 2.2m twitter followers alone) both on and offline in pioneering ways. This has included fans contributing sounds, words and ideas through her inventive Listening Chair project for example or taking on a whole city in China for her song Xizi She Knows.

Her graceful tunes such as signature track Hide & Seek populate movies and TV shows, accompany dance and theatre performances and more recently, have been sampled by a whole new generation of young rappers and producers. On the more commercial end and being an 'artistąs artist', Heap has penned songs for and with Taylor Swift, Britney Spears, Mika and Josh Groban among others.

Her Mimu Gloves project a cutting edge experimental gestural music ware developed initially for Imogen’s studio and stage work was premiered at TEDU Global 2011 and since has attracted worldwide interest from the New Scientist, BBC tv and radio, Wired, Dezeen, Mashable.. the list goes on. Now Heap can be found collaborating and supporting new Mimu glovers' who range from pop starlet Ariana Grande to the the leading UK charity working in music, disability and technology, Drake Music. Other technology projects have included a generative and reactive music jogging app, explorations in 3D sound with leading engineers and technologists and Arboreal Lightning, a sound and movement reactive LED tree spanning over 1.5km!

In August 2014 Imogen curated and headlined a 4 day festival of contemporary classical music with heavy leanings in technology, bursting with installations to inspire at London’s iconic Roundhouse Camden.

Heap’s albums have been nominated 4 times for Grammys winning her one for engineering, an Ivor Novello award, The Pioneer award in 2015 from the Artist and Manager awards and recently another Grammy for her contribution to Taylor Swift’s album 1989.

Imogen has now added to her roles. Mum, as her little girl Scout was born in November 2014 on her living room floor. True to form of Imogen’s creative character to draw from and experiment with whatever may be going on around her at the time, Scout is the percussionist on Tiny Human, the first song after her birth.

To release Tiny Human, Imogen started to think on how the music industry could be improved in the wake of blockchain technology and smart contracts. So in her spare time, Imogen’s been speaking and meeting up mostly about what she calls ‘Mycelia’ - A foundation from which to create, champion and maintain the ethical, technological and commercial standards required to run a fair trade music industry.

Heap has recently produced the music for the Harry Potter and The Cursed Child, theatre production. J.K Rowling's next story in the series has opened at the Palace Theatre in London’s West End, May 2016.

In 2017, you may see Imogen in a town near you as she’s planning her much awaited next World Tour!

Between Sheets

imogenheap

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Hope

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