Written, produced, and mixed by Nana Lourdes
Mastered by Ruben Radlauer
Photo by Alexa Mareka 

Hello, hello,
you didn’t pick up the phone,
it told me to leave a message after the tone
I don’t have much to say, don’t wanna get in your way
I was just wondering, ‘fore i get on this plane

I was thinking about what we did the other day
And how nothing has been hitting quite in the same way
And how human it is to not want something good to end  
I know you know how disillusioned I get

I think we’re within the realm of possibility
But no one has ever felt easy

Where do we go? Where do we go now?

Where do we go when the future’s unknown
Look, I don’t mean to scare you
I can see it so clearly
Sorry, this is all coming out wrong

Hello, hello,
you didn’t pick up the phone
it’s raining a bunch and I finally got home
I wanted to talk, maybe do other stuff
Got a feeling that I might’ve fucked up 

I keep seeing the same numbers again and again, 
Maybe the universe is telling me it’s time to unbend
What do we do when we have all this trust
Do you ever feel like the world could be ours?

I was waiting for my bag,
And it hit me how complicated my speech can be
But all I really wanted to say is

I swear you know me like nothing and no one
Tell me, are you imagined
All the velvet and satin,
I know you think we’ve only just begun

(But)

Why don’t we go to the chapel of love?
Where we’re gonna get married
Can you imagine
Eternity, baby, for good


Why don’t we go to the chapel of love?
Where we’re gonna get married
Darling, you’re magic
Eternity, baby, for good

Before I go, I just need you to know
That I meant everything I said
And I hope you call me back

WDWG

rom com 2021

Lovegod

Iiiiiii forgot to upload this on here low-key lol! I'm getting old it feels, starting to lose track of things! sever the blight is a song close to my heart (you'll hear a lot about hearts in upcoming songs btw), as it was my first time working with another producer (shout out to BURNS, thank you!), and a song that tapped into a new world vocally and visually! I'm so proud of this track and uber excited for what's to come! Thank you everyone for the love, and remember to stay tuned for upcoming music!

<3 hemlocke springs!

Lyrics:
Where were you my lady?
I’ve been in the basement
She tied up my ankles
As a mere defacement

It’s so charming charming
He’ll find a replacement 
for me

He wondered what I liked
I see the flowers in his hands
Bluebells and Dahliahs 
Tied with a white ribbon

They are my favorite
I heave a sighing breath

Hah hah hah hah love is miles away
Will I still wait here
for you?

It will get cold in the dark
With those listless days at bay
And the pain, I’ll always hide
But the hurt, well dare I say it?

So loathesome

Who said I was a fool
To think in ways so grand?
You see, I’m no Snow White
The fairest of our land

I heave that sighing breath
my cavity expands

Hah hah hah hah love is miles away
Will I still wait here?

Hah hah hah hah my heart is yours to take
But I’ll still wait here
for you

It will get cold in the dark
With those listless days at bay
And the pain, I’ll always hide
But the hurt, well dare I find?

Love is miles away
But I’ll still wait here for you

Hah hah hah hah love is miles away
Will I still wait here
for you?

sever the blight

Flirt with the Idea

Imaginal Disk

Cry for Me

Speak for Yourself

Daylight Robbery

Xizi She Knows

Sparks

Entanglement

Soft Sounds from Another Planet

The Body Is a Blade

circle the drain

Self-produced, independent, engaged, she blurs the boundaries between pure art form and creative entrepreneurship. Heap has always communicated and collaborated with her loyal following (currently she has over 2.2m twitter followers alone) both on and offline in pioneering ways. This has included fans contributing sounds, words and ideas through her inventive Listening Chair project for example or taking on a whole city in China for her song Xizi She Knows.

Her graceful tunes such as signature track Hide & Seek populate movies and TV shows, accompany dance and theatre performances and more recently, have been sampled by a whole new generation of young rappers and producers. On the more commercial end and being an 'artistąs artist', Heap has penned songs for and with Taylor Swift, Britney Spears, Mika and Josh Groban among others.

Her Mimu Gloves project a cutting edge experimental gestural music ware developed initially for Imogen’s studio and stage work was premiered at TEDU Global 2011 and since has attracted worldwide interest from the New Scientist, BBC tv and radio, Wired, Dezeen, Mashable.. the list goes on. Now Heap can be found collaborating and supporting new Mimu glovers' who range from pop starlet Ariana Grande to the the leading UK charity working in music, disability and technology, Drake Music. Other technology projects have included a generative and reactive music jogging app, explorations in 3D sound with leading engineers and technologists and Arboreal Lightning, a sound and movement reactive LED tree spanning over 1.5km!

In August 2014 Imogen curated and headlined a 4 day festival of contemporary classical music with heavy leanings in technology, bursting with installations to inspire at London’s iconic Roundhouse Camden.

Heap’s albums have been nominated 4 times for Grammys winning her one for engineering, an Ivor Novello award, The Pioneer award in 2015 from the Artist and Manager awards and recently another Grammy for her contribution to Taylor Swift’s album 1989.

Imogen has now added to her roles. Mum, as her little girl Scout was born in November 2014 on her living room floor. True to form of Imogen’s creative character to draw from and experiment with whatever may be going on around her at the time, Scout is the percussionist on Tiny Human, the first song after her birth.

To release Tiny Human, Imogen started to think on how the music industry could be improved in the wake of blockchain technology and smart contracts. So in her spare time, Imogen’s been speaking and meeting up mostly about what she calls ‘Mycelia’ - A foundation from which to create, champion and maintain the ethical, technological and commercial standards required to run a fair trade music industry.

Heap has recently produced the music for the Harry Potter and The Cursed Child, theatre production. J.K Rowling's next story in the series has opened at the Palace Theatre in London’s West End, May 2016.

In 2017, you may see Imogen in a town near you as she’s planning her much awaited next World Tour!

Xizi She Knows

imogenheap

Related tracks