Name: ELIANE RADIGUE MIX - Geelriandre (LP Pre-Order) / Vice Versa / Transamorem - Transmortem / Triptych by IMPREC in sama2
Duration: 36 min 28 s
Description: Geelriandre - Arthesis LP available for pre-order now via ImportantRecords.com

deepest sounds I have ever heard. meditative ingratiating spiritual.

sumptuous electronic continuum on unique textures!

sama2

A dual contact microphone recording of a temporary wind harp.

Recorded 15 February 2021 at Walltown Crags, Northumberland, UK.
54°59'24.0"N 2°30'46.0"W
Google Maps: https://goo.gl/maps/GLVb4qVRaCbDXk8y9

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Wind Harp, Walltown Crags

VAK48 | Jeremiah Carter & Kelby Clark - It Sure Ain't Worth A Damn (Feat. Sarah Viviana Valdez)

The online meetings we have all become accustomed to are often accompanied by the experience
of being distracted and drifting off into daydreams. In this piece, you will take part in a journey into
the mind of a host in an online meeting with multiple participants. You will hear how the ringing of
a phone, a car horn, or a glitch in the online stream trigger an irresistible sonic journey in which all
these events dissolve and abandon their old meaning to form new sound worlds that emerge from
their material.

Commissioned by Electric Audio Unit

DAYDREAMING (excerpt, Binaural)

from the "Rules & Chance Vol. 3" CS (NNF399)
Not Not Fun / 2023

GO GOLD:
https://goldenhallwaymusic.bandcamp.com/album/rules-chance-vol-3
https://midheaven.com/item/golden-hallway-music/rules-chance-vol-3

Golden Hallway Music "Hallway River"

MakeNoise Tempi patch experiment

Solid Steel in association with Serato (13th May) Roly Porter takes charge of Hr 1 this week. He began his career as part of Vex’d alongside Kuedo, releasing two albums, Degenerate and Cloud Seed, both on Planet Mu, along with several singles on Bristol’s Subtext imprint. He later returned to Subtext under his own name to begin a solo project, releasing 'Aftertime' and 'Life Cycle of a Massive Star'. Earlier this year he released Third Law on TriAngle and 2 tracks from the album feature in his mix alongside music from Surgeon, Kowton, Amnesia Scanner, Yearning Kru and Aisha Devi.

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on  facebook.com/pages/Solid-Steel/175027509192663
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 1 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-1352016-hour-2-khraungbin

Hour 1 - Roly Porter https://twitter.com/RolyPorter   www.rolyporter.com

Kara-Lis Coverdale	_	Saps/h	_	Sacred Phrases
Eric Holm	_	Untitled	_	unknown
Colin Stetson and Sarah Neufeld	_	Never Were The Way She Was	_	Constellation
J. G. Biberkopf	_	Black Soil	_	Knives
Emptyset	_	Interstice	_	Subtext
Surgeon	_	Yourself	_	Blueprint
Kowton	_	Shots Fired	_	Livity Sound
Hex	_	Exotica	_	Liberation Technologies 
Roly Porter	_	Departure Stage	_	Tri Angle
Peder Mannerfelt	_	Building of the Mountain	_	Peder Mannerfelt 
Alessandro Cortini 	_	Lotta	_	Hospital Productions
Yair Elazar Glotman	_	Vile Value	_	Subtext
Amnesia Scanner	_	Gardens Need Walls	_	Young Turks 
Laura Cannell	_	Be Not Afeard	_	Front and Follow
Ipek Gorgun	_	Bloodbenders	_	unknown
Yearning Kru	_	Sarnath	_	Planet Mu
Joshua Sabin	_	Untitled	_	unknown
Klavikon	_	Wave	_	Nonclassical
Aisha Devi 	_	OMA (Abul Mogard Remix)	_	Houndstooth
Roly Porter	_	Known Space	_	Tri Angle

Solid Steel Radio Show 13/5/2016 Hour 1 - Roly Porter

The long and mesmerizing single piece of analogue electronic music that develops over the two sides of the latest Die Schachtel "silver series" LP is a soundscape composed by Teresa Rampazzi for the artist Diana Baylon's 1972 exhibition at the modern art gallery "Il Fiore" in Florence (Italy). Diana Baylon (1920-2013) was a cross-disciplinary artist active in abstract and programmatic art. In the summer of 1969 she appeared – along with with Alberto Burri, Pablo Picasso, Jean Dubuffet and Lucio Fontana – at the Festival dei Due Mondi di Spoleto exhibition «Maitres et jeunes d'aujourd'hui».

Italy's equivalent to Delia Derbyshire, Teresa Rampazzi (1914-2001) has enjoyed a resurgence of recognition in the past decade and has taken her well-deserved place as one of the pioneers of electronic and computer music. A former avant-garde pianist (having taken part in performances with John Cage since the late 50s), Teresa was exposed to electronic music "exactly as its birth” – as she once said during a concert of recorded tape music in Darmstad in 1952. She decided to produce electronic music at the age of 50 and she founded the N.P.S. Group (Nuove Proposte Sonore), which became one of the main Studios active in Italy alongside Pietro Grossi's in Firenze and Enore Zaffiri's in Turin. Unlike Grossi and Zaffiri, whose work took a structured and systematic approach, Rampazzi's music explored sound densities, drones and textures, often integrating environmental sounds and undulated electronic patterns to create organically structured soundscapes.

For the 1972 exhibition, Teresa Rampazzi realized this long 'soundtrack' (in her words) to be broadcasted in loop. Sounds were made with the analogue equipment she used at the time, revealing her stylistic tendency to create a pulsing, drone-like  sequence of harmonizing electronic tones. «The inner space of the exhibition» – she wrote – «is made of sound, for the whole duration of the exhibition. The work is composed by a series of sound events, with both informal and aleatory features, in a continuous flux, and there is no planned predetermination in any of the various sections. This choice has been made for the sound space to adjust to the sculptor's plastic and loose images» .
Immagini per Diana Baylon was in fact the third time Teresa Rampazzi realized music for an exhibition. The first was also the very first experimental composition that Rampazzi and Ennio Chiggio composed in 1965, a sound collage for the opening of an exhibition of the Gruppo Enne at the International Biennale d'Arte in Venice. The second soundscape piece, Environ (1970), was realized for the presentation of a 360° round modular couch in foamed resin designed by Chiggio, presented at a furniture shop in Padova in 1970. The piece is featured on the Die Schachtel Musica Endoscopica LP by Teresa Rampazzi released in 2009. Immagini per Diana Baylon is the eigth LP release in the Die Schachtel series dedicated to the pioneers of early Italian electronic music and will be soon followed by Mario Bertoncini's Arpe Eolie LP and Arke Sinth, a radical electronic music enesemble active in Padua in the late 60s.

Teresa Rampazzi "Immagini per Diana Baylon" excerpt

this is a very similar patch as Untitled VI, except that now there are three voices instead of one: SMR, piston honda (which is also in the rosie efx loop from time to time, which is a bad habit/crutch that i lean on way too often) and e350. SMR is droning and fluttering into clouds, while the piston honda and e350 are both hitting an optomix before going into rings for some reverb. there is also a field recording churning in the background inside the disting, which i am randomly and manually controlling the playback speed on. 

i could listen to this for hours (and did)

Untitled VII

The year 2007 saw one of the most remarkable findings in the long treasure-hunting history of Die Schachtel: the complete set of recordings of the early manifestation (1967-1969) of one of the most legendary improv group of all times, the Gruppo di Improvvisazione Nuova Consonanza. Rescued by the private archives of Mr. Walter Branchi, one of the original founding members – alongside with Franco Evangelisti, Ennio Morricone, Ivan Vandor, Roland Kayn, Egisto Macchi, Mario Bertoncini and John Heineman – the tapes were then restored in their entirety, but only a part of them were published in an epic 500 copies -CD-only boxset titled "Azioni 1967-1969", which also featured a DVD with the original film "Nuova Consonanza" shot by Theo Gallher during the rehearsal and the concert that the group held on March 19th and 20th, 1967, at the Galleria d'arte Moderna in Rome. Spanning from free-jazz to total abstract noise to wild electronic sounds (thanks mainly to the wizardry of Roland Kayn and Walter Branchi), their music was – and remains – one of the most dynamic, original and uncompromising expression of a period defined by intense experimentation and musical bravery, that anticipated a lot of the experiments to come in later years. Or, to put it simple, "They were utterly unique", as per the words that John Zorn – a long time admirer of the Gruppo – expressely wrote for this edition.

To mark the 10-years anniversary of its original release, and to finally make it available for the vinyl aficionados throughout the world, Die Schachtel is proud to present AZIONI/REAZIONI 1967-1969, the complete cycle of improvisations (which in fact means thirteen additional inedit pieces, spanning over 2 and a half LPs and two CDs ), taken from the original tapes, lovingly remastered by Mr. Giuseppe Ielasi and masterly cut to five black vinyls, with a new design and an even more complete information apparatus, that includes a 64 page LP-size book in English and Italian, complete with essays, memories from the members of the Group, a new article by Valentina Bertolani exploring in detail the techniques of the group (based on the enclosed DVD), a chronology and a collection of original reviews by Maurizio Farina, and – to add an additional cherry on the almost rather juicy cake - a set of stunning (and inedit) black and white photos of the group playing in the glorious Venice "Teatro della Fenice" in 1968, taken from the archives of the Venice Biennale.

Gruppo di Improvvisazione Nuova Consonanza "Kate"

Geelriandre - Arthesis LP available for pre-order now via ImportantRecords.com

ELIANE RADIGUE MIX - Geelriandre (LP Pre-Order) / Vice Versa / Transamorem - Transmortem / Triptych

Humidity

Order OHER PEPLE'S CRIMES: www.anaott.bandcamp.com/album/other-peoples-crimes

After ‘Cobraxine’, ‘Boogie Throb’, and the Ana Ott – released ‘Molochville’, Brecht Ameel (Razen/Ameel Brecht) gives us his new album under the Br’lâaB moniker ‘Other People’s Crimes’; a high-on-paranoia, pre-crime-surveillance narrative, constructed after hours in the studio from a combination of Ameel’s own recordings on a widely varied set of instruments, library music, flea-market broken vinyls and old cassettes. Part blind-overdub palimpsest-collage, part straightforward composition, the 10” contains both Br’lâaB’s loop constructions and tracks performed by the found audio phantom band called the Acid Boogie Quartet. Bearing more gritty layers of both sound and subtext than ever, the “Other People’s Crimes” EP stands as an artefact of wild paranoia and spy-thriller sonics, weaving vignettes of surveillance gone wrong, doublethink and confessional echolalia.

Police and thieves are in the streets, running wild with nosebleeds and ill will ids. Dial v for victim as the night horizon broods a neon luminol glow. Howling at the vortex, buried under blindfolds, vigilantes take to crime with fear and ketamines.

Other People's Crimes

Br'lâaB - Dial V for Victim

<body>
Excerpt from the album, available from <a href="http://www.soundohm.com/product/Luciano-CILIO-/Dell-Universo-Assente/pid/20619/" rel="nofollow" target="_blank">soundohm.com</a>. The critically acclaimed "Dell'universo assente" has finally made available again in a stunning double-LP and CD remastered edition. "These recordings sound as they feel self contained, introspective, and determined, you can feel in the music a sort of necessity that can be rarely found, as in Bill Fay's "Time of the Last Persecution", or in Nick Drake's "Pink Moon": this enormous weight that is bearing on it's creators, the absolute need to exorcize it from their lives, a moment in time where you are invited to hear artists truly in contact with their existence. Luciano Cilio holds that moment in time, an authentic emotional testament, something to be cherished (...) from Jim O'Rourke liner notes
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Luciano Cilio "Interludio" da Dell'Universo Assente

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Excerpt from the album, available from <a href="http://www.soundohm.com/aktuala/la-terra/psych-out-records/">soundohm.com</a>. Following the same path as Third Ear Band in England, Embryo or Gruppe Between, Aktuala tried to mix together the western musical tradition with african and asian instruments, rhythms, cultures and avant-garde forms, creating a pioneering new form of music that went beyond anything heard before. 
During the early 1970s, most aspiring jazzers on the Continent were chasing the voodoo down, or running the noonward race. The (largely) Italian group Aktuala pursued a fusion of a different sort. Aside from Oregon, Aktuala was one of the first bands to craft a coherent, gimmick-free hybrid of improvisational jazz sensibilities with a pan-cultural approach to ethnic music. Led by multi-instrumentalist / composer Walter Maioli, the band (circa 1974) also included percussionist Trilok Gurtu (who went on to play with John McLaughlin, Oregon and Jan Garbarek, to name a few), saxophonist Daniele Cavallanti, guitarist Attilo Zanchi (both now well-established members of the Italian free jazz scene, w/numerous recordings on the Spla(s)ch label), saxophonist Otto Corrado, guitarist Antonio Cerantola, and harpist Marjon Klok. A violinist (Maurizio Dones) and a cellist (Marino Vismara, from Nadma) guest on one track each. La Terra, the group's second LP, contains four extended instrumental tracks that combine Indian percussion, strains of American jazz and blues, and Mediterranean and North African ethnic musics. From the opening lethargic yet colourful rhythms to the ending cataclysmic, almost symphonic, stints of the closer, this album's got everything a grown person could ever want out of a mystical sounding percussion lead adventure in music. Don't miss it, slightly limited to 500 numbered copies, housed in a deluxe textured cover with printed inner sleeve
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Aktuala "Sar" from La Terra

Buy at Soundohm

Ennio Morricone - Antitesi

from KR083:  MARTINA BERTONI - Music For Empty Flats. LP / DL / Tape out january 29th 2021

ELIANE RADIGUE MIX - Geelriandre (LP Pre-Order) / Vice Versa / Transamorem - Transmortem / Triptych

IMPREC

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