Purposeful Lady Slow Afternoon - Robert Ashley
The Sound of Global Ghettoteck - 1 - Global Ghettotech
3 - Arexibo
Unleash - Dis Fig
The Curse (PYAX JWA) - Hawthorn - Mysterium Lunae
Elizabeth Street - Bridget Chappell
30f - Domm134
MOSCELS O - SOTE
Untitled 001 (There’s No One to Please) Aarti Jadu
Francis - YATTA
Hopeful Dub - The Idealist
Tempo - Sec_ & Tricatiempo
nidhamu - tribute to sun ra - la bruha desi la
Effortless (effort) - aircode
Vallentin Rd - kirkis
kitty - Space Afrika
Fanta Rouge - Neo Geodesia
Distant Rave ‘42 - Pavel Milyakov
Fire Upon The Deep - FRKTL
Living In A Treehouse - model home
ZERO19 - SPIME.IM
good walkin round sense - Speaker Music rolls up with bookworks
When the Sun Loves You Back - The Beneficiaries
Don’t Always Have to Make Them Dance - Rose Bonica
how i used to paint - Friendships
Perfect Vaccum - Terrence Dixon
Nobody’s Fault - ptpf
Socialite - BYZ
Brandenburg Concerto No 3 Allegro - Wendy Carlos

Hello Earth on Hope St Radio 09/05/21

Maibaum @ nddl

from "Amethyst: New Sounds from Moon Glyph Records" CS
https://moonglyph.bandcamp.com/album/amethyst-new-sounds-from-moon-glyph-records

Iceblink - "Molecules"

Musician and composer Sahba Sizdahkhani serves as a unique crossroad of East meets West. Influenced heavily by both 1960’s spiritual free-jazz and Persian Classical Music, he channels the fire-energy and longing for connectivity these two stormy histories represent. At age 12, his self-proclaimed “aha moment” occurred while listening to The John Coltrane Quartet for the very first time. He was hooked and immediately began studies on jazz drum set and classical snare drum.
     As the years passed, however, his ferocious love of jazz and improvisation would open pathways and pointers to his native roots of Persian Classical Music, and eventually, he would begin formal studies on the Iranian santur with master santur player Faraz Minooei.
     Sahba has completed two separate Bachelor of Arts degrees: one at Berklee College of Music, in Jazz performance, and the other at The University of Maryland, in Art History & Archeology. He worked in Paris for several years in textile design but ultimately moved back to New York city to further pursue jazz drumming.
He has composed film scores for Chelsea Winstanley (JoJo Rabbit), Whalerock Industries, maverick avant filmmaker Paul Clipson, as well as a live score performance for the Cinema 16 series in the legendary tunnel underneath the Manhattan Bridge.
Additionally, Sahba has recently recorded with Michael Morley(Dead C) and currently has running musical collaborations with Derek Monypeny, Rob Magill, and Zachary James Watkins + Ross Peacock.
He has shared live bills with a vastly diverse class of artists including Laraaji, C spencer Yeh, Susan Alcorn, Henry Kaiser, Rova Saxophone Quartet, Sunwatchers, Wizard Apprentice, Talibam!, Plankton Wat, Peter Brötzmann, and Don Dietrich (Barbetomagus). He has performed at The White House, Park Avenue Armory, Kennedy Center for the Arts, Basilica Hudson’s 24 Hour Drone Festival, WFMU live performance, “Fire Over Heaven” at Outpost Artist Resources, The Embassy of France, VOA studios, and Garden of Memory Festival at The Chapel of the Chimes.
Sahba’s hazy, atmospheric solo performances with 104-string santour and drums have been described as “a dispatch from antiquity.” And WIRE magazine recently stated “Sahba Sizdahkhani starts playing [his] instrument as if  he's pleading for his life. His playing is breathtaking. . .”
     This particular work, “GANJ,” which translates to “treasure” in Farsi, documents the magical first meeting between a musician and a new instrument. It is the first ever raw, unrefined recording of Sahba on solo santur as opposed to drum set. It was recorded in solitude during the Winter Solstice of 2019 without any prior training or study whatsoever on the mystical 102-stringed trapezoid dulcimer. The consequent emphasis due to lack of any technical skill,  was pure sonics, overtones, resonances, and an homage to minimalist composers such as Terry Riley, La Monte Young, and early Miles Davis. Days after completing this work, Sahba rushed to seek out formal studies of the Persian Classical Radif with his current teacher, Faraz Minooei.

Sahba Sizdahkhani- Ganj Pt. 4 - from Ganj tape on Cassauna

Spirodon + @amekcollective collective mix
Radio AlHara, Sept. 26, 2021

Track Listing (Artist / Track name) :
01. @evitceles - Suspended Horizon.
02. @holobody - 06 001.
03. Starlight Assembly @greysparkle - There Is No Crisis To Come (excerpt).
04. @nicolas-jaar - Tema (excerpt).
05. @ergomope - Aз и стършелите на дядо.
06. Angel Simitchiev & Linus Schrab - A Smoke That Will Never Clear. 
07. @fletcher_pratt - Underwater Dub. (via @crashsymbols)
08. Roots Radics - Contact.
09. Augustus Pablo - Dub In A Matthews Lane Arena.
10. Hossein Alizadeh - Mahtaab.
11. Büşra Kayıkçı - Madde 42 - (article 42).

Photo taken on the southern Black Sea coast by Stefan @spirodon Christoff.

#FreePalestine

Spirodon + AMEK mix for Radio Alhara راديو الحارة

@matieredanse présente sa dernière K7 en mixant les tracks et blablate avec son ami Riposte. http://dancerstalktodancers.com/      
Il sort aussi ce jour une tape sous blase @abastractionmathematique sur Manufacture Errata
https://erratac20series.bandcamp.com/album/vol-37-a-m-e-a-m-i

Invités Spéciaux • Matière Danse / Riposte

Premiera w Radio Kapitał! Zapraszamy na odsłuch niepublikowanego jeszcze utworu "Making Eye Contact With Solitude" z nadchodzącego albumu Martyny Basty / @martyna-basta  - "Making Eye Contact With Solitude". 
Kaseta ukaże się nakładem słowackiego labelu Warm Winters Ltd.  / @swarmwintersltd 5 listopada > https://martynabasta.bandcamp.com

Więcej nowości i przedpremierowych odsłuchów usłyszycie co wtorek i czwartek o 12:00 w audycji Świeżynka > radiokapital.pl/shows/swiezynka

Making Eye Contact With Solitude

Martyna Basta - Unknown Reel Tape (Warm Winters Ltd.)

Ce mois-ci, pause dans l'émission "Termin in Berlino City" pour laisser place à @kosmische-vision. Le duo livre un mix entre balades industrielles et combats post-punk. Une musique dark bercée de sentiments sur fond de noise expérimental. Avis aux âmes perdues de ce bas-monde, cette tracklist est à déguster sans modération !

Tracklist :
Giannis Lampropoulos - g3a3
Thegn -  抱っこ
Las Eras - Frente a los ojos de tode 
Solo Ansamblis - Netildai
Satronica - The freedom we know (E-Man remix)
Luminance - À leur seul désir
The Force Dimension - Hidden Ambush
Pete Shelley - Telephone Operator
Incendie - Primal Scream
O/H - Media Blitz
SDH - No Miracles
Lapse of Reason - Take the control
Nitzer Ebb - Join in the chant
Tribantura - Lack of sense
Templebeat - Extreme exciting
HIDE - Price of life
GT Modell - We won’t let you down

Hair Force One invite Kosmische Vision

In the past few years, Clarice Jensen has forged her own path. Recently, her focus has shifted to film scoring, successfully recording work for three feature films between 2020 and 2021. At the same time, Clarice continues to serve as artistic director of the American Contemporary Music Ensemble, while continually collaborating with an impressive array of musicians, such as Max Richter, Björk and Stars of the Lid, to name a few.

That being said, it was her 2019 tape release on Geographic North, Drone Studies, that initially caught the attention of a wider audience, with the work showcasing a compelling assembly of deeply immersive drones, and elegantly orchestrated compositions, in which neoclassical elements collide with electric density.

Three years later, the work has lost none of its innovative character and appeal. It also documents a turning point in Clarice's career, one where her classically trained background started to converged and overlap with her interests in improvisational electronics and drone music. As a result, the aptly titled Drone Studies shows Clarice at her most exploratory, introspective, and daring, channeling her areas of interest into a collage of richly textured timbers, and cello movements of sublime tension.

Now for the first time, the original album can be experienced through an expanded vinyl reissue, mastered by Rafael Anton Irissari, and carefully adjusted for vinyl by Ian Hawgood. The new reissue also features an additional track by Clarice called Platonic Solids 2, which was originally conceived around the same time as Drone Studies, and which has now been made available exclusively for the vinyl edition and on the Vaagner Bandcamp.

We hope that this new reissue will aid in introducing Clarice's groundbreaking Drone Studies to a new crowd of listeners through this expanded edition.

Purchase: https://vaagner.bandcamp.com/album/drone-studies

Mastered by Rafael Anton Irissari & adjusted for vinyl by Ian Hawgood
Art and design by O.R
Releases May 6th, 2022

Links:
@vaagner
@clarice-jensen
https://www.instagram.com/vaagner.archive/
https://www.instagram.com/claricejensen/

Support the label

Premiere - Clarice Jensen - Platonic Solids 2 (Vaagner)

yes, this was a request, Backwords All Sparkles, Like Magic!

Backwords All Sparkles, Like Magic!

This track can be used for free on Youtube, social-media etc. If you credit us in your Youtube description: 'www.purple-planet.com', it should ensure you don't get any Content ID matches. 

Lovely, flowing, piano-based piece, brings to mind fluttering creatures in a magical setting. Flute and harp phrases emphasise playfulness and delicacy. Occasional string phrases punctuate instrumental. Piece cycles through a number of beautiful phases before resolving to long, longing chord.

Sahba Sizdahkhani- Ganj Pt. 4 - from Ganj tape on Cassauna

IMPREC

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