Sunset from a Distant World -UNMASTERED VERSION-

You can view and download the score here: https://goo.gl/NnLQmf

Carillon -DEMO-

Fan And Trains (05.35, 11 - 07 - 2015, Milan) -DEMO-

Every track of the Textures Project consist in a soundscape texture, a field recording supplemented with more or less prominent music (or no music at all) together with a photo taken at the time of recording representing a texture.

Composed, arranged and recorded by me.

Fan And Trains (05.35, 11 - 07 - 2015, Milan) -COMPLETED-

Every track of the Textures Project consist in a soundscape texture, a field recording supplemented with more or less prominent music (or no music at all) together with a photo taken at the time of recording representing a texture.

This one is very important to me. I first heard the simple motif in the beginning and end of the song one day when i was a kid and I were in my room alone sticking figurines to my bed, the music appeared to come from inside my room, but there was nothing capable of playing music inside the room at the time, and certainly not that kind of music, and outside the window there was that grey light, when the sky is totally cloudy and light does not seem to come from one direction in particular. I was so scared I remained petrified for a good 20 minutes in my bed, then I took courage and went to the kitchen to my mother, when i returned in the bedroom the music was gone. To this day I still don't know where it came from.
That music has remained with me since, and when I started the Textures Project I decided to develop and use it (or at least i think I did. I could have distorted it in my memories througout the years). I decided to use it with the thunderstorm recording because there was that same light when I was recording.

Composed and Arranged by me(?), field recording by me. Thanks to Rodrigo Zanette for the Photo.

Grey Light (15.37, 25 - 07 - 2015, Palazzolo Acreide)

This took me a couple of hours to make, from the concept to the final master.
It was an interesting experiment since (almost) all of its parts are totally improvised in realtime, from timbre to the chords played and effects applied.
It reminds me of a beam of photons desperately trying to escape the gravity well of a black hole, but inevitably falling into it.

Sometimes Photons Can't Escape Singularity

This track was made for the short film "Sfogo Rituale" I helped produce.
It makes heavy use of a recording of a kulning chant, a traditional chant used in some region of sweden to recall animals from pasture.
You can watch it here: https://www.youtube.com/watch?v=vdG-yLfrJXA

Sfogo Rituale

I don't usually do rhytmhic stuff, but when I do, it's g̡͖̼l͕̠͎i͚̫̪t̪͇͎c͔͔͜h̞̺y͓̙

Silicium

Ars longa | Vita brevis

1000 plays reached, amazing!

Impossible Geometry