Une très jolie chanson ....peut être un peu désenchantée mais parfaitement chantée ,comme toujours !!

Fabulous vibes , amazing ⭐️⭐️⭐️⭐️⭐️

Superbe !! Bien dans l 'esprit  Beatles, superbe réalisation !! Très Beau feeling , je te suis comme d'hab ;-)

right with you..funny how people just can't leave each other alone..in the end be true to yourself

Stunning song Imre, great lyrics! Love it.

Really Beautiful & Genuine Song & Performance Imre ~~

BLOW YOUR MINDS IN A MOHAWK SANCTUARY

NEW YORK MOHAWK

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Composition and lyrics: Paul and Fritz Kalkbrenner

This is the raw version (the "Sand"-edit...) of a collaborative project with https://soundcloud.com/synline. We both used the same vocal track.
Please take a listen to his "Sky"-version, it is quite different:
https://soundcloud.com/synline/sky-and-sand?si=95b81c6c2859417d8653ce0853ecc8df&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

A Big Thank You to my friend Synline. I enjoyed this collaboration very much.

Sky And Sand 

In the nighttime when the world is at its rest
You will find me in the place i know the best
Dancin’, shoutin’, flyin’ to the moon
Don’t have to worry ´cause i’ll be come back soon

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end

(I found myself alive in,
In the palm of your 
In the palm of your hand,
I found myself alive in…)

In the daytime you will find me by your side
Tryna do my best and tryin’ make things right
When it all turns wrong there is no fault but mine
But it won’t hit hard `cause you let me shine

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end   

(I found myself alive in,
In the palm of your,
In the palm of your hand…
As long as we are flying 
All this world ain’t got no end,
All this world ain’t got no end,
Ohh,
All this world ain’t got no…)

Sky And Sand (cover, raw edit)

Writing at the piano again and mastered by my lovely Sander. 😊🎶🎹💕🎤

A little bit faster…(acoustic piano and vocals)

Cast of Characters:

J.J. Terrell– @j-j-terrell – organ, synth and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – custom five string fretless bass and PRS SE semi-hollwbody electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Sunnybeck-- @sunnybeck — Beck — synth and MIDI composition
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric wah guitar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering

This song began as a looper beat that Josh created in BandLab. He does that often to start an idea. However, this beat sat on the shelf for almost a year, until he shared it with JJ for one of his Saturday night music sessions. JJ put an arrangement on it with his organ and bass. Josh quickly replaced the bass idea with his own version of it, though.
Now it was Ken's turn to replace the dull looper beat with something alive and organic, which he did in the most creative and solid way possible. We had a skeleton now, and it was time to share it with Beck, with whom this is Eclectic Collecitive's first song. She added her magic via the synth you hear sprinkled throughout. Stephen weighed in next with his funky wah guitar.
It was almost done at this point, but of course, we wanted Carl to add his greatness to it, as well, which he did by writing and singing some compelling vocals. He took the working title, which Josh came up with having just read The Odyssey, and wrote a whole song about it!
Once it was all laid down, we asked Tez to do his expert work with the mix and production, which he did perfectly, as always. We're very lucky to have two very talented producers in the group, and grateful to Tez for ironing this one out for us.
This is, as mentioned, the EC's first go round with Beck, and we couldn't be more thrilled to work with her. Not only is she a skilled, creative musician, but she is a delightful ray of sunlight to work with, too. We have another collab with here we plan to release in the coming weeks, as well. There will be more to follow. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark
Hold on dear crew
Cruel winds fly north
Our tenth foul day
Land found fresh worth
Untameable sea
We survived people
Ashore
Fresh water
Food
Lessen our feeble

Three of company
Greet these inhabitants
Find what land lends their habitance
Trio arrive and find not hurt
Then found local food
Good offering flirty

Three watered mouths by nicest taste
Who needs home
We stay
No haste
Love lotus buds
Don’t mind the captain
Let’s stay and munch this tuck of trapping

Captain bemused All aboard!
No more shall eat this food mind sword
What of home!
What of love!
Weep not dear three
Cold turkey tough

Smite that sea
Hold tight your oars
Now heave to Ithaca
South-westwards
Bye Lotus eaters
Trip like land
Love lesson lives
Myth mystery scanned



Isle of the Lotus Eaters (Eclectic Collective featuring SunnyBeck!)

© Joe Liberty 2025, all rights reserved

Tuff luck 

Got sold that dream of a Ponzi scheme 
Hard work n sacrifice know what I mean
Trade your life away to make a few bucks
And all ya got left is a lotta tuff luck

Tuff luck
That sucks
Tuff luck
Aww

To fast to live, to young to die
Without enough sense to ever wonder why

To old to work to broke to quit
Just a cog in the wheel lost in the mix

Tuff luck
That sucks
Tuff luck
That really sucks
Tuff luck

TuffLuck

https://lilspaceman.bandcamp.com/album/to-the-ones-that-you-love
drums and guitar https://soundcloud.com/swivelized-sounds
bass guitars, keys and vocals by lil' spaceman

to the ones that you love

Flunk - Sanctuary (Dramantic Remix).mp3

'The Minstrel and the Jester' Just a title that popped into my head. This is where it went.

My Drouthy Cronie

The Minstrel and the Jester

This is the third Texas Tea song from me and @texmex-shaman that has a super dark eerie mournful vibe to it. We are thinking of them as a kind of trilogy that began with "Got a Light", continued with "Black Coffee" and culminates with this one. Each title is a reference to David Lynch's Twin Peaks. In season 1 or 2 of that show, the main character Agent Cooper says that he takes his coffee "as black as the sky on a moonless night". The mood is kind of appropriate for the weather this time of year, at least in my part of the world!

Moonless Night (A Texas Tea Production)

Take Me Home, Country Roads. Bill Danoff Taffy Nivert John Denver. 1971. Performed live at a little bar in New Hampshire, USA by Cattle Crossing. Ronnie Velvet - keyboards, Billy - guitar, Anton - guitar and vocals

Take Me Home Country Roads (live 11:13:25)

A blue tune with dream pop tones that tells the story of wine from virgin berry to our tables and living rooms. No drink has longer been in our social settings than wine (sorry beer drinkers). For those who like to know precise lyrics, they follow below:

VIN ROUGE BLUES

[verse]

Berries glisten at morning light, sheen of dew born of night
In warmth of sun growth's begun
Color shows green to red, even gold 
At first frost grapes part the vine, merging next as nectar wine..ooh...nectar wine

[chorus]

Raise a toast to lessons past, taste ambrosia from your glass
Naught but wine has held a place where people seek both mirth and grace
Lusty red to golden white the living liquid brings delight
To we hale people all well met,  better still when lips are wet ..oo... 

[verse]

Wine brings joy when friends unite, leaving long remembered nights
With ruby red, depths are plumbed and inhibitions oft succumb  
Wine spurs thoughts we’ve never thought, some worthwhile, some are not..ooh...

[chorus]

Raise a toast to lessons past, now sip ambrosia from your glass
Naught but wine has held a place as people seek both mirth and grace.
Lusty red to golden white the living liquid brings delight
Taste this gift that for a night sends woes and cares to misty flight…woes and cares take misty flight…cares take misty flight...

Vin Rouge Blues

First rap verse - https://soundcloud.com/ipg1

Vocal hook - https://soundcloud.com/specialececilia

Second rap verse - https://soundcloud.com/frawstakwa

Production - https://soundcloud.com/rizlix


Back with another collab!!

IPG1 x Special Cecilia x FRAWSTAKWA x RiZLiX - Magnetic Minds

THEY SAY A TOAD IS ONE UGLY CREATURE 
THEY NEVER CHECKED THEMSELVES  IN A MIRROR 
THEY TELL YOU SO THEY TELL YOU NO
THEY HAVE TOLD YOU LONG AGO
FOLLOW THE FLOW AND BEND DOWN LOW
ALL I CAN TELL YOU IS BLOW

THEY SAY DON’T TRY THE GANGES RIVER
THAT’S IF YOU’RE NOT A TRUE BELIEVER
THEY TELL YOU STOP THEY TELL YOU GO
WE HAVE BEEN TOLD LONG AGO
YOU SHOULD EAT NO NO YELLOW SNOW
ONE THING YOU SHOULD DO IS BLOW

THEY TRY TO OVERBLOW YOUR PICTURE
UNTIL YOUR FACE WON’T SHOW IN THE MIRROR
DO AS THEY SAY NOD AND OBEY
WHO YOU ARE DON’T LET IT SHOW
JUST HOPE AND PRAY WAITING FOR THE DAY
WHEN THE TIME HAS COME TO BLOW
BLOW

BLOW (Lyrics)

" Praise ye the Lord" is an Air form Georg Friedrich Handel's oratorio "Solomon", written in 1748.
The anonymous libretto is currently thought to have been written by the English Jewish poet/playwright Moses Mendes. It is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles.

violin - Clarke Alonzi, Anna Downes
viola - Philip Hayman
organ - Helen Roberts
voice - Robert Llewellyn

We hope you'll enjoy!

lyrics

Praise ye the Lord for all his mercies past,
Whose truth, whose justice will for ever last.

Praise ye the Lord  (Solomon - Georg Friedrich Handel)

(Don't follow me here, best on my main page ;)

BLOW (Lyrics)

IMRE LODBROG

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