I feel this too. How come the generation of peace and love became the most cynical? It is a mystery.

Unusual and cool vocal work, a bit of a darker feel to the foreground on this one, but still with your bright upbeat psych rock style backing it all up

You win the prize for most song references in one song.

WHAT I CAN SEE IN A FRACTAL CHERRY

This Is A Hybrid Track..  i made a beat with Bitwig and Arcade,  I used AI For arrangment, I used Ace Studio And Autotune/Fx for the vocal..  And i finally did some chopping, restoration and mastering In Cubase..  And i used Canva for the "ArtWork"   Enjoy  :O)

Music Is Life (Icebreaker)

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

Cosmic Soup

I can see further at night

GOODBYE OLD WORLD
WHEN THE TIMES THERE WERE A CHANGIN’
BUT THE SHIP SHE NEVER CAME IN  

BAD NEWS BLOWING IN THE WIND
SWEET LORD WHERE HAVE YOU BEEN

WHAT CAN I DO?
WHERE CAN I GO?
BAM BAM BAM BAM 

GOO DAY NEW WORLD
SUNSHINE TURNING GREEN
SUNK THE YELLOW SUBMARINE

CASTLES OF SAND A’ CRUMBLING
BANG BANG SISTER MORPHINE

WHAT CAN WE DO?
WHERE CAN WE  GO?
BAM BAM BAM BAM

WHAT CAN WE DO?

SHOW MUST GO ON

WHAT CAN I DO?

Original composition by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100

Fractal

Sakura Road Of Memories

A more aggressive and uplifting version. Click here for the original version.  https://soundcloud.com/hpcnw-902952/psycho-circuit

Psycho Circuit : Mind Drift

Lyrics & Vocals by FRAWSTAKWA
https://soundcloud.com/frawstakwa
https://soundcloud.com/frawstakwa-for-you

Produced by Cosmic Keanu

Logical Thought (FRAWSTAKWA & Cosmic Keanu)

*Listen w Headphones!

Let this song be your safety-Rope
when you climb these mountains.
My thoughts are always w you my old friend!
~ LS
--------------------------------------------------------------------------

Vocals by Gary Reeves
Spoken words by Terry Reeves

Lyrics /Short version.
(Written by Terry Reeves)

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
--------------------------------------------------------------------------

Check out the original track here
https://soundcloud.com/mountain-songs/mountain-man-cripple-club
--------------------------------------------------------------------------

Sample used

Synth (Remixed / Slice & Diced / Reversed)
Kimbra - Back To You

Intro sample
Movie / Leave her to heaven (1945)

Remixed by LS/2025.

Gal-vanize Feat Gary Reeves

Here’s another old favorite song of mine, written by Baker Knight in the 50’s and recorded by many folks before and after Elvis’ most famous version, released in 1970. Once again, this is one of my stripped down recordings taken from an i-phone voice memo and transplanted to GarageBand for this final mix I threw together in homage to The King. Interestingly, Baker apparently originally wrote this as a gospel song, about the true King, but I think by now we all just read it as a simple and emotive love song, one of many done so masterfully by Elvis. I hope some folks will enjoy this quick take on it.
🥳This goes out as a special happy birthday wish to my dear friend and partner in all things musical, Nat Daniels. Thanks for all your support and inspiration.🤠

The Wonder of You

The Wonder of You (Elvis cover)

Original by The Beatles (1970)
I used a piano backing track on this

I have been sick, and my voice is not completely healed yet, but it is what it is :)

Let It Be (Cover)

File Updated 21/04/25 @ 19:14 GMT - More vox power in and mixed the drum and keys cheese a little higher... possibly still not enough cheddar there

Bass run live
https://www.instagram.com/reel/DItwK6NNYAk/?igsh=ZzkwbmkzbWxmazU0

Vocal run live
https://www.instagram.com/reel/DItiaLPt5_-/?igsh=MW0xNnR4ZXRuczg5bQ==

Acoustic warmup and some background
https://www.instagram.com/reel/DItU4cHNWRZ/?igsh=MTQzemFtcTV2OWxteQ==


The Other Side remake # 5. It started in 2002. Got adjusted in 2007. Had seperate facelift's to reflect new reality in 2015 & 2024. Now # 5 is truly Alive for The Other Side. Both the Song and me appreciate your time and love ♾️ If art is conscious in a universal sense as it's doing its job of inspiring love, then that appreciation from the piece itself doesn't have to seem misplaced...

It's great to make art... But the sharing bit can truly last and maybe it can actually transcend the artist as an energetic entity. Maybe all art is that after it's created ♾️ (unless souless ai made it)


Tempo 155bpm 4/4
Tuning 417Hz A and down one semitone then capo 2 (B string back up one semitone)

Lyrics

Why go beyond this face 
To no longer replace and only embrace this soul
You can’t grow while running from this
Down clenching your fist,
Your hot heads
Too mystical

Light up the other side
Light up the other side

I know to look to this place
Search every last little trace
Find why all is interlaced with the cold
(The Beautiful Dark: In order to.know we are playing with light we unfortunately need to understand the shitty darkness that exists in this universe most of which was created by what we currently refer to as  "humanity" - Can't recall a dolphin ever bringing evil to planet Earth - They show plenty of love though... maybe that's showing us how natural love is and where all hate comes from! Humans...)

Light up the other side
Light up the other side

Love like you mean it
Love completely
Is your heart beating?
Then love like you mean it!

We're wishing for middle eastern freedom
We're wishing for Tibetan peace
For 'free' Iraqi beliefs
We let go of Mugabe 🙏🏿 🥳
Zimbawes relief
Fuck you Burmese high priests
🖕🏽All black and white beasts

Rainbows of love
Your Dharma duties
Never end Peace and Love
No shame no doubt no guilt reigns

Just love like you mean it
Love completely
Just love like you mean it
Love completely

Light up the other side
Light up your inside
Light up the other side
Light up your inside
Yeah ➕📈


Notes
Man this feels good. It's like I'm handing a big chuck of myself over and its a good chunck of good in my head.

I pledge to write this song until I die and hopefully that means me making lots and lots of versions of this over the coming decades. It has to be rewritten because this song needs to reflect my reality and that always changes. When the time is right I'll pass it on to another human who I feel will be worthy enough to keep it going for another lifetime.

I wrote this song originally 23 years ago on a two octave Casio keyboard. It was so cheesily amazing. However the beat cheese was 155bpm of high tempo rhythm so when I went to write the lyrics I slowed the gait to try and say what I wanted to say and not sound like a chipmonk.

So today we go back to that gait and we do it without like sounding like a chipmonk and with new relevance for what I see in reality.
This is the result of the first wave of recompiling the idea again from scratch. I'll hone it now...

2002 Original Jam (Casio version)
https://on.soundcloud.com/KUfoFsjM5oUTyJgg7

2007 Version
https://on.soundcloud.com/zaTQnMc55Xaiuvc39

2015 (recorded in 2024 but in the light of v2015)
https://on.soundcloud.com/YzF6zUSGoTgCKkUx

2024 version
https://on.soundcloud.com/zewarjwwqzHtftZp7

The Other Side (2025)

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

2009 | Straight Road

(Don't follow me here, best on my main page ;)

WHAT CAN I DO?

IMRE LODBROG

Recent comments

Luciole Langevine

Cavebar

Marc M

Danen II (Covers and Support)

Related tracks