Echoes within a lighthouse sounds amazing dawg.

Dreaming of Sorrowful Memories and Metallic Taste Waterdrops

We Made this track 2 years ago 7/19/24 RIP D3ADVIB3

4444x7777777/D3ADVIB3/DZ/Lostgrave-Ride You DYas Prod.4444x7777777

~Aum~

O futuro e o presente - O orgulho e o sentimento
Saber falar saber ouvir - O universo por dentro
E atento sigo em frente - Tinha mesmo que seguir
Canto trance como devo - Tenho mais é que fruir

Esse momento que só é - Porque sou a par com ele
Momento esse fere a fé - Sou o homem sem medo
Se ao puro saber cedo - Sou um homem perdido
E se dormir é para fracos - Sei o sonho sentido

Não sonho quando durmo - Nem quando estou acordado
Passo a passo levo a vida - Sou um ser acabado
E morto e retratado - Nesta minha canção
Canto tudo como sinto - e sei - bate bate coração

E sem saber se consigo - O processo é confiar
É sentir cada passo - Saborear este mar
Menos doses perigosas - Essas são vero perigo
Quanta gente na cadeia - Quanta saudade velho amigo

~Aum~

Assim sou saber contido - sozinho vou - conseguindo
Ninguém escreve comigo - Ninguém finda quando eu findo
Num fingir todo ele São - sou quem herdou novo som
Seja o meu destino grande - Seja o meu destino - bom

Seja céu de arco-íris - Seja estrada de cinza
Sou quem sabe cantar - Sete chakras uma só espinha
Dorsal e abismal - Toda torta - estupidez
Seja eu - sétimo chakra - Elevado e português

Quanta força ser grotesco - ser cortês é mais difícil
A pessoa esquece o mundo - a sociedade é um míssil
E um momento fictício - esse momento de paz
Seja eu quem sabe ser - um ser ainda mais capaz

Capataz de ninguém - e audaz - somos poucos
Fui daqueles - a quem com medo - apelidaram de loucos
Momento trôpego de queda - e eu sou uma só cadência
Grave triplo - contra tempo - a mim lei da resistencia

~Aum~

I See Alot of People Crashing Out Lately, I Might As Well Crash Out With Ya ! ENJOY  

DatDJEMoney - Crash Out (Mix)

Little Umbral Tormenting Outcry (luto)

Turn Back to Dust

Echos Within a Lighthouse

The Walls Pulse

1110

Enjoy the music video it's a blast: https://www.youtube.com/watch?v=DcHY4EX7BUk

Once again, I am beside myself with joy to honour the memory of my high school bestie Dan Wayne Dunlop (October 4, 1957 – November 17, 2012), by producing and publishing his original song "Out In A Week".  Dan and I first met in junior high school, and we became best friends in high school.  We were bad, had tons of fun and jammed together often for many years. 

Dan wrote "Out In A Week" in the late 1970s, recording it on a cassette player using a drum machine, his guitar, and his own vocals.  I first attempted to revive the song I had on cassette using AI technology, but that didn't pan out.  Instead, and with the contributions of some amazing musicians, I re-recorded the song, performing the vocals, alto sax and keys. 

In many ways Dan was my mentor, I admired his independent nature, talent and drive.  A born comedian, cartoonist, singer, guitarist, puppeteer, film producer, radio talk show host, cameraman, film editor and, with all that talent, he also had a big heart. Truly an outstanding person who influenced so many people who are to this day grateful to have known him.  I hope I did him proud with my rendition of  "Out In A Week" and the music video.  Once again, I feel great pride and love in keeping his legacy alive by immortalizing his artistry.  I love you brother (RIP).

The Song:

"Out In A Week", with its hard-hitting blues-rock vibe, sentences the listener to jail for criminal behaviour, followed by the elation that accompanies the prospect of getting out in a week.

Song: Out In A Week
Lyrics: Dan Wayne Dunlop, AKA Fastmandan & Thomas Patton AKA TomCattt
Recorded at TJP Entertainment North York, Ontario and Pezmosis Music Productions Oak Ridges, Ontario
Mixed and Mastered: Mark Pezzelato at Pezmosis Music Productions Oak Ridges, Ontario https://www.pezmosis.com/
Production and Engineering: Thomas Patton
Lead and Harmony Vocals: Thomas Patton
Keyboard: Thomas Patton
Alto Saxophone: Thomas Patton 
                            : Selmer SAS711B
Bass Guitar: Bernie Serrao
Electric Guitar: Dan Strudwick AKA Brother Daniel
Drums: Mark Pezzelato
              https://www.pezmosis.com/
Album Cover: Thomas Patton
Photography: Thomas Patton
Copyright: 1182165

Cattt Man Do

Out In A Week

Stream

"Welcome To Sunday Service" is the intro track to my upcoming project, "Flint '93" which is on the way. But keep your eyes open in the mean time. Cause at this point, it's only up from here. And this is that IDGAF what you think. Not a movie, we on a mission.

Welcome To Sunday Service

ramow - alte idole (freistil)

Buy on Beatport

UNTIL THE LAST MOMENT [Cafe De Anatolia]

“One Night in Forever” is a luminous and emotional journey through late-night nostalgia — a track that captures the fleeting magic of connection and the ache of knowing it can’t last. This song feels like a moment suspended between dream and reality.

The production shimmers with warmth — lush synth pads swell around a heartbeat-like rhythm, while reverb-drenched melodies glide like city lights reflected in rain. There’s a sense of longing in every note, as if the song itself is chasing a memory it can’t quite touch. A feeling ghostly yet intimate, a whisper that seems to echo across time.

Midway through, the track opens up — the rhythm blossoms, the bass deepens, and the atmosphere turns cinematic. It’s the sonic equivalent of that perfect, timeless instant on the dance floor when everything feels suspended — love, light, and sound blending into one. Yet, as the song fades, it leaves a bittersweet stillness behind, reminding the listener that forever moments often live only in memory.

Verdict: “One Night in Forever” is romantic and introspective — a beautifully produced meditation on fleeting connection, drenched in midnight glow and emotional resonance.

One Night in Forever

26 Oct - Recinators

"Can I Be’s Smoke" is a hypnotic journey that feels like 60 BPM while pulsing at 120. Driven by heavy kick and snare, it blends industrial tension with psychedelic, dreamy textures. The result is a slow-burning, modern darkwave track — both floating and grounded, melancholic yet cinematic. Music for nights of smoke, steel, and strange reflections.

Can I Be's Smoke

𝖘𝖊𝖑𝖋-𝖙𝖗𝖆𝖓𝖘𝖑𝖚𝖈𝖊𝖓𝖙

* Nothing is forever

Echos Within a Lighthouse

Takashi

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