Electronic / ambient / space music / drones

Vous êtes-vous déjà allongé dans l'herbe, les bras étendus, face à un ciel bien noir ? 
Au bout d'un moment vous avez l'impression de vous trouver collé au flanc d'un énorme vaisseau traversant les vastes étendues du vide. 
Seules de lointaines étoiles scintillantes remplissent l'horizon de ce bref voyage dans l'éternité. Le bruit interne du moteur comme fond sonore permanent.
D'aucuns pourraient y voir une scène maritime. Je souscris à une convergence d'état d'esprit pour le voyageur. Pierre Hadot évoquait la notion de "sentiment océanique". Peut-être s'agit-il simplement du reflet des lumières du ciel sur l'océan. 
Mais où commence le ciel ?

in an electronic way

http://inanelectronicway.bandcamp.com/

Google Trad :
Have you already lying in the grass, arms outstretched, facing a dark sky? 
After a moment you feel as if you stuck to the side of a huge ship through the vast emptiness. 
Only distant twinkling stars fill the horizon of this brief journey into eternity. The internal engine noise as a permanent background noise. 
Some might see a sea scene. I agree with a state of minds for the traveler. Pierre Hadot evoked the concept of "oceanic feeling." Perhaps it is simply a reflection of sky lights over the ocean. 
But where the sky begins?

in an electronic way

http://inanelectronicway.bandcamp.com/

Ignition

Travel is a Progressive Atmospheric Drone inspired by a text from Alain (1868-1951)
'Regarde au loin' (05/15/1911) From the book 'Propos sur le bonheur'.

Technical view: no samples, no soundfields recordings. All is virtual modular synthesis.

In an electronic way
https://inanelectronicway.bandcamp.com/

Excerpt from 'Regarde au loin' (Looks away) translated with Google.

"In melancholy I have one thing to say: "Look away". Almost always the melancholy is a man who reads too much. The human eye is not made to this distance; it's the great outdoors that rests. When you look at the stars or the horizon of the sea, your eye is completely relaxed; if the eye is relaxed, the mind is free, walking is more assured;
.......
But do not you try to relax by will;
.......
do not think of you; looks away.
.......
It is therefore whether perception and travel. An object, the true relations that you discover it, leads you to another and a thousand others, and this vortex of the river carries your thoughts to the winds, to the clouds, and even planets.
.......
Where your mind will rest in this universe which is his domain, and matches with the lives of your body that is also related to all things.

Looks away."

You can find a free edition of this book here (in French only).:
http://classiques.uqac.ca/classiques/Alain/propos_sur_le_bonheur/propos_sur_le_bonheur.html


Travel

D’abord respire
La vraie beauté élève l’âme
En sublimant le lien au tout
Qui est infinie émergence
D’uniques reflets d’éternité
Evanescents

In an electronic way

https://inanelectronicway.bandcamp.com/


(Automatic translation)

First breathe
True beauty raises soul
By sublimating the link to the whole
Which is infinite emergence
Of uniques reflections of eternity
Evanescent

In an electronic way

https://inanelectronicway.bandcamp.com/


Arrival

Influences in electronic music: Electro-acoustic music, Cosmic music, Ambient. 

Influences initiales:
Tangerine dream, Klaus Schulze, Brian Eno, Michel Redolfi, Christian Zanesi, Jean-Claude Risset, François Bayle, Eliane Radigue, Steve Roach, Steve Hillage, Robert  RIch, Harold Budd, Jon Hassell…
And in a different way, Miles Davis, John Coltrane.

When I was a teenager, when I discovered electronic music in its various forms stemming from the work of these artists in the 70's and 80's, I had the feeling that a window was opening up to an elsewhere, not always benevolent, 
but fundamentally different.

I think that a door has remained open to environmental music with a "romantic", spiritual or exploratory scope. I try to move in this direction by combining different sources of inspiration.

From a technical point of view, I work exclusively with virtual modular synthesis. No wav, no samples, no sound recordings or real environments. This particular aesthetic choice leads me to walk between imagination and realism without ever reaching the latter.

I would like to share this approach with you.

Thank you for your kindness.

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Lorsque adolescent j’ai découvert la musique électronique sous ses diverses formes issues du travail de ces artistes dans les années 70-80, j’ai eu le sentiment qu’une fenêtre s’ouvrait sur un ailleurs, pas toujours bienveillant, 
mais fondamentalement différent. 

Je pense qu’une porte est restée ouverte sur une musique environnementale avec une portée « romantique », spirituelle ou exploratoire. J’essaye d’aller dans cette direction en combinant différentes sources d’inspirations.

Du point de vue technique, je travail exclusivement avec la synthèse modulaire virtuelle. Pas de wav, ni de samples, ni d’enregistrements de sons ou d’environnements réels. Ce choix esthétique particulier m’amène à me promener entre l’imaginaire et le réalisme sans jamais atteindre ce dernier.

Je souhaite librement partager cette approche avec vous.

Merci de votre bienveillance.

in an electronic way

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