Trentemøller♻remixX

Stella Polaris Presents Small Secrets Vol. 7: Still-Life

Heaven (Still-Life Remix)

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Morphine [Clip]

https://cloudmanagement.bandcamp.com/releases
https://www.instagram.com/cloud_mngmnt

For any track list requests please send us a direct message.
Up next: Daniel Jahn (Bureau B)

Pingipung Podcasts

Pingipung Podcast 142: Cloud Management – Important Business Meeting

LISTEN & BUY
lautundlui.se/brigade-hard-times-soft-music

In a time where electronic music gets harder and faster each day, Berlin-based duo Brigade‘s debut album „Hard Times, Soft Music“ reclaims easy listening as a badge of honour. Being released on the 14.10.2022, the record is a meticulously calibrated work of room temperature, a home cooked meal between friends or a warm sonic blanket that tugs you in after a rainy day. Pushing their club roots to the side, Brigade‘s debut album confidently sits between ambient, house and hip hop. „We took the pandemic as a cue to take a break from dancefloor productions and play around with different genres and production styles.“ The first single „International Communication™“ showcases that breadth and introduces an album pretty much anyone in the post-Shrek cultural landscape could agree on. Basically, if you appreciate a good hug, chances are you‘ll enjoy this LP. 
Also, theres a pretty cute dog on the cover.

∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿

Artist: @brigadeberlin
Titel:  Hard Times, Soft Music
Label: Laut & Luise
Cat-No: LUL021
Distribution: KOMPAKT
Format: 12” Vinyl + Digital
Release Date: October 2022

Hard Times, Soft Music

Brigade - Bistro Riots (LUL021)

@Zuurb

Style: Ambient
Lenght: 01:02:50
Quality: 320 kBit/s

Tracklist:
None

Alle der diesjährigen Kalender-Mixe finden sich hier: www.kraftfuttermischwerk.de/blogg/tag/ak2022/.

Das KFMW Adventskalender 2022

2022 #11: Zuurb - Miriam

OFF UPCOMING SIBERIA RECORDS "DIGITAL/FLEXI VOL.2.0"
PRE ORDER: HTTP://SIBERIARECORDS.COM/ 

Cassius Select - Judge/Lock

<><><>
www.facebook.com/inmyroom.page
www.youtube.com/InMyRoomRecordings
www.hfn-music.com/inmyroom

www.facebook.com/trentemoller
www.youtube.com/trentemollerTV
www.anderstrentemoller.com
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Trentemøller’s recent album opus Lost already served as the logical continuation of his varied work and delivered his signature sound intact, yet it really didn’t sound like anything he’d ever produced before. Streamlined, song-structured and guitar-driven, Lost boasted a dozen tracks, each offering something of interest for anyone who has ever been a fan of the Copenhagen producer.

As original as it is classic, Lost mixed the tried-and-tested with all sorts of sonic surprises, merging the extrovert and introvert qualities the man has in his command. Also notable for being his most collaborative effort yet, Lost paired him with a vibrant and varied cast of guests - the legendary duo Low, Jonny Pierce from The Drums, Marie Fisker, Kazu Makino of Blonde Redhead, Jana Hunter of Lower Dens, Ghost Society and Sune Wagner of The Raveonettes.

Now the new ‘Lost Reworks’ release gleefully rips up the rule book again, as Trentemøller is joined by some carefully-chosen conspirators - Toydrum (aka James Griffith and Pablo Clements of UNKLE), Jenny Wilson, T.O.M. And His Computer, Unkwon and Trentemøller - in dismantling the intricate musical tapestry of the album, recon-textualising the instrumental experimentation, the trashed analog consoles, and the entire sweep of influences, from krautrock to classical.

The original version of “River Of Life” abandons its throbbing guitars and soaring strings for dark and retro electroclash tones on Trentemøller’s own remix, and introspective, electro-gaze in the hands of T.O.M. And His Computer. “Come Undone” stalked at a slow and measured pace, and Trentemøller’s steamy new version recalls vintage Goldfrapp in marrying sultry vocals and seductive machine music, while Toydrum beefs up the raw, spiky electro rock elements. The melancholic pop beauty of “Candy Tongue” is remade with ghostly atmospherics and evocative, exotic instrumentation via Jenny Wilson’s version, and while one remix of “Deceive” made its debut in a stunning EP package from earlier this year - Unkwon’s misty, dusty broken beat version - it is counterbalanced by Trentemøller’s own glitchy, cinematic Lost & Found Remix.

For the digital version of Lost Reworks, even more treats abound: Trentemøller’s extended, frisky Club Mix of “Deceive” which turns up the pressure on the beat and the bass; re-arranged melodies and a hypnotic build on Pinkunoizu’s “Gravity” remix, and a stripped-back instrumental version of Toydrum “Come Undone” rework.

Lost Reworks

Pre-order here.

Trentemøller - Come Undone (Toydrum Rемiх Instrumental)

Trentemøller - River Of Life (T.O.M. And His Computer Rемiх)

Trentemøller - Deceive (Trentemøller's Lost & Found Rемiх)

Trentemøller - Come Undone (Toydrum Rемiх)

The 2024 festival season was filled from start to finish with good times, incredible music and amazing humans across all the wonderful events we played. This season we were asked by Earth Beat Festival to run a stage takeover right at the end of the season, what a way to cap it all off!

We put together a lineup the we are incredibly proud of; it was diverse, fun, filled with talented musicians and didn't cater to just one type of four to the floor. We asked our artists to record if they felt comfortable, we are very grateful that most of them did. We are also very grateful they are all allowing us to release their work.

We had planned to release another one of our epic friend's sets this week, but we felt that in the lead up to our first XCOMMUNICATE this Friday (and the fact that it's Heylady's birthday today) we would release this recording into the wild.

When we programmed the line up for our stage, we nestled ourselves in between the amazing Rob Warner and Becky & Rayza, at the very respectable time of 9pm. This was one of our final sets of the summer festival season, and much like the others we had so much fun playing it. 

We want to thank Issac and the Earth Beat team for trusting us with the stage, the sound techs who kept it humming through out the day and night and were straight on it when we felt it needed adjusting, Kat Ellis for the incredible stage design, the stage managers for making sure we had everything we need, our epic crew for helping pack in & out and being so much fun all weekend, to Rachelle for endlessly putting up with us taking over the lounge, the house, the farm with our noise and for having everyone to stay on this particular weekend, we love you so much! To all of our AMAZING DJs, without you there would be no party, you all brought the absolute noise and we are so proud of what you produced from the opening tune to the very last. And finally, to everyone on that floor, thank you for coming for the ride with us!

We hope you enjoy this almost 3 hour set, we are at our happiest playing for you all, thank you all for your support. So, turn it up loud! We can't wait to dance wit you soon.

COMMUNICATE live at Earth Beat Festival 2024

VOID - UdieNnx

light blue and pink

c minor 194 xaviersobased x ksuuvi jerk

Travelling through new terrain, discovering foreign lands, gazing into the unknown through the window of an automobile can still be one of the most threadbare and exposed modes of travel. And switching from one radio station to another - searching for a perfect music accompaniment- helps to magnify your visual experience along the way. 

Simple Symmetry’s ‘Radio Moscow’ transmits across the wireless sonicscape inhabiting Russia’s airwaves to resonate deeply within our minds. Imagine yourself sitting in the back seat of their family wagon speeding out of Moscow on a Friday headed to their dacha for a weekend with the family. 

“This mix is an adventure through the radio waves of our minds, switching through songs which bring back so many of our childhood memories and things which really surprised and inspired us at some point, changed our views on music and took our work in a new direction - everything that is stored in the boxes of our consciousness and that suddenly arises and moves us forward when working on our own tracks.”

@simple-symmetry

MCT-12 - Simple Symmetry - Radio Moscow

An On Bast - "Stay Super" EP 
release date: 7.02.2018
label: Ghost Kitchen / GHOST11

tracklist:
1. Slow Morning
2. Breathe
3. Listen

about:
Every single sound on that EP was patched and programmed using custom eurorack synthesizer only. 
Composed, recorded, produced by Anna Suda
Mastered by Sistrum Studio

Cover: Kaja Adamczewska

Listen

•☆wilD★cHeMicAlS☆•
  ••○cHAPTeR○••
   ••★Remix★••
    ••☆SeTs☆•
     ••♥like♡•
•○★Spezialitäten★○•
 •■☆sAMMlUNGeN☆■•

New album "Dreamweaver" out now
https://trentemoller.lnk.to/Dreamweaver

Trentemøller on Tour 2024 , more info here: https://tix.to/trentemoller

Welcome to the soundcloud of ‘In My Room’, which is the very own label of Danish musician Trentemøller / @trentemusic.

Trentemøller - Morphine [Clip]

In My Room

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