Slow Dancing 2012-2014

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - The Dream (feat. Low) [Clip]

Undiscover (Original Mix)

iTunes: http://po.st/BanksBrain
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BANKS "LONDON" EP Now Available - PURCHASE HERE: smarturl.it/banksep

UK HEADLINE TOUR // COACHELLA // GOVERNORS BALL and more tour dates up at: http://hernameisbanks.com/shows

Goddess

Brain

Buy on Itunes

Watch the video: http://bit.ly/jodPW6
Buy on iTunes: http://bit.ly/YGUcvF 
Buy on Bandcamp: http://bit.ly/15F892v 
___ 
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River

<p class="p1">With his new release On My Own, Castlebed crafts 6 amazing down-tempo gems. Creating lush landscapes and big beats, Castlebed uncovers rich melodic trip-hop and down-tempo soundscapes. On My Own combines funky and jazzy beats, live guitar and vocal elements, lush strings and synth and ambient landscapes into a unique chill-out experience. Castlebed is producer Rustin Davis from Orlando, Florida. He has been producing chill-out music for over 10 years and has worked with many different labels from all over the world. Castlebed creates a unique, organic blend of chill-out music combining live instrumentation and sampled beats. He draws his influences from many genres of music, especially hip-hop, jazz and blues. Castlebed approaches each song with an open mind and lets the music convey its words to the listener. Music is the soundtrack to our lives. Listen closely!</p>

Castlebed - Gravity [SNIPPET]

Text:
Verse 1
I stood beside a quiet bed,
the room was breathing slow.
Machines kept time like fading drums,
the light began to go.
I saw his eyes turn soft and dull,
the spark just slipped away —
and in that silent, weightless space,
I wondered where we stray.

Chorus
Between two worlds, we drift and fade,
the heartbeat slows, the fear decays.
And maybe death’s not black or white —
just the dusk before new light.

Verse 2
The scientists say it's only brain,
the neurons dim, the fire’s gone.
But I have seen that final change —
and it felt like moving on.
No angels came, no trumpets blew,
just peace, so strange, so kind —
and I thought, if this is leaving life,
then life has done us fine.

Bridge
Breathe in the silence,
the pulse becomes a sigh.
Maybe forever’s just a moment
we can’t define.

Chorus (reprise)
Between two worlds, we drift and fade,
the heartbeat slows, the fear decays.
And maybe death’s not black or white —
just the dusk before new light.

Outro (spoken softly)
They say Death comes with a scythe…
well, tell him Python sends his regards —
and he’d better code that visit right.

Still Many Sunrises

Near The Parenthesis - Four (Kettel Remix)

A Chorus of Storytellers

Within Dreams

Color Crush

Opposite Side

SUNS

Artist : Troels Hammer
Titel : The/Tree EP
Cat# : zzzcds0234
Format : Digital
Release : 29th of December 2017

Stream in all digital stores: http://radi.al/TroelsHammerTheTree

CD-order :
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Home : https://www.musicfordreams.dk

The/Human/Tree CD

Troels Hammer - The Singing Clouds (Islandman Remix)

We Are but Hunks of Wood

Carefully

HOUSE OF SPIRITS
----------------
BREATHLESS ON THE OCEAN FLOOR
TIED TO YOUR CAR WITH YOUR FAVORITE SCARF
I DON'T BLAME YOU FOR DROWNING ME
& I'M GLAD YOU'RE IN THE CAR WITH ME

MY SOUL WAITED LIVES FOR YOU
MY LOVE I'LL DIE FOR YOU, IT'S NOTHING
MY SOUL WAITED LIVES FOR YOU

MY SAVIOUR I KNEEL BEFORE THEE
PERFECT LEGS THAT CONCLUDE IN GLORY
I COULDN'T TAME YOU EVEN I TRIED
BUT I'LL HOLD YOU TILL THE DAY YOU DIE
NAKED ON THE FLOOR ON FIRE, TASTING YOU
LIFELESS ON THE OCEAN FLOOR 
I'LL NEVER STOP HAUNTING YOU...

Continuum

House Of Spirits

Purchase Vinyl

Lee Fields & The Expressions - Wish You Were Here

Emancipator - Minor Cause

Jewelry designer & music curator. Lover of all creative endeavors & kittens

New album "Dreamweaver" out now
https://trentemoller.lnk.to/Dreamweaver

Trentemøller on Tour 2024 , more info here: https://tix.to/trentemoller

Welcome to the soundcloud of ‘In My Room’, which is the very own label of Danish musician Trentemøller / @trentemusic.

Trentemøller - The Dream (feat. Low) [Clip]

In My Room

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