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Live from The Lubber Fiend 📡

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After The Impossible Happened - Pengo
Conversation #1 (with Colette Robertson) - Ali Robertson
Echoes Sketch - Bana Haffar
Singing Harvey Milk Quietly @ nca 120625 - Me, the 'dj'
Kharita (dub) - Civilistjävel! x Mayssa Jallad
Every Tyrant In History - CVX
Information (Raw 2020 version) - Ossia
Translucent - Ismo Laakso
Exhibit A Smartphone - CVX
Apple - Hieroglyphic Being
Bingo - El Kontessa
Conflict In Yemen - Bergsonist
Claptrap - Joe
Un, Deux, Trois - Idol Making
Pulsatrix - SB&C
Is This A Ruse - Pentecostal Party
Medic (Instrumental) - Shadowhuntaz
KIDS C GHOSTS (BANKRUPTCY DUB) - John T Gast
Luvdub - New York

Signed, Confused - September 2025

Newcastle --> 🌍
24/7 community radio 👽
Live from The Lubber Fiend 📡

Slack’s is completely ad-free & independent.
We rely solely on donations!
Please consider becoming a Slack’s Supporter.
www.slacks.world/support

Delia Derbyshire - Falling
H/A - 290925
Nervio Cosmico - Invocation in the Depths of Green
Bana Haffar - LILWATAN
The Fear Ratio - NB AP
The Fear Ratio - Lacovset feat Ella Fleur
Gavilan Rayna Russom - A Spell To Freshen Water
Arsenal Mikebe - Omuzimu
John T Gast - Kings X
"We're going to stop them" protest phone recording
Lukid - Underhand Brokery
Borez - Darnell Can't Polish a Turd
Tirzah - Tectonic (Fauzia rmx)
CVX - Invectors
The Human League - The Things That Dreams Are Made Of
U - Lowlands
"This is where it could get hairy" protest phone recording

Signed, Confused - October 25

For the first time ever, “Seedful Things” sees an official release two full decades after its conception. The 20th anniversary edition includes the original 13 tracks from the debut @hitori-tori album, along with four unreleased tracks written in the same time period. The CD version also features an exclusive hidden track unavailable on digital platforms.

The year was 2005 when Julian La Brooy finally decided to plant the seed of his newfound Hitori Tori project. Based in Japan at the time, he recorded a batch of promising demos onto a pack of CDs to ship out to record labels abroad. Nearly four years of studying the craft of balancing aggressive breakbeats with comforting melodies was compiled and ready to share with the world. After running into logistics issues at his local post office that prevented the CDs from traveling anywhere, La Brooy gifted the recorded demos to friends surrounding his artistic endeavors. Unbeknownst to him, the CD would eventually make it onto SoulSeek, an infamous peer-to-peer file sharing network where its community tends to influence the growth of rare and obscure music projects. Becoming a hit beneath the interweb, the album was eventually uploaded onto YouTube, gaining even more interest and becoming a cult classic within the niche of braindance enthusiasts. 

It is our utmost honor to finally give Hitori Tori’s debut album a proper home. Welcome to the 20th anniversary edition of “Seedful Things” - a celebration of experimental electronic music through the passage of time, only made possible by the virtual crate diggers that fuel it. Each track’s arrangement has been left as is, with the only enhancements coming from the improved mastering technology in our arsenal two decades later. The album centered around the development of drill ‘n’ bass, familiarized by the legendary sounds of Warp and Planet Mu in the 90s. The subgenre serves as sort of a neutral zone between braindance, drum ‘n’ bass, trip-hop, and electronica. As breakcore began making its digital footprint, the high stakes, high tempo movement was immediately met with La Brooy displaying a warmer, more playful interpretation.

“Seedful Things” is a vibrant ecosystem of distinct species coexisting. Each intersection seems as leftfield on its own as it feels tightly woven, merging influences from the internet and La Brooy’s environment into one. In tracks like “Yutaka,” he sampled one of his Japanese students playing with toy trains in class, only to end the track with field recordings of a nearby train stop. There are plenty of moments throughout the album that are purely inspired by La Brooy’s routine commutes around Japan, surrounded by strangers with birds meandering above. Occasionally, a few wrong turns would lead him on a side quest - “Walls Of Shibuya” was written after purchasing tea at an undiscovered shop that led to mild hallucinations. The project is riddled with relics of a distant yet familiar past, like in “Breakfux Of Champions.” Here, he used samples from a contest held by Nautilis, the now defunct project of a household name in electronica, to create a glitched-out blend between hip-hop and breakbeat. La Brooy is also unafraid to pick up the microphone in “Ishibashi vs. Tennoji” and “Why You Drinking Booze?” as he turns simple interludes into displays of conscious rap, only with unconscious lyrics meant to be taken unseriously. Aside from the many crossovers, there are tracks that have certain recognizable styles, such as “Keihan Line” and “Aonepsco” taking on breaky drum ‘n’ bass aesthetics. “Stole My Tet” and “Chioal” provide lovers of trip-hop a nice place to roost, just before the album chaotic unwinds into the final few tracks previously unheard.

Pieced together, “Seedful Things” is more than a showcase of what made the mid 2000s so incredibly special for computer music and its hoard - it is the hatching of a ravishing flock of seabirds preparing to take flight and spread its seed.

Seedful Things (20th Anniversary Edition)

BUY / STREAM

Hitori Tori - Pyphen (2025 Remaster)

Hey, I'm back from touring with Autechre and didn't get the chance to record any of the sets so i did this one at home to represent what i was playing each night!

WTFLOL - 10 TFN
SHIP SKET - LIMBO
TRACKERMATTE - SUNSPIRE
TRACKERMATTE - NEMERBIM
JODEY KENDRICK - PUT OUT 43
SHIP SKET - MIDNIGHT
TRACKERMATTE - W HI HATS
KINGTRIPS TWO
THE TUSS - DEATH FUCK MENTAL BEATS
WTFLOL - KAPTCHA ACID
THE TUSS - SYNTHACON 9
JODEY KENRICK - BAFFLE
BEWWIP - ABCD
VYTEAR_LABIR DAY
AFX EDIT
THE TUSS - LAST RUSHUP
VYTEAR_E
SOUNDMURDERER MEGA MIX

Enjoy!!!!!!!!!

MARK BROOM_AUTECHRE TOUR MIX_2025

got many requests for this one from a few years back, italy, pic with my love from scilly recently...need sun...relentlessly raining in uk...mixed down on the zahl, think theres better mixes, will upload if i find em,

Zahl am1  live track 1c f760m1 unfinshd

Zahl am1  live track 1

This mix celebrates my love for the 808 sound.

It shows up in virtually every track I record, whether as single hits, layered percussion or full patterns. Hardware or software, that sound has guided my production from day one.

Available now on Bandcamp is the 'MOY 808 Winter Collection' - high quality jumpers and tees in the 808 stripe colourway, screen printed impeccably by Exalt T-shirts and sent out before Xmas.

https://moybassmusic.bandcamp.com/album/moy-808-luv

Tracklist:
01. Frequency of Creation [Dark Frontier EP - Analogical Force]
02. Superacid [Acid Entrée - MOY Music]
03. Double Solid [MASA 004 - Masa Series]
04. Orbit Cloud [Initial Singularity EP -DO303]
05. Euphorbia [Initial Singularity EP - DO303]
06. Omega Directive [Dark Frontier - Analogical Force]
07. Pale Nimbus [Astral Projections VA - Alien Communications]
08. Mystrium [Dynamics of Acid LP - Altered Sense]
09. Helicoprion [The Boötes Void EP - AC Records]
10. Polykarp [Ryoko 03]
11. Shadow Hat [The Boötes Void EP - AC Records]
12. Wheel Of Time [The Orbital Resonance E.P - Emotec Records]
13. Phaseacid [The Caustic Wymondham EP - Offen Music]
14. Mindtrap [The Boötes Void EP - AC Records]
15. Tardigrade [Dynamics of Acid LP - Altered Sense]
16. Shelter Of Illusion [The Boötes Void EP - AC Records]
17. World Grid [Harmony Of The Spheres EP - Batrachian Records]

MERCH

MOY 808 LUV

BufoBufo @bufobufo-1  debuts on Analogical Force with five tracks that expand his hallucinatory sound. ‘Ranidae’ finds the UK-based producer exploring and combining his influences, meshing elements of jungle, braindance, acid, downtempo and electro into new forms. 
On the A-side, ’Ranidae’ itself flips from atmospheric chords, splintered drums and 808 booms into brooding 303 melodies, evil Reese bass and Amen choppage, a merge of bittersweet synths and breakbeat manipulation. ‘Isopod’ is a dark downtempo dispatch of hip-hop beats, reversed loops and eerie spoken samples, with a bassline that plumbs the depths and an acid sequence that will get lodged in your brain. 

On the other side, ‘Magpie Inkcap’ starts proceedings, where the glitched-out breaks and otherworldly synths dissolve into a 303 line that twists and dives like a sea snake. ‘Asperitas’ mixes tough, FX-driven beats with a buzzing analogue loop and spiralling acid, while on closer ‘Drifting World’, tumbling, spliced breakbeats meet an emotive chord sequence, before a huge bass enters the fray and delicate bell tones dance over the abyss. Refining his sound and uncovering new directions, ‘Ranidae’ is BufoBufo at his best.
—
PREORDER 12" PURPLE VINYL + DIGITAL: https://shorturl.at/Sils4
—
A1   RANIDAE                                   06:03
A2   ISOPOD                                    04:25
B1   MAGPIE INKCAP                             04:16
B2   ASPERITAS                                 04:21
B3   DRIFTING WORLD                            04:22
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Ben Murphy, UK
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Preorder Now

[AF065] BUFOBUFO 'RANIDAE EP' [2025]

Spiritual Reconstruction Engine is the debut album by Sydney-based experimental electronic artist @obelisksydney , releasing on Geometric Corruption on 18 December 2025.

Spiritual Reconstruction Engine is a personal, cathartic album born out of a long battle with chronic lung conditions. Recorded during the beginnings of a recovery arc, the album’s heavy, gory, biblical, frenetic sound palette acts as a mirror to circumstance. Bodily infused textural noise, heavy bass and sharp atmospherics give a heaving feel, contrasted against a strikingly heavenly and danceable tone throughout.

The blend of emotions in the album is disorienting, but it’s baked into the album’s DNA as a reflection of coming to enjoy moments of bliss & peace despite one's circumstances.

The album is full of fresh sound design born from various real-world settings, including surgical and medical sampling (including the artist's own medical monitoring devices), natural environments, and choir archives.

The visual identity for the album is by uzâ a’amo, mix and master by Obelisk

🫁🫁🫁



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