Stenny - Onda / Quadra

A. Onda
B. Quadra

Limited one time pressing square wave homage on 180g vinyl.

ITDP003 STENNY - ONDA / QUADRA

Order your wax https://omtheorem.bandcamp.com/album/corollary1

«A corollary is a statement that follows naturally from another statement»

Presenting Corollary1, the first release in a new remix series flipping cuts from O.M.Theorem’s Lemma projects. 

For this one we invited good friends DJ Sotofett and Ossia. Regular conspirators in bacalao and dosa dinners, monthly hangouts at Globus-Tresor and sound system parties in Milano & Bristol. Through appreciation of similar frequencies and shared experiences, friendships grow. It felt natural to invite the two to do remixes for us. One evening we bumped into them on the dancefloor during a live concert by Senegalese percussion outfit Ndagga Rhythm. This was a sign. BAM! The EP came alive.

On the A-side, we hear two fresh takes on Lemma1-B2. DJ Sotofett with his dub heavy output on Honest Jon's and Sex Tags Amfibia invites Ghanese Afro-Dub drummer Ekowmania for vocals and usual collaborator LNS for keyboard work on his sub-deep club-stepping colourful remix. We bet the infectious vocals will linger in your mind for a long time. Play it LOUD for full sub bass effect! Second interpretation of the same track is from O.M.Theorem. A techy dubstep banger, this one!

On the B side, Bristol and Peng! Sound's Ossia picked his favorite Lemma1-B1 and drove the mixing desk in true Dub-style fashion with a classic riddim that meets an avant garde melody going in and out of the mix. This is a remix that deserves attention, with every listen revealing new layers and details. Even the premasters sounded phat as a greasy hamburger on the German capital’s legendary Super Power Soundsystem! The second interpretation is from O.M.Theorem, rebuilding percussion and bass from Lemma1-A1. Liberating himself from all restrictions the result is a footwork-reminiscent 160 cut, ready for the dance floor.
Original release https://omtheorem.bandcamp.com/album/lemma1

Corollary1 - snippets

@CARREO
@priori-ties
@fastatwork

https://fastatwork.bandcamp.com/album/soft-fascination

Deep within the humdrum of the freeway buzz and eternal traffic of dystopian Los Angeles, there exists an unstoppable sonic gathering of minds, determined to spread a gospel believing that higher BPMs are not necessarily synonymous with harsh escapist mentalities and homogenous vibes. Lately however, as the belief system and community members have musically evolved, there has been some debate about the viability and true existence of this mantra. Is “Fast Not Hard” a sustainable ethos, guiding us towards the ultimate truth?

Just as the issue began to climax, seemingly out of nowhere, a helicopter emerged, containing a capsule from the future (or possibly aliens). Within this capsule was physical, musical, fundamental proof of the durability of their belief system – a bible of sorts, with all the thoughts and debates and beliefs and ideals of the group members mechanically infused into a shiny black disc of three original musical offerings. Upon digesting the capsule’s creed, the group accepted the music as scripture, and coined it “Soft Fascination,” – an emotional reflection of their fast-not-hard form of fundamentalism – and named group member Carré as their first chosen matriarch.

pi pi pi premiere: Carré - Soft Fascination (Priori Mechanical Dub) [Fast At Work]

@baitlabel

BC: https://baitdubstep.bandcamp.com/album/baby-steps-vep

Bait's first various EP format release 'Baby Steps' is an exploration of steppers: pounding four to the floor kicks, organic percs and an overall 'elephant march' feel. Featuring tracks by five French producers, Strasbourg-based Orchid (half of or+be with Bait founder Beatrice M.), Bruxelles-based Moriiiis J., most-known for his broken-beat project Kuna Maze, as well as Quasar, whose name is well established in the dubstep world with releases on legendary UK labels such as Artikal and Deep Medi to name a couple. Agôn (Few Tips/Trajectoire) & Céline B. (Technorama)'s collaboration opens a door towards the more abstract and contemplative side of bass music with influences such as Shackleton, perfectly closing 'Baby Steps' VEP.

pi pi pi premiere: Moriiiis J. - IAFG (It's a fucking Goat) [Bait]

Atrice - Multiplex

A1. Multiplex
A2. Broke
B1. Is It Warm
B2. 83 Steps
DB. Type B

Compassionate Vulnerable Tripping Terminators on 180g heavyweight vinyl.
Mastered by Tangible Air.

IT061 ATRICE - MULTIPLEX

Amsterdam-based DJ, producer and biologist Teqmun is next up on Nerve Collect with Worms Still Have To Eat The Dirt, a six-track EP of blistering fusion sounds that come with remixes from Ma Sha and TSVI.

Tijmen Blokzijl's work is an involving eco-system of electronic collisions - IDM, breakbeat techno and bass are in constant mutation as he layers in deft melodies, cooks up punchy rhythms and screws about with synths. He has done so on the likes of Sann Odea, Traumgarten, Flippen Disks and on self-released EPs that have all constantly pushed at the fringes of sound design. Now he brings all that together again across four electrifying tracks for Gamma Intel and Identified Patient's Nerve Collect.

This EP finds Teqmun departing from the cute and colourful elements of previous releases and becoming inspired by the harsher phenomena in nature, such as a high speed escape of hopping desert rodents called Jerboa, deadly sea slugs and fluffy Echinopsis cactus. I am often inspired by nature and its images and quickly get real sounds or feelings of atmosphere in my head when I see images of natural processes. In this case, it’s grimmer natural processes that inspired me which is why these tracks are much wilder than previous releases, therefore they fit in perfectly with Nerve Collect.

'Hand Full of Fluff' kicks off with a playful rhythm and churning bass that is brought to life with prickly percussion. Shards of melody and scattered hits are fired like ray guns across the track. The EP title track is an impossibly kinetic rhythm with fizzing textures and thudding kick patterns that sound like techno made purely by malfunctioning AI. That same sense of futurism pervades ‘A Jerboa's Escape' which has tightly coiled and broken-up drum patterns looping below eerie, unsettling pads that glow brightly in the percussive chaos. 'Corn Has Ears' is another physical club rhythm made from millions of tiny fragments that all coalesce around a harrowing bassline and 'Slug No Escargot' brings dystopian raps to static-laced bass and harder drum patterns. Last of all is the bouncy and buoyant 'Optimistic' with its post-trap vocals and thrilling club rhythms.

First to remix is New York innovator Ma Sha. She flips 'Slug No Escargot' into a percussive workout with writhing bass and cyborg vocal shards that soundtrack an intergalactic meltdown. Next comes London-based Italian TSVI. His take on 'Optimistic Fly' is big, elastic techno with decaying synth leads and zippy pads pulling you in several directions at once.

Teqmun's Worms Still Have To Eat The Dirt EP manages to sound completely out of this world while also connecting on a deeply emotional level.

All tracks mixed and arranged by Teqmun
Artwork by Nina van der Berg
Mastering by Maspaventi Studio

NC005 // Teqmun - Worms Still Have To Eat The Dirt

Indent lands on Meld Records with a captivating four-track EP - plus a dubby flip by Small Crab.

Shimmering with club-ready brilliance, each track unfolds with sonic intricacies. Indent blends sublime textures with drums and bass that perforate the amalgamation of the soundscape.

Phantom Pressure (Small Crab Remix)

🦐BAIT6-VEP2-ONE HUNDRED AND FIFTY STEPS🦐 
Bait’s second VEP (Various EP) is a 4-track dive into a rather modern phenomenon: 150 dubstep, as DJs and crowds seem to be enjoying the faster bass sounds, yet broken rhythms and heavy halftime pulses. For this release we’ve got L.A.’s rising bass-music star @carreo, specialised in racing wobblers, who recently released her second solo EP on her label @fastatwork (first one was on Darwin's @specrecords). Track 2 is Berlin-based Femme Bass Mafia member @gaia-formella’s first ever release, a reflection of her upbringing in and around London, drawing inspiration from playful breaks to deep wobbly bass. Third track is by @fastcastle label captain Gent1le $oul, also Berlin-based and pushing hybrid dubstep in the German capital with hot vinyl releases and parties. Last but not least, @splt_music’s mental banger “Grill Party” that Beatrice M. happened to discover in Laksa’s Truant podcast (https://soundcloud.com/truants/truancy-volume-318-laksa) and reached out after dropping an “ID?” comment on soundcloud. The Lyon-based producer never misses, his tracks have been played out multiple times by Garçon and Agonis, in the continuity of merging bass and techno, always with an aspect of prog.
credits
releases May 3, 2024
mastering by @bademjan

One Hundred And Fifty Steps VEP (out 03.05.24)

buy link: https://w133records.bandcamp.com/album/w133d005-noti-x-brandon-braun

Artist: Noti
Release: W133D005 Noti x Brandon Braun
Label: W133
Catalog: W133D005

Tracklist:
1. Noti - Dream
2. Noti - Future 
3. Brandon Braun - Destined to Meet
4. Brandon Braun - Zero G
5. Brandon Braun - Memories 

Artwork: Philipp Roth
Mastering: Syxt Mastering

Noti:
@notiiton 
https://www.instagram.com/noti__iton/

Follow W133:
@pinopena
https://www.instagram.com/w133.records/

Premiere: Noti - Dream [W133 Records]

"Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release. 

“sexta feira” finds itself on the borders of trance, dembow, and dubstep. Besides these initial patterning queues, atch22 also employs a variety of vocal stabs and modulation to keep the track moving. After a recent move to build a studio in Strahov Stadium (would definitely suggest looking this one up), atch22 has been back behind the monitors, with this track being the first product of his new musical home. The track defines itself in the world of peak time frequencies and fluctuates through a wide range of feelings."

Follow
https://soundcloud.com/atch222
https://soundcloud.com/markhamroad

[MR003] VA

BANDCAMP

NEW HIT: atch22 - sexta feira [Markham Road Records]

Iron Man

Contact and bookings: indentsound@gmail.com

Releases on: @holdinghandsrecords @noire-state @meld_records

Phantom Pressure (Small Crab Remix)

Indent

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