Name: Maya Saguna - Abdul Smooth by indianelectronica in Dub key
Duration: 3 min 28 s
Description: A mellow number, this chilled out track's title is drawn from a philosophical concept of 'illusion without attributes.'

intresting one.never heard this kind of music.

Dub key

SkyWalker @Mukti Gathering: Cross-Over To The Dark Side

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Bruno Cruz Live @ The Taste Of Freedom Festival - Germany Berlin 2013 🇩🇪

A mellow number, this chilled out track's title is drawn from a philosophical concept of 'illusion without attributes.' 

Maya Saguna - Abdul Smooth

Played live by Bruno Cruz.

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Enjoy <3

Ministry Of Dub-Key - Are You Dubbed? - Episode 5

Osho

I Do Not Scream For An Audience  I Shout At The Holy Exhibition sound track.  Alunawachuma DJ Mix recorded at "Celaya Brothers Gallery, Mexico City", for Carlito Dalceggios Exhibition on 25th February 2016. Contains elements of Carlitos Freedom Temple Manifesto Alunawachuma arrangement with the voice of Sahar Farmanfarmaian, Golshifteh Farahani, Lilaya Jun and  contains elemnets of Mercandede and Tabula Rasa.  African song "Sangoma" by Alunawachuma with the the voices of Madosini.  Poetry of Carlito Dalceggio performed by Golshifteh Farahani.  Also included, themes from Bolero Symphony,(unknown orchestra), tribal screams and shouts and devotional chants from around the world. 



I Do Not Scream For An Audience  I Shout At The Holy

Credits :-

Produced by Achint Thakkar at Pyramind Studios, San Francisco & Shalimar Studios, Mumbai
Mixed by P.A.Deepak at A.M Studios, Chennai & JSW, Mumbai
Mastered by Christian Wright at Abbey Road Studios, London

Vocals on 'Tandav', 'Forest Fires', 'Impression', 'Exit Shalimar', 'Last Dance' - Achint Thakkar 
Vocals on 'Komal' - Neeti Mohan
Vocals on 'Impression' - Bibi Swarn Nooran
Rap on 'Impression' - Blaaze
Naveen Kumar - Flute
Yogesh Mohre - Shehnai
Suraj Manik - Bass 
Shalom Benjamin - Bass 
Lynda Arnold - Flute
Ajay Jayanthi - Violin
Rupak Dhamankar - Tabla
P.V.Thirumurthy - Nadaswaram

Additional Vocals: 
'Tandav' - Joginder Diwana
'Impression' & 'Meeting The Mountain' - Oriel Poole 
'Bhetasi', 'Moonlight Sonata' & 'Last Dance' - Eden Shyodhi
'Enter Shalimar', 'Bhetasi' & 'Last Dance' - Bhutte Khan & Multan Khan
'Enter Shalimar' & 'Bhetasi' - Pawni Pandey
Male Choir for 'Exit Shalimar' - Parth Pandya, Harshvir Oberai, Aniket Mangrulkar, Karunesh Talwar, Premal Raval, Suraj Manik, Shalom Benjamin, Aaron Carvalo, Ayan De, Viraj Saxena, Krishna Purohit, Neil Batavia, Omar Iyer

Recording Engineers :
Brett Jonhson at Pyramind Studios, San Francisco
Achint Thakkar at Shalimar Studios, Mumbai
Tanmay Bhattacharjee at Cotton Press Studios, Mumbai
Ben Fernandes at AudioSlam Studios, Mumbai
P.A.Deepak at A.M Studios, Chennai
Kartik Sekeran at A.M Studios, Chennai

Album Cover Photography - Omar Iyer
Album Cover Design - Vijesh Rajan
Inlay Art - Neil Batavia

"Komal" & "Impression" based on poems by Bulleh Shah
"Moonlight Sonata" composed by Ludwig Van Beethoven

iTunes

Moonlight Sonata

Over the past ten years, Terrakota has forged its own pan-African and trans-Atlantic rootsworldkota sound. On its sixth studio album “Oxalá”, the band embraces its Portuguese roots while diving more deeply into their rock influences. A message of hope for humanity.

“Oxalá” is a Portuguese word, of Arabic origin, venerated in Brazil. It comes from the Arabic expression “inch'allah”, an expression often used in Portuguese (“se Deus quiser”). In Portugal, Oxalá stands for the desire for something to happen. Followers of the Afro-Brazilian religion candomblé know Oxalá or Obatalá as the first orixá (Nigerian yoruba god), creator of the world, men, animals and plants.

“Oxalá”, one word, one expression but a lot of meaning, a place where many cultures collide and intermingle. A word that comes from the Arabs, who were based in Portugal for centuries and left their marks, before it was introduced in Lusophone countries via the trans-atlantic slave trade. These darkest pages of human history somehow intrigue Terrakota, following the ancient trade routes, but turned upside-down, from the New World back to Africa, drinking from the fantastic musical diversity that has been spread around the world through slavery.

For Terrakota, Oxalá, that desire for something to happen, can be understood as a political statement, a desire for humans to go back to a lifestyle in harmony with the nature that surrounds us, for a world without borders where cultural encounters are the norm, a No Man's Land where no man can claim the land is theirs. The critical status of the human societies and the planet serve as a base for a conscious message to which the band will not renounce.

Portuguese roots
Terrakota's first albums were inspired by travels to Burkina Faso, Senegal, Mali, Guinea, while also incorporating influences from Latin America. The fourth album is clearly marked by their trip to India. This one is inspired by an internal travel, giving light to Portuguese songs built on top of their Afro-explosive melting pot: Afro-Brazilian rhythms, soukouss, reggae, afrobeat, gnawa, influences from India & beyond.
Africa remains the main source, the starting point from where the band looks for the perfect alchemy to get to their trademark modern roots sound, where all borders, distances and barriers are wiped out.

The band has again invited guests to make the music even richer, special people with whom the band has a privileged relationship: traditional Alentejo singer Vitorino, Indian singer Mahesh Vinayakram, French rapper Florian Doucet, beatmaker & producer Beat Laden, Kumpania Algazarra's horn section, and backing vocals by the Lisbon-based Selma Uamusse (Mozambique) & Anastácia Carvalho (Angola), without forgetting a brilliant text by the Angolan rapper Luaty Ikonoklasta.

After parting ways with vocalist Romi and two sabbaticals, Terrakota has added fresh blood with the young and talented singer/multi-instrumentalist Gonçalo Sarmento, the gracious performer/dancer Diana Rego, as well as new drummer Márcio Pinto and percussionist Paulo das Cavernas. These new elements and the extra years of travelling for the veterans have brought Terrakota to an even more mature sound, concising lyrics and the guts to do some songwriting in addition to their explosive Afro-world sound.
The Portuguese globetrotters have reached new highs and are ready to take Europe by storm and get back to the international festivals to make the audience dance to their positive vibes and energizing live performance!

www.terrakota.org

Oxalá

Social Insecurity

KEY-G - Omen’s and Artifacts
Key-G’s 7 Track album “Omens & Artifacts” drops on Desert Tax on October 20th. This Spain producer is rapidly forging his own psy-dub sound, similar to artists like OTT and Globular, and offers a refreshing journey through diverse instrumentation, thoughtful progression, and clean production. From the luscious moods of Third Eye Girl, to Fairy Faith’s warm and welcoming groove, “Omens & Artifacts” is an essential listen, and sure to keep you tuned into the journey. We are thrilled to welcome Key-G to the Desert Trax family.

Buy all

Key - G - Coco Bread

Iskra Pygmy - Improvisation

2nd track from the "RECOOKED SESSIONS EP" 2012

Released by Optimus Discos, you can download your free copy here:

http://optimusdiscos.pt/discos/destaques/re-cooked-sessions

The magicians of the Afro-Portuguese música mestiça are back! 
On the ‘Re-Cooked Sessions’ EP they reinvent several songs of ‘World Massala’ and ‘Oba Train’, and they add two new, inedited tracks. The fusions are even more dared, an explosive cocktail of music from motherland Africa, the Caribbean, India, the Sahara and Brazil.

It’s not a remix album like the others as it’s the musicians themselves who have revitalized their
music. Massala Dub, Chelo Habibi Dub and Ayam Dub are three dubs from the album ‘World
Massala’ with added vocals by the carnatic singer Mahesh Vinayakram, the Bollywood star
Vasundhara Das and percussions by Kuthla Khan of Rajasthan Roots. Helio Bentes, the charismatic
singer of the mythical Brazilian reggae band Ponto de Equilibrio, lends his characteristic voice to
So Free. On Move On, Florian Doucet, former singer/rapper of the Belgian reggaeband Family Jammin’, reflects on the actual global indignation and Occupy movements, a reggae that is embellished by a kamelen’goni.

The three last songs are bonus tracks: Afro-power remixes of the hits Oba Train, Pé Na Tchon
and Slow Food. Oba Train Remix gets additional raps by the Angolans Conductor (Buraka Som
Sistema) and Ikonoklasta (Batida, Conjunto Ngonguenha). Pé Na Tchon Remix has been totally
remodelled by the unique flow in Cape-Verdean Creole by the mysterious K Kota. Slow Food
Remix has undergone Beat Laden’s ‘clubbing’ treatment to detonate the dancefloors!

Terrakota - Massala Dub ft. Vasundhara Das & Mahesh Vinayakram

RACHID N BASS
BARANDA 13
http://www.facebook.com/events/319575751447842/


RACHID TAHA- Mabrouk Aalik - DJ SAYED REMIX

Three Sisters (feat. Tatyana Kalmykova) volkor remix sample

Sana Jamm - When Moombah Meets Dubstep

Here's a Sitar pumper with a celestial breakdown for the interstellar Lovecraft/von Däniken sect. Featuring vocals by Mustafa Akbar (Nappy Riddem/Fort Knox Five).

Chariot

Indian Electronica is an online community, record label, radio station and annual music festival showcasing cutting-edge electronic music inspired by South Asian traditions. 

Initially popularised in the mid 1990s with the UK's Asian Underground movement, the music of Indian Electronica is expressive of an increasingly complex global identity. Indian Electronica music fuses 'East' and 'West' using technology and tradition to produce some of the World's most innovatively emotive and exciting sounds.

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Maya Saguna - Abdul Smooth

indianelectronica

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