This week we discuss my misadventures in Hollywood with my film BROKEN. I talk about how to be ready if and when the spotlight of Hollywood is on you and your project. What to do in those meetings and how NOT to waste the opportunity. 

IFH 003: The Hollywood Game - Be Prepared to Play

So you want to move to Los Angeles and make it big in Hollywood. The question is should you? Do you need to? When should you if you do? What kind of plan should I have in place? What should you do if you live in another country? All will be answered in this episode.

IFH 005: Do I Need to Move to Los Angeles to Make it in the Film Business?

In this episode we tackle visual effects in indie film. Visual Effects in Indie Film is really hit or miss, mostly miss. Many indie filmmakers don’t have any idea what to do when it comes to visual effects.

Uber visual effects artist Dan Cregan takes you through a master class on indie film visual effects and tells us how he went from indie visual effects to huge studio films like Guaridans of the Galaxy and The Hobbit.

IFH 006: Indie Film VFX Master Class with Visual Effects Artist Dan Cregan

I’m so excited to have on the show this week Dov Simens, founder of Hollywood Film Institute. He created the remarkable 2 Day Film School and has launched the careers of Quentin Tarantino, Chris Nolan, Spike Lee, Kevin Smith, Queen Latifah, Guy Ritchie & more.

Without taking his course I wouldn’t have been able to make my first film BROKEN. He laid the foundation for my filmmaking career. It’s sounds nuts that you can learn everything you need to know to make a feature film in 2 days but you can.

Sit back and prepared to be schooled in the ways of Jedi Film Teacher Dov Simens.

http://www.indiefilmhustle.com

IFH 007: Dov Simens – American Greatest & Quentin Tarantino’s Film Teacher

On this week's episode we discuss a dirty indie film distribution secret, Producer's Reps. Like all things in life not all producer's reps are evil, scam artists or scumbags. Many do a great job and are more than fair with the filmmakers they work for.

I'm hear to warn you about the other kind of producer's rep, the predatory, conman that loves to promise the world and deliver nothing to the already broke filmmaker. I was burned by one of these grifters early in my journey as a indie filmmaker and producer.

Get Social with Indie Film Hustle:
Facebook: Indie Film Hustle
Twitter: @indiefilmhustle 
Instagram: @ifilmhustle

YouTube: Indie Film Hustle TV
Podcast: IFH Podcast

IFH 004: What is a Producer's Rep & How not to be Ripped Off!

Now before I get a bunch of hate mail please let me explain. I love cinematographers. You can;t make a movie without on. It's by far one of the toughest positions on set. The pressure is immense.

With that said the explosion of low cost cameras and lighting gear has thrown a huge amount of "cinematographers" into the market place.

This podcast is a warning to young and inexperienced filmmakers not to hire not just a director of photography but any top level crew member  solely because they on some of the latest gear.

This advice also goes for sound department, editorial, lighting, visual effects and definitely color grading. When hiring any top level positions in a film production it should be based on resume, demo reel, or reputation.



All I'm saying is don't hire a crew member just because of the gear he or she owns. You'll thank me. Take a listen to this episode to hear my horror story that cost me over $50,000. OUCH!

Get Social with Indie Film Hustle:
Facebook: Indie Film Hustle
Twitter: @indiefilmhustle 
Instagram: @ifilmhustle

YouTube: Indie Film Hustle TV
Podcast: IFH Podcas

IFH 018: Don't Only Hire a DP because they own a RED Camera!

SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast

I wanted to do something special for the Indie Film Hustle Tribe this year. I’m in Park City, UT interview some AMAZING filmmakers, producers, agents and actors. In celebration of Sundance I’ll be releasing a podcast a day during the week.

I wanted to launch this special Sundance Film Festival series with a bang. In this episode I speak to indie film favorite and all around amazing human being Elijah Wood (Lord of the Rings, Sin City) and his remarkable partners Josh Waller, Daniel Noah and Lisa Whalen (Company X) over at their company SpectreVision.

I have to say that this is by far one of my favorite interviews I’ve ever done. It was part filmmaking masterclass, branding lesson, James Lipton interview and party. I learned a ton from the gang and really felt the passion these friends and partners have for making the kind of films they want to see.

All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus PR.

Indie Film Hustle Podcast: Filmmaking | Film School | Screenwriting | Film Marketing | Independent Film | Cinematography | Film

IFH 130: Elijah Wood and the SpectreVision Team – Creating a Brand & Making Killer Films

Inside the Spec Script Market with Agent David Boxerbaum
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast

We all have heard about screenwriter selling a spec script for seven figures (see Max Landis) but who is the power brokers who are helping that process along? Enter Paradigm Literary Agent David Boxerbaum.

David is a senior agent at Paradigm, and his impressive client roster includes the likes of David Guggenheim, writer of Safehouse; Ken Marino, writer/producer of Wanderlust and writer of Role Models; Maria Maggenti, writer of MTV’s Finding Carter; and Ransom Riggs, writer/co-executive producer of the upcoming supernatural horror thriller, Black River.

At the age of 26, David was listed as one of the Hollywood Reporter’s “Next Generation 35 Under 35,” making him one of the youngest people ever to make the list. He is known for his impeccable taste and his strong industry relationships which help him garner six- and seven-figure sales for his clients in a shrinking spec marketplace.

What is an agent like David Boxerbaum looking for in a screenwriter? How does an agent work with a client to build a career? How do you approach a Literary Agent? All will be answered in this episode. Enjoy!

All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus PR.

Indie Film Hustle Podcast: Filmmaking | Film School | Screenwriting | Film Marketing | Independent Film | Cinematography | Film Festival | Filmmaking Podcasts I Moviemaker

IFH 131: Inside the Spec Script Market with Agent David Boxerbaum

Rebel in the Rye & How to Become a Producer with Jason Shuman

SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast

Every once in a while we get a real Hollywood producer on the show. Jason Shuman is a producer and director, known for Lone Survivor (2013), Role Models (2008) and Bangkok Dangerous (2008) and this year's Sundance hit Rebel in the Rye (2017), written and directed by Danny Strong. Now not only is Jason a very accomplished producer but man is he a nice guy.

He was so generous with his time and knowledge. He was dropping knowledge bombs left and right. Jason Shuman started producing with indie films like one of my faves, Comic Book Villains (2002) and moved quickly up to studio films with horror classic Darkness Falls (2003) (based on a short film).

IFH 132: Rebel in the Rye & How to Become a Producer with Jason Shuman

I ran into many filmmakers while fighting the blizzard at this year’s Sundance Film Festival but one of the most impressive of the bunch was director Sydney Freeland. Sydney has had a challenging journey to become a director and her story is inspiring, to say the least.

Prior to making her first feature-length film, Sundance darling Drunktown’s Finest, Sydney Freeland previously worked as a production assistant, as a writer, and as a camera intern. Freeland worked in a number of areas, including; National Geographic, Walt Disney, The Food Network and Comedy Central. Freeland garnered her first taste of success with the six-minute short film, Hoverboard, utilizing Kickstarter to help fund the short. The film was inspired by her love of Back to the Future Part II.

Drunktown’s Finest is her second venture into filmmaking. The 95-minute long film is a coming-of-age story about the complex issues surrounding identity and the struggles faced by Native American people. The film’s name is inspired by a controversial 20/20 segment on ABC News, which branded the town of Gallup, New Mexico as “Drunk Town, USA“, after the increase of instances of alcoholism on the border of the Navajo Nation.

Freeland wrote, directed Drunktown’s Finest as means to combat the negative stereotype of her home community. Sydney Freeland, who is herself a transgender woman, is also directing a digital series about queer and trans women called Her Story.


Photo by: Netflix
At this year’s Sundance Film Festival Sydney Freeland is premiering her latest film Deidra & Laney Rob a Train, which was financed completely by Netflix. Two teenage sisters start robbing trains to make ends meet after their single mother’s emotional meltdown in an electronics store lands her in jail. Coming to Netflix March 17. Here’s the trailer.



We sit down and discuss how it was like to work with Netflix, if the rumors of creative freedom are true and what Sundance has done for her career.

All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus.

IFH 133: Sydney Freeland: Working with Netflix & Maintaining Creative Freedom

The Filmmakers Podcast meets the Indie Film Hustle !!
Giles Alderson (The Dare) and Alex Ferrari (This Is Meg) chat together about making indie films, podcasting and how Alex made his latest film On The Corner of Ego and Desire at the Sundance Film Festival when the festival was in full swing right under the noses of the every day public and staff.
We start at the beginning though and how Alex got started in film-making and his ups and downs before he finally made his first feature film This is Meg.

Alex discusses how being the problem as a first timer filmmaker/director and being the issue is one of the reasons why your film might not get made but sometimes it's good not to happen too early or he would have self imploded and destroyed himself with all that came with it.

Being so close before it gets taken away is brutal and devastating.

How he went after his dream and made This Is Meg. and wrote the Scriptment with the star of the film Jill-Michele Melean .

He decided to do what he preaches about and went out and made a movie. "Just do it. Find the resources you know and make it happen". and How he put it out on various platforms including Hulu.

People always think your first film has to be a breakthrough hit . It doesn’t. Just make a film and learn from your failings

Making On The Corner of Ego and Desire, a feature film at the Sundance Film Festival during the festival was a challenge but he made it happen. Getting the cast and crew together and making the ‘director’ role a female. Wanted to make a movie about trying to sell a movie at Sundance. A this is Spinal Tap for the movie makers

How people at teh festival were happy to help out. Managed to shoot in amazing places, Molly’s, outside nightclubs, on buses and Sundance head quarters without getting kicked out.

The only issue was the party scene they had at their own Sundance party were people were having too much fun to care about someone making a movie.

But Alex tells us how making the whole movie was like improvisation Jazz. It’s emotional and semi autobiographical

Distribution side of things . Going to see where the festivals takes it.

“Get out of your own way, stop being afraid and get out and do it. Don't wait for it to be perfect”

Fail as often as you can so you can get down to the work

You have to love this,

Not only does Alex run the Indie Film Hustle podcast and website but also now hosts the Bullet proof screenwriters podcast

Links
www.Bulletproofscreenwriters.com
www.Indiefilmhustle.com
https://indiefilmhustle.com/egoanddesire/
BUY This is Meg https://www.amazon.com/This-Meg-Jill-Michele-Mele%C3%A1n/dp/B074DQQN1M
Twitter @indiefilmhustle @IamAlexFerrari

WATCH World of Darkness documentary: https://www.amazon.co.uk/World-Darkness-Documentary-Kevin-Lee/dp/B07BS35KQ2
Follow us at www.thefilmmakerspodcast.com
T @filmmakerspod @gilesalderson

The Filmmakers Podcast

Ep 54 HOW TO MAKE AN INDIEFILM AT SUNDANCE FILM FESTIVAL with Alex Ferrari

Indie Film Hustle is dedicated to showing you how to hack filmmaking & the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside with no BS, just the truth on what it takes to survive and thrive doing what you love. 

We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producing, film business, screenwriting, movie scripts, film distribution, film marketing, VOD, VHX, iTunes distribution, DIY filmmaking stuff, short films, feature films, video training courses, web series and much more in this podcast, all in an effort for you to survive and thrive in the jungles of the film business. 

Hosted by Filmmaker Alex Ferrari 
http://www.indiefilmhustle.com

IFH 018: Don't Only Hire a DP because they own a RED Camera!

IFH Filmmaking & Screenwriting Podcast Network

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