it's a beautiful track. I discovered it on YouTube. thanks to AI. can you please share the lyrics?

@futurehaven 🙏 hopefully there’ll be a new fav on the new record. 

Debris

Comedown

Indian Summer

stream - https://open.spotify.com/album/39qUadS4LcPjLyuH0VTdgU?si=m51qY8kaTa678ezEln9fvA

https://gorgeousbully.bandcamp.com/album/bullring

Bullring

Totally True

FLYYING COLOURS
NEW EP - ‘ROYGBIV’
11th MAY ON CLUB AC30 (UK) /12th MAY ON SHELFLIFE (US)

•	“It’s hard not to crush on the extensive, encircling sound of Flyying Colours” – NO FEAR OF POP
•	 “blistering from start to finish, Kevin Sheields’-inspired shadows linger” - CLASH

Melbourne-based shoegazers Flyying Colours return with a second EP of psychedelic pop textures tempered with sugar-rush melodies. The ‘ROYGBIV’ EP is out May 11th on Club AC30 and Shelflife.

Hailing from a country more synonymous with the beachcombers and the sunshine coast than shoegaze luminaries, Flyying Colours have nonetheless been compared to Lush and Ride, weaving smooth, tactile vocals with coarse textures with finely-crafted songwriting. 

True to their name, Flyying Colours unashamedly display their influences on ROYGBIV – tone-bending My Bloody Valentine / Swervedriver guitars, ferocious bass hooks and the familiar soft hush of early 90s dueting vocals. Added to the mix is their own edgy, refreshing pop-mindedness, buoyed by the lush vocal interplay 

On ‘Running Late’ guitars overlap, playing seemingly different melodies and rhythms, as the vocals float up from the ether of the background. Hearkening back to the 80s but also at once sounding thoroughly futuristic, there’s finely-textured guitar loops and lo-fi delay used to get effect throughout the record. ‘Not Today’ and ‘Leaks’ share the same considerable style and skill: successfully channelling not just Kevin Shield’s growling, bending, wall-of-sound guitars, but also Bilinda Butcher’s cooing, unintelligible vocals. The album opener ‘I Don’t Want To Let You Down’ sports a rolling darkwave groove that’s like Joy Division gone psychedelic. 

Formed in 2011, Flyying Colours self-titled EP received a considerable amount of attention, which was then backed up by their explosive live shows, setting them well apart from others occupying Melbourne's fledgling shoegaze scene. A follow-up, ROYGBIV is a snapshot of a band reaching for the heavens and finding themselves reflected in at all over the cosmos: a sign of greater things to come.


Flyying Colours – UK / EU Tour – May 2015
06 May – CARDIFF - Clwb Ifor Bach   with Pinkshinyultrablast
07 May – BIRMINGHAM - The Temple  with Pinkshinyultrablast
08 May – NOTTINGHAM - Lofthouse with Pinkshinyultrablast
09 May – LEICESTER - Scholar Bar with Pinkshinyultrablast
11 May – LONDON - Hoxton Bar & Kitchen with Pinkshinyultrablast
13 May – RAMSGATE - Music Hall with Pinkshinyultrablast
15 May – BRIGHTON – The Great Escape Festival - The Hope
22 May – PRAGUE - 007 Venue
23 May – HAMBURG - Molotiv


Flyying Colours - Running Late

From the album The Waves on Mexican Summer (MEX056).

Tamaryn - Sandstone

Good Morning TV — First EP 

All songs written & composed by Bérénice Deloire
Produced & mixed by Barth Bouveret
Mastering by Luis Calderon 

Ordinary People

"You're Not There," off of Lunch Ladies' debut LP, "Down on Sunset Strip." The seven-track album is out now via all digital formats.

Lunch Ladies:

Matt Whitley
Cynthia Rittenbach
Matt Ramiz
Peter Gargano

facebook.com/LunchLadiesNJ/
lunchladies.bandcamp.com/album/down-o…sunset-strip
twitter.com/lunchladies666

Down on Sunset Strip

Lunch Ladies - "You're Not There"

New demo track by philly indie-pop-nugaze artist Tom Lugo aka Panophonic

Searching for home in the stars at night
No one can see me sending signals toward the lights
Then you came into my life

With you,
Our skies are always blue
The world is in full view
Nothing that we can’t do

Will spend a lifetime looking into your eyes
Making wishes to stop the hands of time
Don’t ever want to let this die

With you,
Our skies are always blue
The world is in full view
Nothing that we can’t do

Panophonic- Nothing That We Can’t Do

This album can be purchased through us indoorvoices.bandcamp.com or through Bleeding Gold Records 
bleedinggoldrecords.bandcamp.com
credits
Released 22 October 2012 
All songs copyright ©2012 Indoor Voices under exclusive licence to Bleeding Gold Records. 

Guest vocalists: 

"Still": Catherine Debard - Sally Paradise, Ylang ylang (Montreal, Canada) 
sallyparadise.bandcamp.com ylangylang.bandcamp.com

"So smart": Casey Mecija - Ohbijou (Toronto, Canada) 
ohbijou.com 

"After": Sandra Vu - SISU, Dum Dum Girls (Los Angeles, USA) 
sisuband.com 

"Hung out": Anne Boutonnat - Marc Desse (Paris, France) marcdesse.bandcamp.com 

"Hung out": Spooky Bubble - Alligator Indian (Asheville, USA) - alligatorindian.bandcamp.com 

Mixed by Jason Finkel in Brooklyn, New York 
jasonfinkel.com 

Mastered by Jeff "Fedge" Elliot in Toronto, Canada 
fedge.ca

02 So smart

Peel Dream Magazine is the musical vehicle for NYC's Joe Stevens, who launched the band in 2018 with the critically acclaimed album "Modern Meta Physic." With it Stevens created a mysterious, liminal tribute to the hazy end of ‘90s dream-pop – a masterful mix of first-class songwriting precision and train-window sonic impressionism that duly found its place on numerous "Best of 2018" lists.

After 18 months of writing and live shows with a shifting cast of band members, Peel Dream are back with "Agitprop Alterna," an album that pushes the group's dreamy, motorik-heavy sound to a deeply melodic and beautifully discordant place. The album pays homage to a strain of mod-ish U.K. pop that spans early My Bloody Valentine and Talulah Gosh, up through early Stereolab, Belle & Sebastian, and even Broadcast. It's also indebted to stateside pop bands that were cut from a similar cloth -- Rocketship, Lilys, Yo La Tengo, and even "Nevermind"-era Nirvana.

Where the creation of "Modern Meta Physic" was a solitary pursuit, "Agitprop Alterna" found Stevens channeling the collaborative spirit of the band's ever-rotating live incarnation in the studio. The album is ultimately defined by the tension of difference: between itself and its predecessor; intertwined male-female vocals; the music's languid dreaminess and concrete sonic immediacy.

Deeply rooted in the Brechtian ideas of art as a tool to spur action, "Agitprop Alterna" deepens the connection between the existential and the interpretive first explored on "Modern Meta Physic," giving the listener space to find their own meaning in shimmering guitars, fuzzed-out synths, and buzzing organ drones. It is a rejection of manipulation in all its forms and a buzzsaw against complacency – soft-focus pop whose clear-cut message is that you get to decide the message. It's a rare trick to agitate without being obvious: perhaps that makes "Agitprop Alterna" the most Peel Dream Magazine-like statement yet.

02 So smart

Indoor Voices

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