Calm classical music. Updates every Wednesday with popular tracks in Poland.

Classicalm

An album to indulge thoughts about how you can grow to become your best you.

Count To Ten

Henry Purcell - Triosonate met blokfluit, discant gamba & continuo in d, Z.806, 809 & 796

02 - Gift of Shuritashi

11 Track 11

Sonatine pour piano, II. Mouvement de Menuet

ALIEN STAGE / ALNST

CURE (ROUND 6):
 https://youtu.be/SV9SwKd6J3w?si=4KVHfWM35WB1cp5X

CURE (FULL SONG):
 https://youtu.be/z-OjzweMxVM?si=nyPJXX46sAM4GRiq

CURE (STRING SPECIAL SOUNDTRACK):
https://youtu.be/ZpanCia3cVs?si=LQNITMxpb-oA_PQT

VIVINOS:
www.youtube.com/@VIVINOS

QMENG:
www.youtube.com/@QMENG

STUDIO LICO:
www.youtube.com/@STUDIOLICO

Cure | ALIEN STAGE (String Special Soundtrack)

蒼天航路OST-王朝

Celestial Pianos (Notas do Infinito)

No Jardim Com Deus

I. Tocata Grande do Saltério, anônima (Paranaguá, Séc.XVIII/XIX)
II. Passio, J.J.E. Lobo de Mesquita (Arraial do Tejuco, 1782)
III. Fuga, anônima (Mariana, Séc. XVIII)

Americantiga, reg. Ricardo Bernardes

Gravação ao vivo, Theatre Chatelet, Paris, 05/07/2025.

Os três movimentos da suíte são releituras livres de obras que circularam no Brasil Colonial, em distintas regiões. A “Tocata Grande do Saltério”, anônima, aparece na coleção de “Cifras de Música para Saltério”, de António Vieira dos Santos, em Paranaguá/ PR, no início do Séc. XIX. “Passio” vem de um breve moteto à capela que anuncia a “Paixão segundo S. Mateus”, dentro do Ofício de Domingo de Ramos, de 1782, de José Joaquim Emerico Lobo de Mesquita, a partir de cópias de Mariana e Diamantina/MG. A “Fuga” é a última parte, “In te Domine speravi”, de um “Te Deum” anônimo, cujo manuscrito está preservado em Mariana/MG, erroneamente atribuído a Manuel Dias de Oliveira. As obras originais apresentam estilos e formas contrastantes entre si, mas tem em comum o fato de fazerem parte do passado colonial brasileiro.

Suite Antiga Brasileira no.2

Where the Sky Whales Sleep

Echoes of an Airborne Kingdom

Eyes on Me

Recorded at Zion Community Commons, August 21, 2025

Laura Harada, violin
Aaron Kerr, cello
Rebecca Hass, piano

About “Ad Parnassum” (Ad Parnassum, 1932)
The dark outline of a pyramid-shaped mountain glows beneath a warm orange sun while an open archway invites the viewer to take the first step on their journey towards enlightenment. Inspired by the pyramids and temples of Egypt, Paul Klee’s pointillistic masterpiece from 1932 is built from contrasting blocks of color built up brick by brick in a style that he called “divisionism.” In the same way, the music takes the form of a rondeau as repeated musical progressions are developed through textural variations. In Greek mythology, Mount Parnassus is associated with Orpheus and the home of the nine muses and “a step towards Parnassus” (gradus ad Parnassum) came to define the gradual process of pursuing mastery in scholarship or the arts through diligent, repeated practice. The climb towards any summit begins with a single step and although that journey can be defined as a series of steps towards a goal, there is no guarantee that the path will be straightforward. The path may be winding, or may double back on itself, or seem to disappear altogether – it is built from small victories, epiphanies, frustrations and defeats – and by the end you have come full circle, stepping through the door towards Parnassus once again, both an exit and an entrance.

Ad Parnassum (1932) - No. 144.1 from Paul Klee : Painted Songs

Pale Light

A melancholic classical piano piece in A minor, with a slow 80bpm tempo, The primary instrument is a grand piano, playing a flowing, arpeggiated melody with a strong sense of rubato, The dynamics shift from soft to moderately loud, creating a sense of emotional depth, The piece features a clear, resonant piano tone with natural reverb, suggesting a spacious recording environment, The harmony is rich, utilizing extended chords and suspensions to enhance the emotional quality, The structure appears to be through-composed, with evolving melodic and harmonic ideas rather than strict verse-chorus repetition, The overall mood is reflective and somber

Gerson in Minor Key No 6

INDRAGERSN

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